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Hercules ls700b ljusstativ

At Kitty O'Shea's : Irish Folk Song Suite for Wind Orchestra

JS300 Electric Guitar from Jet Guitars - Sunburst (Left Handed) : Roasted Maple Fretboard

JS300 Electric Guitar from Jet Guitars - White : Roasted Maple Fretboard

JS300 Electric Guitar from Jet Guitars - Black : Roasted Maple Fretboard

Spartacus

JS400 Electric Guitar from Jet Guitars - White : Roasted Maple Fretboard

JS400 Electric Guitar from Jet Guitars - Sunburst : Roasted Maple Fretboard

JS400 Electric Guitar from Jet Guitars - Pink : Rosewood Fretboard

JS300 Electric Guitar from Jet Guitars - Green: Roasted Maple Fretboard

Early Hungarian Dances

JS300 Electric Guitar from Jet Guitars - Green (Left Handed) : Roasted Maple Fretboard

JS400 Electric Guitar from Jet Guitars - Green : Roasted Maple Fretboard

Ostinati

Ostinati

It may be surprising to see a fanfare piece commissioned by a Japanese ensemble, since fanfare orchestras are typically found in Belgium, Holland and Luxembourg, and also France and Switzerland. Senzoku Gakuen is one of the largest and mostprestigious music universities in Japan, and home to a wide variety of ensembles and orchestras. Since 2006 they have had a fanfare orchestra, which was started by Sotaru Fukaishi, a euphonium teacher who felt further performance opportunity wasneeded for saxhorn instruments. Fukaishi had loved the sound of fanfare orchestras ever since visiting the World Music Contest in Kerkrade (Holland) several years earlier. Jan Van der Roost was involved with this new initiative from the beginning,and they were also joined by Manu Mellaerts for certain projects. The Dean of the music department, Professor Kazuo Tomioka, fully supports the ensemble and commissioned Ostinati. The première took place on June 11th at Maeda Hall inMizonokuchi (Kawasaki) where Senzoku Gakuen is based. The piece opens with an impressive timpani solo, followed by brass and saxophone. The rhythmical pulse remains constant and the music is fiery and assertive in character. A pentatonic melodygradually emerges and the music loses its vehemency and softens. The initial percussion ostinati subsequently recurs and the first section of the piece concludes in a similar mood to the opening. The second movement is sweet and melodic, opening witha long passage for the saxophone family in a minor key. The same theme then appears in the major and is developed upon; the music builds to a majestic orchestral forte, reminiscent of a pipe organ in its sonority. The theme returns in the originalminor key with a change in instrumentation leading the movement to a quiet and peaceful end on a soft E minor chord. The finale starts with percussion: a four-bar pattern is repeated several times over which the movement’s melodic themes areintroduced. These melodic elements are varied and used in different versions and the ostinato idea, which characterizes the entire piece, is highlighted. The theme travels through the orchestra, appearing on various instruments and in variousregisters. It captures the listener’s attention and displays the full range of sound and colour within the fanfare orchestra.

SEK 4746.00
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Novation FLKEY-37 37 keys midi keyboard

Novation FLKEY-37 37 keys midi keyboard

Connect with your music FLkey is the ultimate MIDI keyboard for making music in FL Studio. With controls for FL Studio’s Step Sequencer, Channel Rack and Mixer, and creative Scale and Chord modes, FLkey lets you play freely so you can make more of your music. Stay in the groove Sequencer Mode maps FLkey’s pads to FL Studio’s step sequencer for sketching beats fast. Two Pad modes give your rhythms real human feel and get you off the grid: play straight into the Channel Rack or FPC, and trigger slices in SliceX. Need some crisp hi-hat rolls? Note Repeat makes it easy every single time. Mix, create and automate Bring FL Studio’s volume and pan controls off the screen and into your hands – use the eight pots to tweak your mix and record automation on the fly. Essential transport buttons give you access to DAW functions in an instant. Browse presets in your Image Line plug-ins to change up instruments and sounds fast, with no mouse needed. Make more of your music In Scale mode you always hit the right note, keeping the music flowing. Easy-to-use Chord modes on FLkey 37 expand your creative potential. Combine musical tools to immediately unlock new creative boundaries and find ideas you never knew you had. Included Software FLkey comes with a bundle of instruments and effects from our friends at AAS, Spitfire Audio, XLN Audio and Klevgrand – plus membership of Novation’s Sound Collective. Throw all this content into your existing FL Studio projects, or have a go with an included 6-month free trial of FL Studio Producer Edition. FL Studio Producer Edition (6 Month Trial) – FL Studio is the complete software music production environment, everything you need in one package to compose, arrange, record, edit, mix and master your best music. XLN Audio Addictive Keys – Bring authentic piano sounds to your pieces with a choice of Modern Upright, Studio Grand, Electric Grand, or Rhodes virtual instrument. Tweak real mix controls and blend mics to get the perfect keyboard sound for your track. AAS Session Bundle – Essential sounds for your tracks: Lounge Lizard’s authentic classic electric piano tones; Strum Session’s acoustic and electric guitar sounds; Ultra Analog Session’s easy-to-use, huge synth sounds. Spitfire Audio LABS Expressive Strings – Get immediately expressive and realistic strings sounds. Control release, delay and reverb or fade in experimental warped layers to add colour to your tracks and scores. Klevgrand R0Verb – A hybrid between a simple reverb and a very complex delay in an easy-to-use plug-in. Design your own reverbs and put your sounds in their own unique space. Klevgrand DAW Cassette – Bring your sound back to the golden age of cassette tapes, with an accurate recreation of saturation, distortion, noise and wobble. - Backlit pad : Yes - Category : Master keyboard - Compatibility : PC, Mac - Controller : [8_potentiometres], Pitchbend, Modulation, Directional buttons, Sustain, Octave up/down - Dimensions (mm) : 258 x 555 x 77 - Display : LCD - Inputs : Sustain pedal - Key format : [Clavier] - Number of keys : 37 - Number of pads : 16 - Number of potentiometers : 8 - Outputs : Midi, USB Type B - Power supply : USB - Provided software : Bundle AAS Session, Spitfire Audio LABS - Expressive Strings, Klevgrand R0verb & DAW Cassette, [FL_Studio_Producer_6_mois_essai], XLN Audio Addictive Keys - Touch : Semi-weighted - Transposition : Yes - Velocity sensitive : Yes - Velocity sensitivity of the pads : Yes - Weight (kg) : 2,18 kg

SEK 2823.00
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Odysseia : based on Homer-s Odyssey

Odysseia : based on Homer-s Odyssey

Washed up on the Phaeacian shore after a shipwreck, Odysseus is introduced to King Alcinous. As he sits in the palace, he tells the Phaeacians of his wanderings since leaving Troy. Odysseus and his men fi rst landed on the island of the Cicones wherethey sacked the city of Ismarus. From there, great storms swept them to the land of the hospitable Lotus Eaters. Then they sailed to the land of the Cyclopes. Odysseus and twelve of his men entered the cave of Polyphemus. After the single-eyed giantmade handfuls of his men into meals, Odysseus fi nally defeated him. He got him drunk and once he had fallen asleep, he and his men stabbed a glowing spike into the Cyclop’s single eye, completely blinding him. They escaped by clinging to the belliesof some sheep. Once aboard, Odysseus taunted the Cyclop by revealing him his true identity. Enraged, Polyphemus hurled rocks at the ship, trying to sink it. After leaving the Cyclopes’ island, they arrived at the home of Aeolus, ruler of the winds.Aeolus off ered Odysseus a bag trapping all the strong winds within except one - the one which would take him straight back to Ithaca. As the ship came within sight of Ithaca, the crewmen, curious about the bag, decided to open it. The winds escapedand stirred up a storm. Odysseus and his crew came to the land of the cannibalistic Laestrygonians, who sank all but one of the ships. The survivors went next to Aeaea, the island of the witch-goddess Circe. Odysseus sent out a scouting party butCirce turned them into pigs. With the help of an antidote the god Hermes had given him, Odysseus managed to overpower the goddess and forced her to change his men back to human form. When it was time for Odysseus to leave, Circe told him to sail tothe realm of the dead to speak with the spirit of the seer Tiresias. One day’s sailing took them to the land of the Cimmerians. There, he performed sacrifi ces to attract the souls of the dead. Tiresias told him what would happen to him next. He thengot to talk with his mother, Anticleia, and met the spirits of Agamemnon, Achilles, Patroclus, Antilochus, Ajax and others. He then saw the souls of the damned Tityos, Tantalus, and Sisyphus. Odysseus soon found himself mobbed by souls. He becamefrightened, ran back to his ship, and sailed away. While back at Aeaea, Circe told him about the dangers he would have to face on his way back home. She advised him to avoid hearing the song of the Sirens; but if he really felt he had to hear, thenhe should be tied to the mast of the ship, which he did. Odysseus then successfully steered his crew past Charybdis (a violent whirlpool) and Scylla (a multiple-headed monster), but Scylla managed to devour six of his men. Finally, Odysseus and hissurviving crew approached the island where the Sun god kept sacred cattle. Odysseus wanted to sail past, but the crewmen persuaded him to let them rest there. Odysseus passed Circe’s counsel on to his men. Once he had fallen asleep, his men impiouslykilled and ate some of the cattle. When the Sun god found out, he asked Zeus to punish them. Shortly after they set sail from the island, Zeus destroyed the ship and all the men died except for Odysseus. After ten days, Odysseus was washed up on theisland of the nymph Calypso.

SEK 3259.00
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STEEL STRING SUPREME SRV GUITAR PEDAL

STEEL STRING SUPREME SRV GUITAR PEDAL

LENNY CLEANS TO TEXAS FLOOD LEADS - THIS PEDAL'S GOT IT ALL! When it comes to Texas-style glassy clean and fat lead tones, the Vertex Effects Steel String Supreme (Slight Return Version) — based on serial #001 of a legendary six-figure Dumble Steel String Singer — is the only tone shaper you'll need in your arsenal. Whether you're front-ending a stage amp with the Slight expanded all-analog preamp, feeding a little Texas sugar into your Amp Modeler, or even running straight into a Cab Simulator/IR Loader, this pedal is guaranteed to put a smile on your face. Just like the amp it's named after, the Steel String Supreme (Slight Return Version) is characterized by a fat and glassy tones sound that absolutely marinates signals in tubelike harmonics as you ramp up the gain. The Slight Return Version's active EQ and Bright/Deep + Rock/Jazz switches add new tone-shaping capabilities from the original SSS and bring you a bit more available top end "glass" and a little more low-end "snap" to this latest addition to the Steel String family. From subtle fattening and clean compression to full-on overdrive, the Vertex Effects Slight Return Version is the next best thing to having the real-deal SSS in your rig. REINTRODUCING THE SLIGHT RETURN VERSION Reviving the popular "Slight Return Version" model was a no brainer!  The original Slight Return Version (during the Steel String MKI era in 2018) routinely fetches upwards of $400 on the used market with its cult following:   However, now in 2021, we're re-releasing the Slight Return Version in our new multi-channel "Supreme" format.  The Steel String Supreme Slight Return model takes all the great aspects of the original 2018 model and adds all the magic of the added "Supreme" channel with the ability to run direct into a cab sim or use the pedal as an analog preamp in front of any tube amp to get the ultimate D*style clean tones.  See them below side-by-side below - (exact same enclosure size), but more than double the features, two independent channels, and added toggle switches for more Stevie-ish "glass" and "fatness" with the Bright/Deep and Jazz/Rock switches: BASED ON THE ORIGINAL DUMBLE STEEL STRING SINGER (SSS) Players like Eric Johnson, John Mayer, and that iconic Bluesman from Austin, TX have all sung the praises of a rare 100-watt 6L6 blues machine that achieved legendary status in the mid-1980s. And whether its a sip of that Texas tonal flood or the intoxicating Lenny cleans that you're searching for, the Vertex Steel String Supreme Slight Return Version — successor to the Steel String MKI Slight Return Version is packing 500% more tone-shaping potential — faithfully captures that "SSS" (that's "Sparkle, Squish, and Saturation") magic in a pedalboard-friendly stomp. Below is the actual amplifier we used to voice the Steel String pedal, Dumble SSS #001:   D-STYLE CLEANS WITH GLASS AND SNAP With gain settings below 1:00, the Slight Return Version makes a highly versatile fat boost, with an active EQ section to dial in that D-style midrange shaping your instrument demands. Above 1:00, the Slight Return Version sweetens your signal with vine-ripened drive characteristics matured in the Texas sun. Wide open, this pedal packs enough juicy gain to take you well into overdrive territory. All the while, true bypass operation preserves your dry signal whenever you don't have the Slight Return Version engaged — though, if you're anything like us Stevie Ray fanatics, it's pretty much a nonissue, since you'll never want to turn this thing off. The SSS Slight Return Version is assembled in California and comes in a rugged steel housing with authentic D-style appointments resembling a special Dumble Steel String Singer owned by an iconic Texas Bluesman: Below is an actual 1980's Dumble SSS - black/black with white text, black chicken-head knobs:   Bleow is the SSS (Slight Return) pedal emulating the colors and knobs of the above Dumble Amp: STEEL STRING (SLIGHT RETURN) FEATURES: Based on model #001 of an original run of legendary 6L6 blues machines A true amp in a box — designed to go into tube amp or direct to Cab Sim/IR Loader Inspiring glassy touch sensitivity, warmth, and low-end snap Versatile Gain and Level controls make this a capable clean boost or full-on overdrive  Re-shaped EQ, Bright/Deep switch, and Rock/Jazz switch for the perfect "Texas Tone" compared to the original SSS Rugged steel housing Authentic D-style aesthetics, resembling an inconic Texas Bluesman's amp True bypass switching Designed in California

SEK 3309.00
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IK MULTIMEDIA iRIG KEYS I/O 49 MIDI CONTROLER AND INTERFACE

IK MULTIMEDIA iRIG KEYS I/O 49 MIDI CONTROLER AND INTERFACE

A total music production system in a controller The iRig® Keys I/O series evolves the concept of traditional controllers as the only one available on the market that integrates 25 or 49 full sized keys together with a fully-fledged professional audio interface featuring 24-bit audio up to 96kHz sampling rate, balanced stereo and headphone outputs, plus a combo input jack for line, instrument or mic input (with Phantom power.)   Together with an audio interface, iRig Keys I/O also packs all the controls you would expect from a premium controller including velocity sensitive multicolored pads and programmable touch-sensitive sliders, buttons and knobs for unique expressiveness and fast workflow. Both iRig Keys I/O 25 and 49 are also the smallest full sized keys on the market making them the best solution for working in small spaces and ideal when it comes to having a controller for traveling musicians, in addition to the consideration that they are the only truly mobile devices that can also work on AA batteries.   Being certified Apple MFi keyboard controllers (“Made for iPod, iPhone, iPad,”) iRig Keys I/O are guaranteed to work out of the box with all iOS devices including the latest generation of iPhone 7, that does not have an audio output, thanks to the on-board audio interface. The included Lighting cable allows for straight plug-and-play with Apple iOS devices, the USB cable connects Mac and PC computers. Plus with over $/€550 (25) and $/€750 (49) worth of IK full software and apps they include an unmatched selection of everything that is needed to make complete, finished productions out of the box like the full SampleTank 3 sound and groove workstation, Miroslav Philharmonik 2 CE orchestral workstation, Syntronik Pro-V vintage synthesizer, T-RackS 4 Deluxe mix and mastering suite, Ableton® Live 10 Lite™ and more, as the ultimate music production station.   The only controller with an audio interface Having a professional 24-bit / 96kHz capable complete audio interface built-in with iRig Keys I/O presents many advantages versus regular controllers for today’s musicians. The system becomes self-contained taking up minimal space in any situation whether on a small studio desk or when playing live and traveling. The set-up is also kept to a minimum and is as fast and easy as just plug and play. The work environment becomes clean and tidy, without a bunch of extra cables. In a recording studio, everything can be connected directly to the keyboard ensuring the best possible quality with a Class A preamp for dynamic and condenser mics (including those requiring 48V Phantom power, which works under battery power as well,) to line instruments and even Hi-Z guitars and basses. The built-in headphone output allows for convenient silent playing when studying or practicing. Plus, when used in live performances the balanced stereo output allows for long cable runs directly from the keyboard to the PA or mixer which is useful for performing keyboard players or DJs. All of this makes iRig Keys I/O controllers the ideal creative center of your studio or live performances, in any situation, providing a convenient solution even more affordable than having to buy a controller and an audio interface separately, that is simply unrivaled in today’s market.   Take control with touch controls Despite their ultra-compact dimension, iRIg Keys I/O include all the tactile controls you would expect from a fully-fledged controller and more. Starting with a fast synth-action key bed that improves on all preceding IK keyboards and it’s a joy to play. Both the models feature one volume/ data push knob, 4 touch sensitive knobs on 2 banks (acting as 8 total controls) and 8 multicolored, velocity sensitive pads. Plus, there are 2 fully programmable touch control strips acting by default as Pitch and Mod controls allowing for dramatic performances in any genre and double as fully programmable sliders. A complete touch sensitive transport and button control section rounds out the controls available. All knobs, sliders and buttons are touch-sensitive using capacitive technology for ultra-fast action and immediate feedback, displaying the related parameter value just with a simple touch.   Perfect for mobile, great with computer iRig Keys I/O work universally with all types of devices whether mobile, laptop or regular desktop computer. They are ideal for iPhone and iPad thanks to the included Lighting cable connections and certified MFi compatibility. Additionally, they offer more iOS friendly features that can’t be found with any other controller like the included mobile device stand and the possibility to keep the device charged during long playing session using an optional power supply adapter, and of course the included audio interface that makes them perfect when used with the latest generation iPhone 7 that lacks a mini jack audio output. The fact that ...

SEK 3274.00
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