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Rauch Roll-Up 180MS DisplayPlus Stoplight matt - 230 g/m², 42" x 20 meter

Rauch Roll-Up 180MS DisplayPlus Stoplight mat - 230 g/m², 50" x 20 meter

Rauch Roll-Up 180MS DisplayPlus Stoplight matt - 230 g/m², 24" x 20 meter

Rauch Roll-Up 180MS DisplayPlus Stoplight matt - 230 g/m², 36" x 20 meter

Honeywell PM42

Honeywell PX6i

Rauch Pop-Up 310M rullgardins- och pop up-film matta - 430 g/m², 36" x 20 meter

Rauch Pop-Up 310M rull- och pop-up film matta - 430 g/m², 42" x 20 meter

Honeywell PM43

Rauch Roll-Up 200M "vit baksida" DisplayPlus Universal vit baksida - 270 g/m², 42" x 20 meter

Rauch Roll-Up 200M "vit baksida" DisplayPlus Universell vit baksida - 270 g/m², 24" x 20 meter

Rauch Roll-Up 200M "vit baksida" DisplayPlus Universal vit baksida - 270 g/m², 36" x 20 meter

Rauch Roll-Up 200M "vit baksida" DisplayPlus Universal vit baksida - 270 g/m², 50" x 20 meter

Honeywell PX4i,

Grafisk-Handel Tex Banner 183 gram - 44" x 30 m

Grafisk-Handel Tex Banner 183 g/m² - 36" x 30 m

Calibrite ColorChecker Video XL w/CS

Calibrite ColorChecker Video XL w/CS

ColorChecker Video XL: The Calibrite ColorChecker Video XL provides an extra-large format for effortlessly capturing the target at greater distances and wider angles. It provides the same chromatic colours, skin tones and gray reference chips of the standard size ColorChecker Video, but twice as large. You’ll be able to eliminate the need to move your camera closer or adjust the focal length of your lens, shoot in the same lighting condition that is falling on your subject and minimise colour casting from any surrounding light. You’ll also be able to increase the capture resolution for more accurate post-production work. The Calibrite ColorChecker Video XL is designed for those longer and wider shots when the space between your camera and subject is too great to capture a smaller target. Ideal for large production environments such as: Cine Wide Shots: Landscape, Cityscape, Custom Sets Event Filmmaking: Concerts, Churches, Sports, Stage Aerial Filmmaking: Drones Using a ColorChecker Video XL target at capture gets you to a worry-free, colour balanced, consistently neutral and ideally exposed place faster than ever before. It’s an essential colour tool you won’t want to be without, saving you valuable time from pre-production through post. ColorChecker Video XL is an extra-large all-in-one durable and rigid video target. The target is available by itself or with two forms of added protection; your choice of a simple carry sleeve or a fully configurable carrying case. ColorChecker XL Case: This rugged black portable case for the ColorChecker XL provides the ultimate durability and protection for your chart when stored or out on a shoot. The case features a black polyester exterior and soft tricot interior for complete protection of your chart. Features include: • Black polyester exterior and soft tricot interior • Elastic straps in corners keep target secure • Lie flat or self-standing • Carry handle can easily be used to attach to c-stand or clamp • Carry strap is shoulder length and ideal for transporting • Zippered back pocket for storage • The size of the case is 578 x 483mm ColorChecker Video charts make your workflow faster, more consistent and more colour balanced. They allow everyone on your team – from producer to cinematographer to editor to colourist – to work with consistent colour information. They save you time, from pre-production through production, and help you get to your creative look faster. Achieving the proper colour balance and exposure for video can be challenging. F-stops in cameras don’t always match. Ambient lighting conditions change. Multiple cameras and lenses have different looks, even if they are the same brand and model. All of this adds up to quality control challenges and increased workload in post-production for your colourist or editor. Here’s what ColorChecker Video offers: Video Colour Target Speed up your colour grading workflow by achieving ideal exposure and colour balance, whether shooting with one camera or multiples. The colour chart includes a series of chromatic colour chips, skin tone chips, gray chips and illumination check chips. The layout is designed for ideal performance when used with vectorscopes and waveforms, whether on camera or in software. Chromatic Colours: two rows of six chromatic colour chips, both saturated and desaturated, specifically designed to align with the colour axis on a vectorscope. These colours provide two levels of colour information to more quickly achieve an ideal colour balance. Skin Tones: ranging from light to dark with subtle undertones to better reproduce accurate flesh tones. This row of chips is positioned on the outer edge of the target for easy alignment. Large Gray Levels: four larger steps for even gray balance, including white, 40IRE gray, deep gray and high gloss black. These levels are ideal for determining proper exposure whether you use a waveform, zebras, or false colours. Use these levels to align the exposure and contrast of cameras you are matching and ensure that mid-tones are rendered accurately. These chips are positioned in the centre of the test target for maximum exposure, even on a wide set. Linear Grayscale: six colour chips for achieving even gray balance. This row addresses highlight and shadow regions. Illumination Check Chips: black and white chips at two corners to better assist in determining even illumination across the target 3rd Party Software Support ColorChecker Video is supported by 3rd party software solutions for improved colour grading and efficiencies. DaVinci Resolve 3DLUT Creator

SEK 0.00
1

Calibrite ColorChecker Video XL

Calibrite ColorChecker Video XL

The Calibrite ColorChecker Video XL provides an extra-large format for effortlessly capturing the target at greater distances and wider angles. It provides the same chromatic colours, skin tones and gray reference chips of the standard size ColorChecker Video, but twice as large. You’ll be able to eliminate the need to move your camera closer or adjust the focal length of your lens, shoot in the same lighting condition that is falling on your subject and minimise colour casting from any surrounding light. You’ll also be able to increase the capture resolution for more accurate post-production work. The Calibrite ColorChecker Video XL is designed for those longer and wider shots when the space between your camera and subject is too great to capture a smaller target. Ideal for large production environments such as: Cine Wide Shots: Landscape, Cityscape, Custom Sets Event Filmmaking: Concerts, Churches, Sports, Stage Aerial Filmmaking: Drones Using a ColorChecker Video XL target at capture gets you to a worry-free, colour balanced, consistently neutral and ideally exposed place faster than ever before. It’s an essential colour tool you won’t want to be without, saving you valuable time from pre-production through post. ColorChecker Video XL is an extra-large all-in-one durable and rigid video target. The target is available by itself or with two forms of added protection; your choice of a simple carry sleeve or a fully configurable carrying case. ColorChecker Video charts make your workflow faster, more consistent and more colour balanced. They allow everyone on your team – from producer to cinematographer to editor to colourist – to work with consistent colour information. They save you time, from pre-production through production, and help you get to your creative look faster. Achieving the proper colour balance and exposure for video can be challenging. F-stops in cameras don’t always match. Ambient lighting conditions change. Multiple cameras and lenses have different looks, even if they are the same brand and model. All of this adds up to quality control challenges and increased workload in post-production for your colourist or editor. Here’s what ColorChecker Video offers: Video Colour Target Speed up your colour grading workflow by achieving ideal exposure and colour balance, whether shooting with one camera or multiples. The colour chart includes a series of chromatic colour chips, skin tone chips, gray chips and illumination check chips. The layout is designed for ideal performance when used with vectorscopes and waveforms, whether on camera or in software. Chromatic Colours: two rows of six chromatic colour chips, both saturated and desaturated, specifically designed to align with the colour axis on a vectorscope. These colours provide two levels of colour information to more quickly achieve an ideal colour balance. Skin Tones: ranging from light to dark with subtle undertones to better reproduce accurate flesh tones. This row of chips is positioned on the outer edge of the target for easy alignment. Large Gray Levels: four larger steps for even gray balance, including white, 40IRE gray, deep gray and high gloss black. These levels are ideal for determining proper exposure whether you use a waveform, zebras, or false colours. Use these levels to align the exposure and contrast of cameras you are matching and ensure that mid-tones are rendered accurately. These chips are positioned in the centre of the test target for maximum exposure, even on a wide set. Linear Grayscale: six colour chips for achieving even gray balance. This row addresses highlight and shadow regions. Illumination Check Chips: black and white chips at two corners to better assist in determining even illumination across the target 3rd Party Software Support ColorChecker Video is supported by 3rd party software solutions for improved colour grading and efficiencies. DaVinci Resolve 3DLUT Creator

SEK 0.00
1

Hahnemühle Signing Pen Duo

Calibrite ColorChecker Classic Nano

Calibrite ColorChecker Classic Nano

For those extremely small or close up projects, the Nano version of the ColorChecker target provides a precision colour reference for the tightest or most close up shots. Measuring just 24 x 40mm, the Nano is the smallest target within the ColorChecker range and is an ideal tool for the following photographic scenarios and more; Macro photography: Extreme close-up photography, nature. Art photography: Small art photography, stamps. Object photography: Jewellery, coins, miniature objects. ColorChecker targets are ideal for creating custom camera profiles (DNG and ICC), correcting neutral balance and exposure, and provides a standard for colour corrections. The targets provide a non-subjective standard of comparison to help determine the true colour balance of any colour rendition system. It provides the needed standard for comparing, measuring and analyzing differences in colour reproduction in various processes—avoiding costly mistakes. The ColorChecker target is an array of 24 scientifically formulated colours that has been the leading industry colour reference target for more than 40 years. It is designed to deliver true-to-life colour reproduction so that photographers and filmmakers can predict and control how colour will look under any illumination. Each of the 24 colours found on a ColorChecker target represents the actual colour of natural objects, such as human skin tone, foliage and blue sky, and reflects light just like its real-world counterpart. Since these colours exemplify the colour of their counterparts in the natural world and reflect light the same way in all parts of the visible spectrum, the squares will match the colours of representative samples of natural objects under any illumination, and with any colour reproduction process. Each solid patch is formulated individually to produce a pure, flat, rich colour. ColorChecker targets have been used by Colour perfectionists for the past decade to create custom DNG profiles for Adobe Lightroom® and Photoshop® workflows. You can also build custom ICC camera profiles for use in Capture One® (or other ICC compatible software) when you combine ColorChecker targets with Calibrite ColorChecker Camera Calibration software. You’ll get accurate colour at capture based on specific lighting, camera and lens combination during any given shoot, saving valuable time in edit. Taking advantage of a ColorChecker target is easy. Simply include the ColorChecker in your photo or video capture and then later, while editing use it to compare, measure and analyze differences in colour reproduction in any colour rendition system. The ColorChecker can help you make global corrections based on accurate information. If you shoot a large number of images that all require the same colour correction, you know that editing a few key photos and applying your changes can sometimes change colours you didn’t intend to be changed. A shot of the ColorChecker captured under the same lighting as your images will provide a point of reference, so you can see exactly how changes will affect the rest of your colours before you apply them. This objective standard will help you avoid costly mistakes and trial-and-error colour adjustments while editing your images or colour grading. 3rd Party Software Support: Adobe Photoshop and Adobe Lightroom via a free plugin Color Finale Black Magic DaVinci Resolve for colour grading in a video editing workflow Hasselblad Phocus for ICC camera profiling 3DLUT Creator

SEK 0.00
1

Calibrite ColorChecker 3-Step Grayscale

Calibrite ColorChecker 3-Step Grayscale

Simplify camera and studio lighting balance with this three step gray-scale target for performing quick colour adjustments and evaluating studio lighting conditions. The ColorChecker 3-Step Grayscale includes the white, 18% gray, and black reference patches found in the 24-patch ColorChecker Classic, all on a single full-sized card. Use it to capture accurate colour before your photo session or video shoot, and save yourself editing time and effort afterwards. On site, use it as the first reference shot in a photo series or video footage to instantly correct colour by balancing on the mid-tone gray value. In the studio, use it to evaluate exposure and balance between main and fill lights to quickly set up the proper lighting ratio, and to set white balance. The ColorChecker 3-Step Grayscale target also provides reference values for adjusting colours within most common photo or video editing software packages, allowing you to make quick colour adjustments. The ColorChecker Grayscale is scientifically engineered to provide a precise, uniform surface that is spectrally neutral (reflects equal amounts of red, blue and green) in all types of lighting conditions. Use it for a variety of applications: Digital Photography: Check images, set white balance and verify exposure and balance between main and fill lights Film Photography: Check films, lights, filters and paper Filmmaking: Set exposure; check colour bias for cameras and lights A full-sized target including the white, 18% gray, and black reference squares found in the 24-patch ColorChecker Classic target, which are scientifically engineered to provide a precise, uniform surface that is spectrally neutral (reflects equal amounts of red, blue and green) in all types of lighting conditions. On site, use it as the first reference shot in a photo series or video footage to instantly correct colour by balancing on the mid-tone gray value. In the studio, use it to evaluate exposure and balance between main and fill lights to quickly set up the proper lighting ratio, and to set white balance. The ColorChecker 3-Step Grayscale target also provides reference values for adjusting colours within most common photo or video editing software packages, allowing you to make quick colour adjustments.

SEK 0.00
1

Rauch Tyvek EXPO rivtålig och väderbeständig texturbanner - 105 g/m², 54" x 30 meter