Digital synlighed. Målbart afkast.

Jazz Session Trainer: The Woodshedder's Practice Kit C Edition (Book/Online Audio)

Jazz Session Trainer is the ideal resource for those players who want to hone their improvising skills, improve their chops, and feel at home in a jam session. In addition to a generous dose of scales, exercises, and licks, the book includes a chapter on jam session etiquette, a practice planner, and chord charts – plus accompanying online audio – for 50 frequently played tunes.

Jazz Session Trainer: The Woodshedder's Practice Kit – Eb Edition (Book/Online Audio)

Jazz Session Trainer is the ideal resource for those players who want to hone their improvising skills, improve their chops, and feel at home in a jam session. In addition to a generous dose of scales, exercises, and licks, the book includes a chapter on jam session etiquette, a practice planner, and chord charts – plus accompanying online audio – for 50 frequently played tunes.

Strauss, J Acceleration Waltz Op.234 Pts

Jazz Session Trainer: The Woodshedder's Practice Kit – B-Flat Edition (Book/Online Audio)

Jazz Session Trainer is the ideal resource for those players who want to hone their improvising skills, improve their chops, and feel at home in a jam session. In addition to a generous dose of scales, exercises, and licks, the book includes a chapter on jam session etiquette, a practice planner, and chord charts – plus accompanying online audio – for 50 frequently played tunes.

Tonleiter-Trainer

A comprehensive introduction to major and minor scales and harmony, covering intervals, key signatures and chords, as written by John W. Schaum. German language.

Andrew DuBrock: The Guitarist's Personal Practice Trainer And Warm-Up Plan

This instructional DVD and accompanying material gives learning guitarists the tools to improve technique, build speed and develop precision by practicing warm-ups, etudes and exercises for just 10 minutes a day. Players at all levels can set their own schedule or print out and follow Andrew's unique "Ten Week Practice Planner."

Circus Heroes

Who isn’t fascinated by the world of the circus? Who has not dreamed of performing as an acrobat, animal trainer or clown? Let this composition take you into the breath-taking atmosphere of the big top, and feel the like star of the circus ring.

Gerald Oswald: Circus Heroes (Score/Parts)

Who isn’t fascinated by the world of the circus? Who has not dreamed of performing as an acrobat, animal trainer or clown? Let this composition take you into the breath-taking atmosphere of the big top, and feel the like star of the circus ring.

Hopsa! Lisella! : (Dance! Lisella!)

“Hopsa! Lisella!,” an 18th century Alsatian folk song, quite literally sways back and forth as it is sung. The feeling of acceleration typical of 18th century song is captured through ritards, accelerandos and tempo changes at the beginning of each verse. Add tambourine and triangle to enhance the French character of the song. In two parts, this accessible setting will work nicely with any treble group. Duration: ca. 3:05

Friendly Takeover

Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in different meters throughout the piece. In the finale, the musical scene is taken over completely by groove-based rhythms. This takeover, however, is of a friendly nature, as the various beats are not being conceived as rivals of the lyrical motives, but are rather supposed to infuse energy and vitality to the latter. Thus, one gets the impression of an ongoing acceleration throughout the piece.Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in different meters throughout the piece. In the finale, the musical scene is taken over completely by groove-based rhythms. This takeover, however, is of a friendly nature, as the various beats are not being conceived as rivals of the lyrical motives, but are rather supposed to infuse energy and vitality to the latter. Thus, one gets the impression of an ongoing acceleration throughout the piece.Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux.In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in different meters throughout the piece. In the finale, the musical scene is taken over completely by groove-based rhythms. This takeover, however, is of a friendly nature, as the various beats are not being conceived as rivals of the lyrical motives, but are rather supposed to infuse energy and vitality to the latter. Thus, one gets the impression of an ongoing acceleration throughout the piece.

Justin Hurwitz: First Man - Music From The Motion Picture Soundtrack

Damien Chazelle, Justin Hurwitz and Ryan Gosling follow up on their La La Land success by teaming together once again in this 2018 biographical drama. Our songbook features 11 tracks from Hurwitz' soundtrack, arranged for Piano solo: 'Apollo 11 Launch', 'The Armstrongs', 'Crater', 'Docking Waltz', 'End Credits', 'Houston', 'Karen', 'The Landing', 'Multi-Axis Trainer', 'Quarantine', 'Squawk Box'.

Friendly Takeover

Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in different meters throughout the piece. In the finale, the musical scene is taken over completely by groove-based rhythms. This takeover, however, is of a friendly nature, as the various beats are not being conceived as rivals of the lyrical motives, but are rather supposed to infuse energy and vitality to the latter. Thus, one gets the impression of an ongoing acceleration throughout the piece.Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in different meters throughout the piece. In the finale, the musical scene is taken over completely by groove-based rhythms. This takeover, however, is of a friendly nature, as the various beats are not being conceived as rivals of the lyrical motives, but are rather supposed to infuse energy and vitality to the latter. Thus, one gets the impression of an ongoing acceleration throughout the piece.

Voice for Musicians

Voice for Musicians is a product of nearly 30 years of teaching voice classes to instrumentalists at Berklee College of Music, Boston. It is a guide to non-classical singing with an emphasis on listening. Joyce Lucia, Associate Professor of Voice is also a physical trainer and aerobics teacher who stresses the difference in each person's voice and how recognizing those differences will allow each singer a unique road to vocal development and confidence.

William H. Harris: Sonata In A Minor for Organ

The Sonata in A Minor is in classic three movement form, moderato con moto, adagio espressivo, and maestoso.Twentieth century English composer, conductor, chorister and Organist William H Harris was Organist at St George’s Chapel at Windsor Castle and was conductor for the coronations of Queen Elizabeth II and her father King George VI. His work was performed at the Three Choirs Festival and the Proms, though he was best known as a choir trainer.

Karen Marshall: The Intermediate Pianist Book 3

This Piano course has been specifically written to help students progress through the tricky intermediate stages of learning the Piano. Through carefully chosen repertoire, quick studies, key technical information and musicianship activities, students will develop the skills that they require. Note-reading will be improved, technique developed and a greater understanding of style and music theory will be gained. The Intermediate Pianist Book 3 is suitable for Grade 5 level pianists and forms part of the Piano Trainer series.

Karen Marshall: The Intermediate Pianist Book 2

This Piano course has been specifically written to help students progress through the tricky intermediate stages of learning the Piano. Through carefully chosen repertoire, quick studies, key technical information and musicianship activities, students will develop the skills that they require. Note-reading will be improved, technique developed and a greater understanding of style and music theory will be gained. The Intermediate Pianist Book 2 is suitable for Grade 4 level pianists and forms part of the Piano Trainer series.

Karen Marshall: The Intermediate Pianist Book 1

This Piano course has been specifically written to help students progress through the tricky intermediate stages of learning the Piano. Through carefully chosen repertoire, quick studies, key technical information and musicianship activities, students will develop the skills that they require. Note-reading will be improved, technique developed and a greater understanding of style and music theory will be gained. The Intermediate Pianist Book 1 is suitable for Grade 3 level pianists and forms part of the Piano Trainer series.

Piano Trio The Chronophage

Acceleration, deceleration, and the inconsistent nature of time are at the heart Piano Trio "The Chronophage" by Tom Coult. Throughout the 17-minute work, cello and piano lines constantly speed up or slow down relative to one another, whilst the violin has only one role – to accelerate throughout. The listener feels clunky gear changes, as previously reliable demarcations of time seem unsteady – even unsafe. The trio’s subtitle comes from The Corpus Clock in Cambridge, a clock that plays with exactly this perception. Completely accurate every five minutes, the clock lurches unevenly from second to second, the grinding mechanism driven by the terrifying metal insect escapement known as the ‘Chronophage’ (from the Greek meaning ‘time-eater’).

William H. Harris: Saraband Processional for Organ

This Saraband Processional reflects the renewed interest in the sarabande among composers of that time, among them Britten, Vaughan Williams and Howells. It is a majestic entrance piece.Twentieth century English composer, conductor, chorister and Organist William H Harris was Organist at St George’s Chapel at Windsor Castle and was conductor for the coronations of Queen Elizabeth II and her father King George VI. His work was performed at the Three Choirs Festival and the Proms, though he was best known as a choir trainer.

AQA GCSE Anthology of Music

The Advanced Pianist Book 1 from the Piano Trainer series is for students who are beyond the intermediate stages and want to develop an advanced technique and musicality. Exploring piano technique through a variety of elements, these books include exercises, ‘quick study’ sight-reading, repertoire and ‘concert pianist’ hints and tips. The series not only develops students’ technique, reading, theory and musicianship, but also provides an invaluable insight into the world of classical music, here focussing both on historical context and key composers for the piano. Book 1 is suitable for students at post grade 6 level.The Advanced Pianist Book 1 from the Piano Trainer series is for students who are beyond the intermediate stages and want to develop an advanced technique and musicality. Exploring piano technique through a variety of elements, these books include exercises, ‘quick study’ sight-reading, repertoire and ‘concert pianist’ hints and tips. The series not only develops students’ technique, reading, theory and musicianship, but also provides an invaluable insight into the world of classical music, here focussing both on historical context and key composers for the piano. Book 1 is suitable for students at post grade 6 level.

The Advanced Pianist Book 1

The Advanced Pianist Book 1 from the Piano Trainer series is for students who are beyond the intermediate stages and want to develop an advanced technique and musicality. Exploring piano technique through a variety of elements, these books include exercises, ‘quick study’ sight-reading, repertoire and ‘concert pianist’ hints and tips. The series not only develops students’ technique, reading, theory and musicianship, but also provides an invaluable insight into the world of classical music, here focussing both on historical context and key composers for the piano. Book 1 is suitable for students at post grade 6 level.The Advanced Pianist Book 1 from the Piano Trainer series is for students who are beyond the intermediate stages and want to develop an advanced technique and musicality. Exploring piano technique through a variety of elements, these books include exercises, ‘quick study’ sight-reading, repertoire and ‘concert pianist’ hints and tips. The series not only develops students’ technique, reading, theory and musicianship, but also provides an invaluable insight into the world of classical music, here focussing both on historical context and key composers for the piano. Book 1 is suitable for students at post grade 6 level.

The Advanced Pianist Book 2

The Advanced Pianist Book 2 from the Piano Trainer series is for students who are beyond the intermediate stages and want to develop an advanced technique and musicality. Exploring piano technique through a variety of elements, these books include exercises, ‘quick study’ sight-reading, repertoire and ‘concert pianist’ hints and tips. The series not only develops students’ technique, reading, theory and musicianship, but also provides an invaluable insight into the world of classical music, here focussing both on historical context and key composers for the piano. Book 2 is suitable for students at post grade 7-8.The Advanced Pianist Book 2 from the Piano Trainer series is for students who are beyond the intermediate stages and want to develop an advanced technique and musicality. Exploring piano technique through a variety of elements, these books include exercises, ‘quick study’ sight-reading, repertoire and ‘concert pianist’ hints and tips. The series not only develops students’ technique, reading, theory and musicianship, but also provides an invaluable insight into the world of classical music, here focussing both on historical context and key composers for the piano. Book 2 is suitable for students at post grade 7-8.

William H. Harris: Four Short Pieces for Organ

Four Short Pieces for Organ was published in 1938 and includes Prelude, Reverie, Interlude and Scherzetto. Prelude was composed in 1931 at the Leipzig Thomaskirche where J S Bach was Kapellmeister and where his remains are interred.Twentieth century English composer, conductor, chorister and Organist William H Harris was Organist at St George’s Chapel at Windsor Castle and was conductor for the coronations of Queen Elizabeth II and her father King George VI. His work was performed at the Three Choirs Festival and the Proms, though he was best known as a choir trainer.

William Harris: Bring Us, O Lord God - SATB/SATB (New Engraving)

Harris's Bring us, O Lord God and its sister work Faire is the Heaven are two of the most rewarding anthems for double choir in the Anglican canon. THis piece was composed in 1959, not long before Harris's retirement from a distinguished career as a teacher and director of music.A renowned choir trainer, the idiomatic part writing and textural mastery that Harris achieves in the work are testament to his tireless efforts at the musical helm of institutions such as New College and Christ Church Cathedral, Oxford, and St George's Chapel, Windsor.

M. Nagatomi: 3 Esquisses (Piano solo)

Trois Esquisses  is a series of three pieces for Piano named after the elements. Composed by Masayuki Nagatomi , it is quite a difficult series to play and it requires some advanced skills and abilities. The total duration of the set is 5'30 minutes. The pieces are:  1. Wind - which main theme represents a soft and quiet breeze, 1'30 2. Fire - fast and violent, which can destroy everything, and which depicts the flames sometimes big and sometimes smaller, 1'30 3. Water and Earth - really slow to start with, this part sounds like a river flowing quietly, with some part of acceleration The most difficult aspect of this series will probably be to give the correct execution for the audience to recognise each element.