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Clairefontaine Paint On Natural

Clairefontaine Paint On Natural

Clairefontaine Paint On Multi-Techniques Naturel can be used for a wide range of materials and techniques. In fact, it lends itself to everything from fine liners to watercolour and acrylic paints. The paper in this block from Clairefontaine is strong, thick and absorbent. The paper has a smooth texture, is acid-free and has a fine, natural beige colour. Clairefontaine Paint On Multi-Techniques Naturel is printed on 250 gram paper and comes with 30 sheets. Available in A3, A4 and A5 sizes.

SEK 76.00
1

Clairefontaine Paint On Multi-Techniques Black

Clairefontaine Paint On Multi-Techniques Black

Clairefontaine Paint On Multi-Techniques Noir contains black pages and can be used for a variety of materials and techniques. In fact, it is suitable for everything from fine liners to watercolour and acrylic paints. The paper in this pad from Clairefontaine is strong, thick and has good absorbency. The paper has a smooth texture and is acid-free and its deep black colour lends itself to creating huge contrast. Clairefontaine Paint On Multi-Techniques Noir is printed on 250 gram paper and comes with 30 sheets. Available in A3, A4 and A5 sizes.

SEK 75.00
1

A3

A3

Canson XL Kraft is a true "fine art" drawing paper that contains no optical brighteners and it is acid-free, unlike most products on the market. Canson XL Kraft has a spiral back and is printed on tinted beige paper, which allows for distinctive highlights in pencil, charcoal or pastel drawing. Canson XL Kraft comes with 60 sheets on 90 gram paper and is available in A5, A4 or A3 sizes. Please note that approximately 1cm of the format is lost if the paper is torn from the spiral spine.

SEK 91.00
1

HIMI Palette

HIMI Palette

With paper palettes from HIMI you can enjoy the ultimate in creativity and convenience. This unique palette is made from high-quality paper that is gentle on the environment. It is lightweight, portable and ideal for both professional artists and hobbyists. The HIMI Paper Palette is designed with practicality in mind. It has a convenient size that fits perfectly in your hand and its thin profile makes it easy to store and transport. It also has a strong adhesive edge that holds your colors securely in place so you can paint effortlessly. With the HIMIpaper palette, you also get the advantage of being disposable. When you're done painting, you don't have to worry about cleaning the palette. You can easily tear off the top layer to reveal a fresh and clean base for your next artwork. The HIMI Paper Palette is also practical because it allows you to organize your colors in a clear way. You can arrange them in rows or circles, depending on your preferences and artistic style. Whether you paint with acrylic or oil, the HIMIpaper palette will give you a seamless painting experience. You can mix colors, experiment with tones and achieve precise color blends while holding the palette comfortably in your hand.

SEK 61.00
1

A2 (15 sheets)

A2 (15 sheets)

TheCanson XL Mix Media block is designed to be used with virtually all types of materials and media - be it watercolour, acrylic, pastel, ink, gouache or a combination of these. All in all, a very flexible block printed on 300 gram acid-free paper. In addition, the block has a spiral back and a strong backing that ensures that neither the block nor individual sheets take damage during transport.TheCanson XL Mix Media pad contains 30 sheets and is available in A5, A4, A3 and A2 sizes. Note that approximately 1 cm of the format is lost if the paper is torn from the spiral spine.

SEK 91.00
1

Unbleached Titanium

Unbleached Titanium

Color: Unbleached TitaniumPermanence: AAOpacity: OpaquePigment: PW6Pigment description: Rutile Titanium Dioxide (Untreated)ASTM Rating Ligthfastness: IPigment classification: Synthetic inorganicColor Index Number: 77891Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

SEK 96.00
1

Mars Violet

Mars Violet

Colour: Mars VioletPermanence: AAOpacity: OpaquePigment: PR101, PBk11Pigment description: Synthetic Iron OxideASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

SEK 96.00
1

125ml

125ml

Color: Mars Black Permanence: AAOpacity: OpaquePigment: PBk11Pigment description: Synthetic Black Iron OxideASTM Rating Ligthfastness: IPigment classification: Synthetic InorganicColor Index Number: 77499Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

SEK 67.00
1

Burnt Rose Dark

Burnt Rose Dark

Color: Burnt Rose DarkPermanence: AAOpacity: OpaquePigment: PBk11, PBr7Pigment description: Calcined Natural and Synthetic Iron OxidesASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

SEK 96.00
1

Flesh Tint

Flesh Tint

Colour: Flesh TintPermanence: AAOpacity: OpaquePigment: PW6, PO20, PR108Pigment description: Rutile Titanium Dioxide, Cadmium SulphoselenideASTM Rating Ligthfastness: IPigment classification: MixtureColour Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

SEK 96.00
1

Ciao

Ciao

Slightly whitish pink which reminds the petals of cherry blossom. Copic Classic: The model with the longest history, used mainly in the design and art scenes. With a total of 214 colours, it has wide tips and fine nibs that are ideal for design applications Solid traction There are two types of tips, wide tips and fine tips. Fine nibs are handy for detailed drawing, and wide nibs are characterized by being slightly larger than Copic sketches and Chao nibs. Copic Classic has a series of 214 colours specialised in design applications. The main body is square, and the cap has a color label with a color number and color name printed on it. Copic Ciao: Copic's entry-level model that makes you love drawing more. It's an entry model that uses less ink than Copic sketches and carefully selects 180 colors to make it easier to pick up. Like the Copic sketch, there are two types of nibs, superbrush and medium wide. Specifications that are easy to draw There are two types of nibs, superbrush and medium wide, which have the same specifications as the Copic sketch. The main body is circular and the cap has a safety cap structure to prevent accidental ingestion. All 180 colours to enjoy colour choice Copic Chao has a range of 180 colours from all 358 colours in the range. Even those picking it up for the first time can enjoy intuitive colour selection.

SEK 53.00
1

Classic

Classic

A neutral gray between warm gray and cool gray. Copic Classic: The model with the longest history, used mainly in the design and art scenes. With a total of 214 colours, it has wide tips and fine points that are ideal for design applications Solid traction There are two types of tips, wide tips and fine tips. Fine nibs are handy for detailed drawing, and wide nibs are characterized by being slightly larger than Copic sketches and Chao nibs. Copic Classic has a series of 214 colours specialised in design applications. The main body is square, and the cap has a color label with a color number and color name printed on it. Copic Ciao: Copic's entry-level model that makes you love drawing more. It's an entry model that uses less ink than Copic sketches and carefully selects 180 colors to make it easier to pick up. Like the Copic sketch, there are two types of nibs, superbrush and medium wide. Specifications that are easy to draw There are two types of nibs, superbrush and medium wide, which have the same specifications as the Copic sketch. The main body is circular and the cap has a safety cap structure to prevent accidental ingestion. All 180 colours to enjoy colour choice Copic Chao has a range of 180 colours from all 358 colours in the range. Even those picking it up for the first time can enjoy intuitive colour selection.

SEK 89.00
1

120ml

120ml

Imagine a whole new way to paint! A paint that comes in a package that is innovative, elegant, handy and feels right. Sennelier has been known by word of mouth for its quality since 1887, the year Gustave Sennelier opened his first shop as a paint merchant. He developed extra large tubes of paint for artist Nicolas de Staël and created the oil pastel for Pablo Picasso. 128 years later, Sennelier is still innovating their products with the launch of the first range of acrylic paints for artists in a brand new packaging. Innovative acrylics made in France. Abstract by Sennelier is a high quality paint made in France and packaged in a flexible bag that has a lot of advantages: as it sits well in the hand, it is also much easier to use. The bag is so strong that you can take it with you wherever you go, and unlike a paint tube, it can withstand even if you accidentally step on it! The paint lasts better as air can't get in, you can use every drop of paint without air bubbles that would cause the paint to squirt out of the container. With Abstract there are no surprises when choosing a colour, there is no difference from the colour you see on the outside to the one inside. The Abstract range contains 34 single pigmented colours in the range of a total of 60 different colours. 36 pcs satin gloss colours 12 full gloss colours 6 iridescent colours 6 Fluorescent colours

SEK 82.00
1

120ml

120ml

Imagine a whole new way to paint! A paint that comes in a package that is innovative, elegant, handy and feels right. Sennelier has been known by word of mouth for its quality since 1887, the year Gustave Sennelier opened his first shop as a paint merchant. He developed extra large tubes of paint for artist Nicolas de Staël and created the oil pastel for Pablo Picasso. 128 years later, Sennelier is still innovating their products with the launch of the first range of acrylic paints for artists in a brand new packaging. Innovative acrylics made in France. Abstract by Sennelier is a high quality paint made in France and packaged in a flexible bag that has a lot of advantages: as it sits well in the hand, it is also much easier to use. The bag is so strong that you can take it with you wherever you go, and unlike a paint tube, it can withstand even if you accidentally step on it! The paint lasts better as air can't get in, you can use every drop of paint without air bubbles that would cause the paint to squirt out of the container. With Abstract there are no surprises when choosing a colour, there is no difference from the colour you see on the outside to the one inside. The Abstract range contains 34 single pigmented colours in the range of a total of 60 different colours. 36 pcs satin gloss colours 12 full gloss colours 6 iridescent colours 6 Fluorescent colours

SEK 82.00
1

120ml

120ml

Imagine a whole new way to paint! A paint that comes in a package that is innovative, elegant, handy and feels right. Sennelier has been known by word of mouth for its quality since 1887, the year Gustave Sennelier opened his first shop as a paint merchant. He developed extra large tubes of paint for artist Nicolas de Staël and created the oil pastel for Pablo Picasso. 128 years later, Sennelier is still innovating their products with the launch of the first range of acrylic paints for artists in a brand new packaging. Innovative acrylics made in France. Abstract by Sennelier is a high quality paint made in France and packaged in a flexible bag that has a lot of advantages: as it sits well in the hand, it is also much easier to use. The bag is so strong that you can take it with you wherever you go, and unlike a paint tube, it can withstand even if you accidentally step on it! The paint lasts better as air can't get in, you can use every drop of paint without air bubbles that would cause the paint to squirt out of the container. With Abstract there are no surprises when choosing a colour, there is no difference from the colour you see on the outside to the one inside. The Abstract range contains 34 single pigmented colours in the range of a total of 60 different colours. 36 pcs satin gloss colours 12 full gloss colours 6 iridescent colours 6 Fluorescent colours

SEK 82.00
1