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Symphonic Techniques for Band : Timpani

Music Minus One - Classic Guitar Duets

Amazing Grace (arr. Vandall)

Treble Recorder From The Beginning - Concert Pieces (Pupil's Book - CD Edition)

Gohar Vardanyan: Complete Warm-Up for Classical Guitar

Gohar Vardanyan: Complete Warm-Up for Classical Guitar

Complete Warm-Up for Classical Guitar contains short and concise exercises for use in a warm-up before practice or performance, and for general technical advancement. The book is divided into four sections: I Arpeggios, II Scales, III Tremolo, and IV Slurs. Each section contains a description of the exercises and general instructions on how to play them. The exercises are intended for guitarists who are looking for a simple warm-up that does not require learning many complicated Etudes, exercises or routines. In this book, only one Etude is used for a variety of arpeggio and tremolo patterns. The scale warm-ups are based on a two-octave, one-position scale that is shifted up and down the fretboard, and a simple one-position chromatic scale. The pull-off and hammer-on slurs are combined into one exercise to save time. This same routine, when practised with the metronome gradually increasing the tempo, can also double for technical work. With the exception of one chromatic scale exercise, the rest are on closed strings. Besides being able to move the scale up and down the fretboard, the first finger can be barred. This will increase the left hand difficulty and improve the left hand position and strength.There is close to an hour's worth of material if all the exercises are played with all of their variations at different tempos. Not everything needs to be played everyday, so the warm-up session can be as long as desired or as short as time allows.

SEK 89.00
1

Ying Ying Ng: Music Theory For Young Musicians - Grade 3 (Second Edition)

Grayston Ives: Susanni (Novello New Choral Series)

Grayston Ives: Susanni (Novello New Choral Series)

The text of Susanni is a translation of Martin Luther?s hymn of 1535, Vom Himmel hoch. The music is based loosely upon the well-known chorale melody, which, at times, is quoted in full in both voices and organ. Except where indicated, singers should adopt a legato style, especially in the repeated quaver patterns. In the bars which appear to be in compound time, conductors should beat in crotchets.An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Bill Ives has spent his life in choral music ? as a singer, conductor, teacher and composer (writing as Grayston Ives). He was a chorister at Ely Cathedral and later studied music at Cambridge, taking composition lessons with Richard Rodney Bennett. After Cambridge he sang in Guildford Cathedral Choir before joining the King?s Singers, with whom he recorded and performed worldwide.For eighteen years he directed the Choir of Magdalen College, Oxford. During his tenure the choir earned a Grammy nomination for a disc of music by Orlando Gibbons, and gave the première of Paul McCartney?s Ecce Cor Meum, written especially for them. In 2008 his work as a composer and conductor of church music was recognised with the award of a Lambeth DMus and a Fellowship of the Royal School of Church Music.

SEK 87.00
1