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Surface Pressure

Surface Pressure : from Encanto

Surface Pressure : from Encanto

Surface Pressure : from Encanto

Surface Pressure (from Encanto) : for String Quartet

Light Cradle - Black : Mighty Bright

Magnetic base for use with Duet, Duet2, Hammerhead, XtraFlex, and XtraFlex2 Lights. Secure the base to any magnetic metal surface, or use free standing on flat surfaces.

Drinks' Coaster (Violin)

A hard-wearing drinks' coaster decorated with the image of a classic Violin. Non-slip foam base with a wipe-clean plastic surface. Size: Square - 88mm x 88mm.

Carol of the ladder

Carol of the Ladder is a limpid andante whose transparent texture and tone of sweet melancholy creates a meditative calm. Although technically unsophisticated on the surface, this arrangement offers many opportunities for phrasing, blending, word painting and subtle interpretation.

Fly Me to the Moon (In Other Words) : Discovery Level 2

Fly Me to the Moon, written in 1954, has become a part of the Great American Songbook. Not surprisingly, Buzz Aldrin played the song when he stepped onto the moon's surface in 1969. Many singers have recorded the tune, but FrankSinatra's version has become the standard for this immortal song of love and admiration.

Fly Me to the Moon (In Other Words) : Discovery Level 2

Fly Me to the Moon, written in 1954, has become a part of the Great American Songbook. Not surprisingly, Buzz Aldrin played the song when he stepped onto the moon's surface in 1969. Many singers have recorded the tune, but FrankSinatra's version has become the standard for this immortal song of love and admiration.

Jack Johnson: To The Sea - PVG

Johnson says the title of his fifth studio CD is ?a reference to a father leading his son to the sea ? with the water representing the subconscious, so it's about trying to go beneath the surface and understand yourself.? The 2010 album dropped in June and debuted at #1. This folio features all 13 tunes arranged for Piano, Voice and Guitar.

Die Forelle

The famous artsong by Franz Schubert has been arranged for 3-part voices and tells of a casual observer admiring the movements of a frisky fish as it darts below the surface. The tone of the music changes when, to the observers horror, a fishermanputs an end to both his and the trouts merriment by snagging the fish on his hook and reeling him in.

Tarik O'Regan: Two Emily Dickinson Settings

Written for Soprano and Tenor soloists and SATB chours.These two short Emily Dickinson (1830-1886) settings, commissioned by Craig Hella Johnson and Conspirare for their September 2007 concert series in Texas, were designed to frame an evening?s programme rather like a compositional ?inhalation? and ?exhalation?, a crescendo and decrescendo or a prelude and postlude. Densely textured, the music aims to hint at the myriad readings Dickinson?s surface-simple poetry yields in its many readers. Each setting uses a solo soprano and tenor, their voices referencing the polarities inherent in each poem (?sun? and ?shade?; ?love and hate?).

Mighty Bright: Xtraflex Music Light (Black)

Give your eyes a break so you can focus on the music. The Mighty Bright XtraFlex LED Music Stand Light is breathtakingly bright and also happens to be one of the lightest, most compact music lights in the Mighty Bright range. Affordably priced and travel-size, it?s ideal when you are on the move (and on a budget). With a bright white LED and long battery life, the budget-friendly XtraFlex is an incredible bargain. Clip it to any surface, use it freestanding, or carry it backstage in a pinch. You have full control over the gooseneck to illuminate music sheets, soundboards, and other surfaces. It may even help to shed light on ticket sales. Bright white, energy-efficient LED Durable LED lasts 100,000 hours - no replacement necessary Precisely engineered optical grade lens spreads light evenly Sturdy clip Small, stable base Flexible gooseneck holds the light firmly in place Powered by 3 AAA batteries (included) Optional cradle base (catalogue number MB80910) 12.5" x 1.5" x 1.75" (Length x Height x Width)

Arr. Charles Beale: And All That Jazz

John Kander and Fred Ebb created a number of 20th-century show classics, including  Cabaret  and  Kiss of the Spider woman , but  Chicago  is perhaps their greatest and best-loved show of them all. On the surface  And All That Jazz  is a celebration of bohemian excess of every conceivable kind. Sing the fantastic, showstopping melody with great energy, have a ball and relish the rich word painting. There is an underlying dark side, however, which shows itself at the end when Velma murders her unfaithful husband in anger. Vibrato is appropriate and a clear, well-tuned, brash sound that carries a mile is more important than a refined, classically rounded tone here. Make sure the words are exceptionally clear and above all, prioritise telling the story. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3 part choirs (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the  Faber Choral Singles  series guarantees the perfect repertoire for every occasion – so get exploring and get singing!