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Cantata No.211 - Coffee Cantata BWV 211

Cantata No.211: Schweigt Stille, Plaudert Nicht (Be quiet, chatter not) BWV 211.The Coffee Cantata (BA 10211) and the Peasant Cantata (BA 10212) both on librettos by Picander, are among the best-knownand most frequently performed of Bach’s secular cantatas.Written in or around 1733, the Coffee Cantata deals humorously with the importance of the newly fashionable beverage. This is demonstratedin the Soprano aria “Ah, how sweet the coffee tastes, lovelier than a thousand kisses, milder than Muscatel”.Both cantatas reveal Bach’s mastery in their unusual subject-matter, formal design, andmusicalworkmanship. Now they appear in separate editions based on the “New Bach Edition” with straightforward and easy-to-play Piano reductions by Andreas Köhs.- Urtext of the “New Bach Edition”.- Straightforward andeasy-to-play Piano reduction.- Vocal score (BA10211-90), performance material (BA10211) and study score (TP1211) available for sale.

Cantata BWV 211 Schweigt Stille

Cantata No.211: Schweigt stille, plaudert nicht (Be quiet, chatter not) BWV 211.The Coffee Cantata (BA 10211) and the Peasant Cantata (BA 10212) both on librettos by Picander , are among the best-knownand most frequently performed of Bach’s secular cantatas.Written in or around 1733, the Coffee Cantata deals humorously with the importance of the newly fashionable beverage. This is demonstrated in thesoprano aria “Ah, how sweet the coffee tastes, lovelier than a thousand kisses, milder than Muscatel”.Both cantatas reveal Bach’s mastery in their unusual subject-matter, formal design, andmusicalworkmanship. Now they appear in separate editions based on the “New Bach Edition” with straightforward and easy-to-play piano reductions by Andreas Köhs.- Urtext of the “New BachEdition”.- Straightforward and easy-to-play piano reduction.- Vocal score (BA10211-90), performance material (BA10211) and study score (TP1211) available for sale

W.A. Mozart: Violin Concerto No.2 In D K.211 (Violin/Piano)

An Urtext edition of W.A. Mozart's Violin Concerto No.2 In D K.211 as edited by Wolf-Dieter Seiffert and fingered by Kurt Guntner, with piano reduction by Siegfried Petrenz.

Cantata BWV 211 Schweigt Stille : Coffee Cantata

Cantata No.211: Schweigt stille, plaudert nicht (Be quiet, chatter not) BWV 211.The Coffee Cantata (BA 10211) and the Peasant Cantata (BA 10212) both on librettos by Picander , are among the best-knownand most frequently performed of Bach’s secular cantatas.Written in or around 1733, the Coffee Cantata deals humorously with the importance of the newly fashionable beverage. This is demonstrated in thesoprano aria “Ah, how sweet the coffee tastes, lovelier than a thousand kisses, milder than Muscatel”.Both cantatas reveal Bach’s mastery in their unusual subject-matter, formal design, andmusicalworkmanship. Now they appear in separate editions based on the “New Bach Edition” with straightforward and easy-to-play piano reductions by Andreas Köhs.- Urtext of the “New BachEdition”.- Straightforward and easy-to-play piano reduction.- Vocal score (BA10211-90), performance material (BA10211) and study score (TP1211) available for sale

Cantata BWV 211 Schweigt Stille : Coffee Cantata

Cantata No.211: Schweigt stille, plaudert nicht (Be quiet, chatter not) BWV 211.The Coffee Cantata (BA 10211) and the Peasant Cantata (BA 10212) both on librettos by Picander , are among the best-knownand most frequently performed of Bach’s secular cantatas.Written in or around 1733, the Coffee Cantata deals humorously with the importance of the newly fashionable beverage. This is demonstrated in thesoprano aria “Ah, how sweet the coffee tastes, lovelier than a thousand kisses, milder than Muscatel”.Both cantatas reveal Bach’s mastery in their unusual subject-matter, formal design, andmusicalworkmanship. Now they appear in separate editions based on the “New Bach Edition” with straightforward and easy-to-play piano reductions by Andreas Köhs.- Urtext of the “New BachEdition”.- Straightforward and easy-to-play piano reduction.- Vocal score (BA10211-90), performance material (BA10211) and study score (TP1211) available for sale

Improvisations GeWV 211

A Fantasy Impromptu Op. 211

Violin Concerto No. 2 (211)

The three movements reflect classical romantic concertos in not only their structure but also their character. The relations between soloist and orchestra echo the dramatic composition of traditional concertos besides providing a significant role for wind and percussion instruments in tonality, which creates a specific tone familiar from László Dubrovay's earlier compositions. His Violin Concerto No. 2, completed in April 2011, is dedicated to the internationally noted young Hungarian violinist, Kristóf Baráti, whose extraordinary performing skills inspired the flexible melodiousness and virtuoso perfection of the themes.

Kentucky 1800 : Quarter Military Band QMB 211

This classic work for young bands has stood the test of time and continues to appear on many state required lists. Based on three American folk songs (The Promised Land, Cindy and I'm Sad and I'm Lonely) it works just well forprogramming on lighter concerts as it does for contests and festivals. A trusted favorite. (Grade 3) (4:15) Recorded by the North Texas Wind Symphony - Eugene Corporon, conductor. Teaching Music through Performance in Band, Vol.1, Grade 2-3 Reference Recordings, CD-418. Used with permission from GIA Publications, Inc.

Kentucky 1800 : Quarter Military Band QMB 211

Set of Parts available: 48006253.

Coffee Aria from Coffee Cantata, BWV 211

Coffee Aria from Coffee Cantata, BWV 211

Violin Concerto No.2 in D major K.211

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied thepost of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimentingwith all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New, straightforward Piano reduction (BA4863-90) with:- Violinsolo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings, bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer, J. Joachim, S. Franko ,E. Ysaÿe , M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.

Violin Concerto No.2 in D major K.211

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied thepost of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimentingwith all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New, straightforward Piano reduction (BA4863-90) with:- Violinsolo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings, bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer, J. Joachim, S. Franko ,E. Ysaÿe , M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.

Violin Concerto No.2 in D major K.211

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied thepost of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimentingwith all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New, straightforward Piano reduction (BA4863-90) with:- Violinsolo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings, bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer, J. Joachim, S. Franko ,E. Ysaÿe , M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.

Violin Concerto No.2 in D major K.211

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied thepost of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimentingwith all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New, straightforward Piano reduction (BA4863-90) with:- Violinsolo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings, bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer, J. Joachim, S. Franko ,E. Ysaÿe , M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.

Violin Concerto No.2 in D major K.211

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied thepost of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimentingwith all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New, straightforward Piano reduction (BA4863-90) with:- Violinsolo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings, bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer, J. Joachim, S. Franko ,E. Ysaÿe , M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.

Be silent, not a word : Coffee cantata - BWV 211

Be silent, not a word : Coffee cantata - BWV 211

Be silent, not a word : Coffee cantata - BWV 211

Be silent, not a word : Coffee cantata - BWV 211

Be silent, not a word : Coffee cantata - BWV 211

Be silent, not a word : Coffee cantata - BWV 211

Be silent, not a word : Coffee cantata - BWV 211