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Requiem in C major : First edition - C major

Requiem in C major : First edition - C major

Johann Adolf Hasse, Kapellmeister at the Saxon-Polish court in Dresden, composed the Requiem in C for the ceremonial exequies of the deceased Elector Frederic August II in November 1763 in the Catholic Hofkirche in Dresden. With this work, he composed a monument in music to his long-standing, generous employer, who was also King of Poland under the name August III: passionate choral movements, echoes of historic compositional styles, expressive vocal solos and arias undeniably revealing Hasse the opera composer, plus trumpets and timpani in the orchestra – all these are the ingredients of a “royal” Requiem Mass in the style of a Missa solemnis. - First edition- Passionate choral movements of medium difficulty- Expressive vocal soli- “Royal” Requiem Mass in the style of a Missa solemnisAdditional program suggestion: Miserere in C minor by Hasse (Carus 40.961)

SEK 706.00
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Wolfgang Amadeus Mozart: Serenade in C minor, transcribed for Wind Quintet by David Walter

Wolfgang Amadeus Mozart: Serenade in C minor, transcribed for Wind Quintet by David Walter

Wolfgang Amadeus Mozart 's (1756-1791) Serenade in C minor was written by the composer in 1782-83. The work remains widely performed by Wind Octets, making it one of the most significant, substantial works in the wind ensemble repertoire. David Walter 's transcription of Serenade in C minor, also known as Serenade No. 12, is for Wind Quintet, making the popular work even more accessible and versatile. Serenade in C minor comprises four movements; 1) Allegro, 2) Andante, 3) Menuet and Trio, and 4) Allegro. This edition of Mozart 's Serenade in C minor for Wind Quintet is essential to all ensembles looking for exciting, yet traditional repertoire.

SEK 558.00
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Symphony No.6 In C D 589

Symphony No.6 In C D 589

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing, lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies traceSchubert’s artistic evolution from the First Symphony, which develops a theme from Beethoven’s Eroica, to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score, performance material and study score forall symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601, TP401)Symphony No.2 in B-flat major D 125 (BA5602, TP402)Symphony No.3 in D major D 200 (BA5603,TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604, TP404)Symphony No.5 in B-flat major D 485 (BA5645, TP405)Symphony No.6 in C major D 589 (BA5646, TP406)Symphony No.7 in B minor D 759Unfinished (BA5647, TP407)Symphony No.8 in C major D 944 The Great (BA5648, TP408)

SEK 876.00
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Missa in C minor K.139 : Waisenhaus Mass

Missa in C minor K.139 : Waisenhaus Mass

Mozart had barely turned twelve when he composed and conducted his Missa solemnis in C minor, K.139, to inaugurate a new orphanage on Vienna’s Rennweg in 1768.This astonishing early work adheres to the form of aNeapolitan cantata mass, in which the separate movements (“Gloria”, “Credo” etc.) are themselves made up of self-contained choruses, ariosos and ensembles.This frequently heard Mass is characterized by a sharp contrastbetween its cheerful underlying C major mood and gloomy dramatic passages in the minor mode.Urtext of the New Mozart EditionStraightforward piano part in the vocal scoreIdeal for church servicesandconcert performances Full score & performance material (BA4858) and vocal score (BA4858-90) available for saleArrangement for soloists, choir & organ (BA7521) for sale

SEK 525.00
1

Mass In C Op.86

Mass In C Op.86

Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary(Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of theMass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and, for its time, distinctlymodernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study ofthe sources convinced him to include a fully realised Organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the original sources, the parts for the soloists and choir arenotated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.

SEK 876.00
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Intrada in C

Intrada in C

Johann Christoph Graupner (1683 - 1760) was a German harpsichordist and composer of high Baroque music who was a contemporary of Bach, Telemann and Handel. His short Intrada in C, written originally for harpsichord, is carefullyadapted in this easy string orchestra transcription by Bingiee Shiu. Despite being hardworking and prolific, with about 2000 surviving works in his catalog, Graupner's music fell into obscurity after his death, due in part to alegal dispute over the ownership of his manuscripts, as well as the change of taste in musical styles that would usher in the Classical period. Interestingly, just prior to Bach, Graupner was offered the Cantorate position inLeipzig, which he had accepted until his current patron, in a sudden change of heart, paid the back wages Graupner had been owed, along with a significant increase in salary to retain him, opening the way for Bach's appointment.Today, Graupner's music is enjoying a revival due to the efforts of musicologists, performers and educators.

SEK 583.00
1

Overture in C major Op.101 Trumpet Overture : Trompeten-Ouvertüre

Overture in C major Op.101 Trumpet Overture : Trompeten-Ouvertüre

The Overture in C major, the so-called “Trumpet Overture” with its brass fanfare was composed in 1826 and a second version with considerable revisions was made in 1833 for performances in Düsseldorf andLondon.The Overture in C major was first published posthumously in 1867.Christopher Hogwood’s Urtext edition takes into account both Mendelssohn’s autograph now held in the Bibliothèquenationale in Paris which has two endings as well as the London manuscript copy made for the performance there in 1834; this manuscript contains three separate trombone parts in Mendelssohn’s hand.  ThenewBärenreiter edition presents the work as found in Mendelssohn’s autograph for the first time.  Christopher Hogwood also documents the development of the overture with facsimiles from the 1826version. Full score & parts (BA9052) available for sale

SEK 929.00
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