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Just Normlicht multiLight 3 M BASIC (with Illuminant A)

Just Normlicht multiLight 3 XL BASIC (with Illuminant A)

Just Normlicht multiLight 3 L BASIC (with Illuminant A)

Calibrite ColorChecker Video Mega

Calibrite ColorChecker Video Mega

The ColorChecker Video Mega is designed for those longer and wider shots when you need a larger reference target. Both will speed up your colour correction process and save you hours in post. Use it to nail exposure, match multiple cameras and maintain consistency during changing light, so that you can tell your story as perfectly as possible. Measuring an impressive 1020 x 1520mm, the Mega is the largest target within the ColorChecker Video range and is an ideal tool for the following photographic scenarios and more: Cine – wide shots: landscape, cityscape, custom sets Event filmmaking: concerts, churches, sports, stage Aerial filmmaking: drone photography The ColorChecker Video Mega provides an extra-large format for effortlessly capturing the target at greater distances and wider angles. The Video Mega is designed for shoots when the space between your camera and subject is too great to capture a smaller target. This target eliminates the need to move your camera closer or adjust the focal length of your lens, allow you to shoot in the same lighting condition that is falling on your subject and minimise colour casting from any surrounding light. The ColorChecker Video Target includes: Chromatic Colours: Six saturated and six de-saturated colour chips aligned with video production Skin Tones: Six colour chips from light to dark with different undertones Gray Levels: Four larger steps for even gray balance, including white, 40IRE gray, deep gray and high gloss black reference patches Linear Grayscale: Six steps for even gray balance, including highlight and shadow regions Illumination Check Chips: Black and white colour chips at two corners to better assist in determining even illumination ColorChecker Video charts make your workflow faster, more consistent and more colour balanced. They allow everyone on your team – from producer to cinematographer to editor to colourist – to work with consistent colour information. They save you time, from pre-production through production, and help you get to your creative look faster. Achieving the proper colour balance and exposure for video can be challenging. F-stops in cameras don’t always match. Ambient lighting conditions change. Multiple cameras and lenses have different looks, even if they are the same brand and model. All of this adds up to quality control challenges and increased workload in post-production for your colourist or editor. Here’s what ColorChecker Video offers: Video Colour Target Speed up your colour grading workflow by achieving ideal exposure and colour balance, whether shooting with one camera or multiples. The colour chart includes a series of chromatic colour chips, skin tone chips, gray chips and illumination check chips. The layout is designed for ideal performance when used with vectorscopes and waveforms, whether on camera or in software. Chromatic Colours: two rows of six chromatic colour chips, both saturated and desaturated, specifically designed to align with the colour axis on a vectorscope. These colours provide two levels of colour information to more quickly achieve an ideal colour balance. Skin Tones: ranging from light to dark with subtle undertones to better reproduce accurate flesh tones. This row of chips is positioned on the outer edge of the target for easy alignment. Large Gray Levels: four larger steps for even gray balance, including white, 40IRE gray, deep gray and high gloss black. These levels are ideal for determining proper exposure whether you use a waveform, zebras, or false colours. Use these levels to align the exposure and contrast of cameras you are matching and ensure that mid-tones are rendered accurately. These chips are positioned in the centre of the test target for maximum exposure, even on a wide set. Linear Grayscale: six colour chips for achieving even gray balance. This row addresses highlight and shadow regions. Illumination Check Chips: black and white chips at two corners to better assist in determining even illumination across the target 3rd Party Software Support ColorChecker Video is supported by 3rd party software solutions for improved colour grading and efficiencies. DaVinci Resolve 3DLUT Creator

SEK 91458.75
1

Calibrite ColorChecker Video XL

Calibrite ColorChecker Video XL

The Calibrite ColorChecker Video XL provides an extra-large format for effortlessly capturing the target at greater distances and wider angles. It provides the same chromatic colours, skin tones and gray reference chips of the standard size ColorChecker Video, but twice as large. You’ll be able to eliminate the need to move your camera closer or adjust the focal length of your lens, shoot in the same lighting condition that is falling on your subject and minimise colour casting from any surrounding light. You’ll also be able to increase the capture resolution for more accurate post-production work. The Calibrite ColorChecker Video XL is designed for those longer and wider shots when the space between your camera and subject is too great to capture a smaller target. Ideal for large production environments such as: Cine Wide Shots: Landscape, Cityscape, Custom Sets Event Filmmaking: Concerts, Churches, Sports, Stage Aerial Filmmaking: Drones Using a ColorChecker Video XL target at capture gets you to a worry-free, colour balanced, consistently neutral and ideally exposed place faster than ever before. It’s an essential colour tool you won’t want to be without, saving you valuable time from pre-production through post. ColorChecker Video XL is an extra-large all-in-one durable and rigid video target. The target is available by itself or with two forms of added protection; your choice of a simple carry sleeve or a fully configurable carrying case. ColorChecker Video charts make your workflow faster, more consistent and more colour balanced. They allow everyone on your team – from producer to cinematographer to editor to colourist – to work with consistent colour information. They save you time, from pre-production through production, and help you get to your creative look faster. Achieving the proper colour balance and exposure for video can be challenging. F-stops in cameras don’t always match. Ambient lighting conditions change. Multiple cameras and lenses have different looks, even if they are the same brand and model. All of this adds up to quality control challenges and increased workload in post-production for your colourist or editor. Here’s what ColorChecker Video offers: Video Colour Target Speed up your colour grading workflow by achieving ideal exposure and colour balance, whether shooting with one camera or multiples. The colour chart includes a series of chromatic colour chips, skin tone chips, gray chips and illumination check chips. The layout is designed for ideal performance when used with vectorscopes and waveforms, whether on camera or in software. Chromatic Colours: two rows of six chromatic colour chips, both saturated and desaturated, specifically designed to align with the colour axis on a vectorscope. These colours provide two levels of colour information to more quickly achieve an ideal colour balance. Skin Tones: ranging from light to dark with subtle undertones to better reproduce accurate flesh tones. This row of chips is positioned on the outer edge of the target for easy alignment. Large Gray Levels: four larger steps for even gray balance, including white, 40IRE gray, deep gray and high gloss black. These levels are ideal for determining proper exposure whether you use a waveform, zebras, or false colours. Use these levels to align the exposure and contrast of cameras you are matching and ensure that mid-tones are rendered accurately. These chips are positioned in the centre of the test target for maximum exposure, even on a wide set. Linear Grayscale: six colour chips for achieving even gray balance. This row addresses highlight and shadow regions. Illumination Check Chips: black and white chips at two corners to better assist in determining even illumination across the target 3rd Party Software Support ColorChecker Video is supported by 3rd party software solutions for improved colour grading and efficiencies. DaVinci Resolve 3DLUT Creator

SEK 5066.25
1

Calibrite ColorChecker 3-Step Grayscale

Calibrite ColorChecker 3-Step Grayscale

Simplify camera and studio lighting balance with this three step gray-scale target for performing quick colour adjustments and evaluating studio lighting conditions. The ColorChecker 3-Step Grayscale includes the white, 18% gray, and black reference patches found in the 24-patch ColorChecker Classic, all on a single full-sized card. Use it to capture accurate colour before your photo session or video shoot, and save yourself editing time and effort afterwards. On site, use it as the first reference shot in a photo series or video footage to instantly correct colour by balancing on the mid-tone gray value. In the studio, use it to evaluate exposure and balance between main and fill lights to quickly set up the proper lighting ratio, and to set white balance. The ColorChecker 3-Step Grayscale target also provides reference values for adjusting colours within most common photo or video editing software packages, allowing you to make quick colour adjustments. The ColorChecker Grayscale is scientifically engineered to provide a precise, uniform surface that is spectrally neutral (reflects equal amounts of red, blue and green) in all types of lighting conditions. Use it for a variety of applications: Digital Photography: Check images, set white balance and verify exposure and balance between main and fill lights Film Photography: Check films, lights, filters and paper Filmmaking: Set exposure; check colour bias for cameras and lights A full-sized target including the white, 18% gray, and black reference squares found in the 24-patch ColorChecker Classic target, which are scientifically engineered to provide a precise, uniform surface that is spectrally neutral (reflects equal amounts of red, blue and green) in all types of lighting conditions. On site, use it as the first reference shot in a photo series or video footage to instantly correct colour by balancing on the mid-tone gray value. In the studio, use it to evaluate exposure and balance between main and fill lights to quickly set up the proper lighting ratio, and to set white balance. The ColorChecker 3-Step Grayscale target also provides reference values for adjusting colours within most common photo or video editing software packages, allowing you to make quick colour adjustments.

SEK 1073.75
1

Calibrite ColorChecker Digital SG

Calibrite ColorChecker Digital SG

Obtain the widest colour gamut available! Nothing optimizes the power of your digital camera like the ColorChecker Digital SG (semi-gloss). It’s the original ColorChecker target, enhanced for digital photography. The ColorChecker Digital SG comes in the same size as the Classic – 215.9 x 279.4mm and can be used for a variety of applications, including: Digital Photography: Check images, correct white balance and perform extensive colour analysis for correction Film Photography: Check films, lights, filters and paper Graphic Arts: Check any printing or proofing process Scanner Profiling: Create custom ICC scanner profiles (with compatible software) Specifically designed to meet the needs of digital photographers, the Digital ColorChecker SG target includes the highest quality colour reference standards available. Each of the 140 patches was chosen for its location in colour space to expand the colour gamut, so you can create profiles that capture the full capabilities of your digital camera and scanner. The ColorChecker Digital SG target includes the colours from the standard ColorChecker target, many of which represent natural objects, such as human skin tone, foliage and blue sky. Additional skin-tone reference colours deliver greater accuracy and consistency over a wide variety of skin tones, and gray scale steps provide accurate control of camera balance to maintain a neutral aspect, regardless of light source. Digital ColorChecker SG can also be used to create a white balance with your digital camera to guarantee precise, uniform, neutral white under any lighting condition. ColorChecker Digital SG provides the same great value as the ColorChecker Classic to compare digital reproductions to real life scenes or test targets. The ColorChecker Digital SG takes a step beyond the traditional ColorChecker by representing a larger gamut and providing greater refinement of individual colours. Simply include ColorChecker Digital SG in your first photo if you’re shooting JPEG or traditional, or any photo in the series if you’re shooting RAW. Later, in the studio, use it to compare, measure and analyse differences in colour reproduction in any colour rendition system. This objective standard will help you avoid costly mistakes and trial-and-error colour correction after the fact. 3rd Party Software Support: Hasselblad Phocus for ICC camera profiling Phase One ICC

SEK 4941.25
1

Calibrite ColorChecker Video XL w/SL

Calibrite ColorChecker Video XL w/SL

ColorChecker Video XL: The Calibrite ColorChecker Video XL provides an extra-large format for effortlessly capturing the target at greater distances and wider angles. It provides the same chromatic colours, skin tones and gray reference chips of the standard size ColorChecker Video, but twice as large. You’ll be able to eliminate the need to move your camera closer or adjust the focal length of your lens, shoot in the same lighting condition that is falling on your subject and minimise colour casting from any surrounding light. You’ll also be able to increase the capture resolution for more accurate post-production work. The Calibrite ColorChecker Video XL is designed for those longer and wider shots when the space between your camera and subject is too great to capture a smaller target. Ideal for large production environments such as: Cine Wide Shots: Landscape, Cityscape, Custom Sets Event Filmmaking: Concerts, Churches, Sports, Stage Aerial Filmmaking: Drones Using a ColorChecker Video XL target at capture gets you to a worry-free, colour balanced, consistently neutral and ideally exposed place faster than ever before. It’s an essential colour tool you won’t want to be without, saving you valuable time from pre-production through post. ColorChecker Video XL is an extra-large all-in-one durable and rigid video target. The target is available by itself or with two forms of added protection; your choice of a simple carry sleeve or a fully configurable carrying case. ColorChecker XL Sleeve: This black portable sleeve for the ColorChecker XL provides durability and protection for your chart when stored or out on a shoot. The sleeve features a tricot interior and can easily be transported in a hard shell carry case with your other video equipment. Features include: • Durable black polyester exterior and soft tricot interior • Designed to fit into a hard shell travel case • The size of the case is 559 x 387mm ColorChecker Video charts make your workflow faster, more consistent and more colour balanced. They allow everyone on your team – from producer to cinematographer to editor to colourist – to work with consistent colour information. They save you time, from pre-production through production, and help you get to your creative look faster. Achieving the proper colour balance and exposure for video can be challenging. F-stops in cameras don’t always match. Ambient lighting conditions change. Multiple cameras and lenses have different looks, even if they are the same brand and model. All of this adds up to quality control challenges and increased workload in post-production for your colourist or editor. Here’s what ColorChecker Video offers: Video Colour Target Speed up your colour grading workflow by achieving ideal exposure and colour balance, whether shooting with one camera or multiples. The colour chart includes a series of chromatic colour chips, skin tone chips, gray chips and illumination check chips. The layout is designed for ideal performance when used with vectorscopes and waveforms, whether on camera or in software. Chromatic Colours: two rows of six chromatic colour chips, both saturated and desaturated, specifically designed to align with the colour axis on a vectorscope. These colours provide two levels of colour information to more quickly achieve an ideal colour balance. Skin Tones: ranging from light to dark with subtle undertones to better reproduce accurate flesh tones. This row of chips is positioned on the outer edge of the target for easy alignment. Large Gray Levels: four larger steps for even gray balance, including white, 40IRE gray, deep gray and high gloss black. These levels are ideal for determining proper exposure whether you use a waveform, zebras, or false colours. Use these levels to align the exposure and contrast of cameras you are matching and ensure that mid-tones are rendered accurately. These chips are positioned in the centre of the test target for maximum exposure, even on a wide set. Linear Grayscale: six colour chips for achieving even gray balance. This row addresses highlight and shadow regions. Illumination Check Chips: black and white chips at two corners to better assist in determining even illumination across the target 3rd Party Software Support ColorChecker Video is supported by 3rd party software solutions for improved colour grading and efficiencies. DaVinci Resolve 3DLUT Creator

SEK 5377.50
1

Calibrite ColorChecker Video XL w/CS

Calibrite ColorChecker Video XL w/CS

ColorChecker Video XL: The Calibrite ColorChecker Video XL provides an extra-large format for effortlessly capturing the target at greater distances and wider angles. It provides the same chromatic colours, skin tones and gray reference chips of the standard size ColorChecker Video, but twice as large. You’ll be able to eliminate the need to move your camera closer or adjust the focal length of your lens, shoot in the same lighting condition that is falling on your subject and minimise colour casting from any surrounding light. You’ll also be able to increase the capture resolution for more accurate post-production work. The Calibrite ColorChecker Video XL is designed for those longer and wider shots when the space between your camera and subject is too great to capture a smaller target. Ideal for large production environments such as: Cine Wide Shots: Landscape, Cityscape, Custom Sets Event Filmmaking: Concerts, Churches, Sports, Stage Aerial Filmmaking: Drones Using a ColorChecker Video XL target at capture gets you to a worry-free, colour balanced, consistently neutral and ideally exposed place faster than ever before. It’s an essential colour tool you won’t want to be without, saving you valuable time from pre-production through post. ColorChecker Video XL is an extra-large all-in-one durable and rigid video target. The target is available by itself or with two forms of added protection; your choice of a simple carry sleeve or a fully configurable carrying case. ColorChecker XL Case: This rugged black portable case for the ColorChecker XL provides the ultimate durability and protection for your chart when stored or out on a shoot. The case features a black polyester exterior and soft tricot interior for complete protection of your chart. Features include: • Black polyester exterior and soft tricot interior • Elastic straps in corners keep target secure • Lie flat or self-standing • Carry handle can easily be used to attach to c-stand or clamp • Carry strap is shoulder length and ideal for transporting • Zippered back pocket for storage • The size of the case is 578 x 483mm ColorChecker Video charts make your workflow faster, more consistent and more colour balanced. They allow everyone on your team – from producer to cinematographer to editor to colourist – to work with consistent colour information. They save you time, from pre-production through production, and help you get to your creative look faster. Achieving the proper colour balance and exposure for video can be challenging. F-stops in cameras don’t always match. Ambient lighting conditions change. Multiple cameras and lenses have different looks, even if they are the same brand and model. All of this adds up to quality control challenges and increased workload in post-production for your colourist or editor. Here’s what ColorChecker Video offers: Video Colour Target Speed up your colour grading workflow by achieving ideal exposure and colour balance, whether shooting with one camera or multiples. The colour chart includes a series of chromatic colour chips, skin tone chips, gray chips and illumination check chips. The layout is designed for ideal performance when used with vectorscopes and waveforms, whether on camera or in software. Chromatic Colours: two rows of six chromatic colour chips, both saturated and desaturated, specifically designed to align with the colour axis on a vectorscope. These colours provide two levels of colour information to more quickly achieve an ideal colour balance. Skin Tones: ranging from light to dark with subtle undertones to better reproduce accurate flesh tones. This row of chips is positioned on the outer edge of the target for easy alignment. Large Gray Levels: four larger steps for even gray balance, including white, 40IRE gray, deep gray and high gloss black. These levels are ideal for determining proper exposure whether you use a waveform, zebras, or false colours. Use these levels to align the exposure and contrast of cameras you are matching and ensure that mid-tones are rendered accurately. These chips are positioned in the centre of the test target for maximum exposure, even on a wide set. Linear Grayscale: six colour chips for achieving even gray balance. This row addresses highlight and shadow regions. Illumination Check Chips: black and white chips at two corners to better assist in determining even illumination across the target 3rd Party Software Support ColorChecker Video is supported by 3rd party software solutions for improved colour grading and efficiencies. DaVinci Resolve 3DLUT Creator

SEK 6677.50
1

Ilford GALERIE Washi Discovery Pack - A4, 18 sheets

EIZO Monitor ColorEdge CS2410-BK 24" Svart

EIZO Monitor ColorEdge CS2410-BK 24" Svart

ColorEdge CS2410 Excellent image quality for sharp images Constant tone value over the entire screen One monitor, many ports The ColorEdge CS2410 is the perfect introduction to the EIZO graphics monitor series. The 24-inch monitor is designed specifically for creative professionals working exclusively in the sRGB gamut. The painstaking factory calibration enables immediate, out-of-the-box use for colour-accurate editing of photos and videos as well as graphic design. The 16-bit look-up table, DUE for uniform image display, and quick and easy hardware calibration using ColorNavigator make this model a true ColorEdge, a highly precise and reliable tool for photographers, digital artists and graphic designers. - IPS panel with LED technology, contrast 1000:1, brightness 300 cd/m2 , resolution 1920 x 1200 - 100% sRGB gamut - 16-bit LUT for exact hardware calibration of brightness, white balance and gamma - Digital Uniformity Equalizer for excellent luminance distribution and colour purity - Immediate use possible thanks to EIZO factory calibration - DisplayPort, DVI-D and HDMI inputs - ColorNavigator software available for free download - Recommended optional accessories: measurement sensor for hardware calibration and CH2400 light protection Whats included - Power cord, Signal cable DisplayPort - DisplayPort, Signal cable HDMI - HDMI, USB cable, Quick guide För att säkerställa att du får ut det mesta av din färgåtergivning är det viktigt att använda en skärmkalibrator i din arbetsprocess. Detta är särskilt viktigt för dig som jobbar med foton och vill att din skärm ska optimeras så mycket som möjligt. Nedan hittar du två av marknadens bästa och mest eftertraktade tillverkare av utrustning för att kalibrera din monitor. Calibrite Datacolor

SEK 7211.25
1

NCS Album 2050

NCS Album 2050

Arguably the most universal tool in the NCS Design Tools family. Perfect for design studios, architectural firms, marketing bureaus and other teams working continuously with colour design. • The most comprehensive product out of the NCS Design Tools. • The colours are represented by unmounted single A9 colour samples, allowing the user to work and interact efficiently with the NCS Album 2050. • Perfect product for making interactive colour combinations or to visually inspect and define each individual colour, no matter what material or surface. HOW THE COLOURS ARE ARRANGED Each NCS 2050 Standard Colour is represented by colour samples that can be detached for comparison or used in mood boards etc., positioned in the NCS Album based on its relationship to the colours in nuance and hue. • The NCS Album 2050 contains 80 pages of samples, two per hue. • Each Hue contains up to 65 colours in different nuances, with 3 samples of each colour tucked into pockets on the page. • The samples are organized based on the position of each colour in the NCS Colour Space. • 5 Additional pages with neutral and tinted greys. • The NCS Album 2050 is divided in two parts (albums). The first part with pure grey colours together with the hues Y-R90B. The second part with the hues B-G90Y. A practical storage box is included. COLOUR RANGE Complete album with the NCS 2050 Standard Colour range. In other words, a total of 2050 colours covering the human visuality of colour. INCLUDED IN THE PRODUCT • 3 pcs of A9 samples for each colour. 2050 colours and 6150 samples in total (refill samples are available, and easily ordered from ncscolour.com). • NCS Notation printed on the back of all colour samples. • Album with black durable fabric cover (Brillianta).

SEK 31297.50
1

Honeywell Compact 4 Mobile Mark III

Honeywell Nova 4 Mark II

Rotary Trimmer - cutting length 1300 mm/cutting capacity 2 mm, incl. stand

Datalogic HandScanner

TSC MH341

Wacom Intuos M, Bluetooth, Black

TSC MH241, 8 dots/mm (203 dpi)