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Symphony No. 1 Wq 183/1 D major

Symphony No. 1 Wq 183/1 D major

Symphony No. 1 Wg 183/1 D major

Aux Pensionats Op. 183-2 : Nr. 2 Valse

Symphony No. 1 Wq 183/1 D major

Symphony No. 1 Wq 183/1 D major

Peter Warlock: Benedicamus Domino (SATB)

For SATB chorus unaccompanied, lyrics from text by Sloane MS. 2593 (15th century).

Ave Maria

This contemporary a cappella setting of the traditional Latin text was composed as a gift to Judith Clurman. Edited by Ms. Clurman. Duration: 2:30.

Eleanor Roosevelt

The American Experience Series continues its entertaining and educational history lessons with this delightful piece by Darla Eshelman. J. Paul Williams leads the series with his clever texts and Ms. Eshelman's setting offers ajoyful way to learn about one of our country's most colorful First Ladies. Rehearsal CD and Rehearsal CD 10-Pak available.

America Will Be!

The friction between professed ideals and painful reality that Langston Hughes captured in his poem, “Let America Be America Again,” is also the foundation of the piece commissioned by Shannon Lyles and the Freedom High School Patriot Singers in Orlando, FL. FHS serves such a diverse community of immigrants that eleven languages were represented in Ms. Lyles’ top choir. Emma Lazarus’ words, which are engraved at the base of the Statue of Liberty, are a perfect foil to Hughes’ dark (but ultimately hopeful) sentiments. The members of the choir were asked to complete three prompts – I hope…/I dream…/I sing... – some of which are included in this unique and powerful piece. Duration:6:00 The friction between professed ideals and painful reality that Langston Hughes captured in his poem, “Let America Be America Again,” is also the foundation of the piece commissioned by Shannon Lyles and the Freedom High School Patriot Singers in Orlando, FL. FHS serves such a diverse community of immigrants that eleven languages were represented in Ms. Lyles’ top choir. Emma Lazarus’ words, which are engraved at the base of the Statue of Liberty, are a perfect foil to Hughes’ dark (but ultimately hopeful) sentiments. The members of the choir were asked to complete three prompts – I hope…/I dream…/I sing... – some of which are included in this unique and powerful piece. Duration:6:00

A Ceremony of Carols op. 28, No. 10 : Deo Gracias

2013 marks Britten's centenary making this year largely focused on his music.'Deo Gracias' (thanks be to God) was one of the carols drawn from texts in 'The English Galaxy of Shorter Poems', which Britten set onboard the MS Axel Johnson during his voyage from the U.S to England. The piece was once a part of a set of 7 Christmas Carols which later became known as A Ceremony of Carols. The choice of harp accompaniment for Ceremony may have been the result of an unfulfilled commission to compose a harp concerto.This new publication of the work for SATB Chorus and Harp (or Piano) was arranged by Julius Harrison at the suggestion of the publisher.

Concerto For Harpsichord No.5 In F Minor

In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor, BWV 1056, is the fifth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model isnowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228), two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord No.5 In F Minor

In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor, BWV 1056, is the fifth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model isnowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228), two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord No.5 In F Minor

In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor, BWV 1056, is the fifth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model isnowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228), two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord No.5 In F Minor

In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor, BWV 1056, is the fifth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model isnowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228), two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord No.6 In F Major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major, BWV 1052 is the sixth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). The initials at the end of the piece, SDGl ('Soli Deo Gloria'), form a pendant to the J.J. ('Jesus Juva') found attheopening of the D-minor Concerto, BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus, the only authentic and self-contained collection of concertos we have from Bach apart from his presentationcopy of the Brandenburg Concertos (1721). Like all the other concertos in this series, BWV 1057 is an arrangement of an earlier work, in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the NewBach EditionFull score & parts (BA5229), two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale