Digital synlighed. Målbart afkast.

Die gluckliche Hand op. 18 : Kritischer Bericht, Skizzen

Johannes Brahms Gesamtausgabe : Arrangements von Werken anderer Komponisten für Klavier zu zwei Händen oder für die linke Hand allei

SKB MalletKAT Express Case

This new injection molded Express case is a part of the i-Series of waterproof cases. i-Series injection molded waterproof cases are constructed of ultra high-strength polypropylene copolymer resin and feature a gasketed, waterproof and airtight, submersible design (IP67) that is resistant to corrosion and impact damage. Its continuous molded-in hinge, patented trigger release latch system, TSA accepted and approved locks, comfortable, snap-down rubber over-molded cushion grip handle, secure stacking, and automatic ambient pressure equalization valve (MIL-STD-648C) all contribute to its military grade design. It features a combination foam/cleat interior, which holds theinstrument securely during transport. Adhesive backed foam in the lid also secures your MalletKAT Express. This case features built-in wheels, offering tilt-and-go transport, and is water resistant making it excellent protection for your Express. Interior Length: 34 inch. Interior Width: 13.5 inch. Interior Depth: 4.5 inch. Exterior Length: 39 inch. Exterior Width: 17 inch. Exterior Depth: 7 inch. Product Weight: 16.75 lb.

SKB MalletKAT Pro Case

This new injection molded MalletKAT Pro case is a part of the i-Series of waterproof cases. i-Series injection molded waterproof cases are constructed of ultra high-strength polypropylene copolymer resin and feature a gasketed, waterproof and airtight, submersible design (IP67) that is resistant to corrosion and impact damage. Its continuous molded-in hinge, patented trigger release latch system, TSA accepted and approved locks, comfortable, snap-down rubber over-molded cushion grip handle, secure stacking, and automatic ambient pressure equalization valve (MIL-STD-648C) all contribute to its military grade design. It features a combination foam/cleat interior, which holds theinstrument securely during transport. Adhesive backed foam in the lid also secures your MalletKAT Pro. This case features built-in wheels, offering tilt-and-go transport, and is water resistant making it excellent protection for your Pro. Interior Length: 48 inch. Interior Width: 13.5 inch. Interior Depth: 4.5 inch. Product Weight: 18.85 inch.

Overture to a New Age

A new era dawns-heralded by solemn brass fanfares. What does the future hold? In his work Overture to a New Age, Jan de Haan expresses on the one hand anticipation, on the other also an awareness that things won’t always be as rosy as theysometimes appear. Ultimately, however, confidence and hope win through, represented by Jan de Haan in a brilliant coda. The new age can begin!

Benvenuto Cellini : Overture

Hector Berlioz was known for his innovative and creative musical gestures. He composed the opera Benvenuto Cellini in 1838, based on the fascinating life of a 16th century Italian goldsmith of the same name. Unfortunately the work as a whole never gained much popularity however its colourful and exciting overture has, on the other hand, become a firm favourite. Tohru Takahashi has created a stunning concert band arrangement of this well-known overture.

The White Tower

The year is 1798 and thieves, robbers, and bandits prowl the countryside, wreaking havoc wherever they go and more often than not escaping without so much as a scratch. This was, however, not the case with a supposedly well-planned assault on the German town of Daaden, during which 20 long sought-after crooks from Germany, France, and Holland where captured. Otto M. Schwarz’ exciting musical montage lets people experience the planning, assault, and attempted retreat first hand!

The White Tower

The year is 1798 and thieves, robbers, and bandits prowl the countryside, wreaking havoc wherever they go and more often than not escaping without so much as a scratch. This was, however, not the case with a supposedly well-planned assault on the German town of Daaden, during which 20 long sought-after crooks from Germany, France, and Holland where captured. Otto M. Schwarz’ exciting musical montage lets people experience the planning, assault, and attempted retreat first hand!

The Junction Point : Railway Buiilders

The railway between Oslo and Bergen, ”Bergensbanen”, was built in the years 1895 – 1909. This piece is dedicated to the railway labourers, the navvies, who did the hard work across the mountains. Most of the work, even in the tunnels, were done by hand. The official opening of the railway was in 1909, but there was also a celebration and a dynamite salute when the two teams of labourers and locomotives from East and West met in the mountains in October 1907. At this point, the rails were joined together with a joint in the national colours: ”The Junction Point”!

The Junction Point : Railway Builders

The railway between Oslo and Bergen, ”Bergensbanen”, was built in the years 1895 – 1909. This piece is dedicated to the railway labourers, the navvies, who did the hard work across the mountains. Most of the work, even in the tunnels, were done by hand. The official opening of the railway was in 1909, but there was also a celebration and a dynamite salute when the two teams of labourers and locomotives from East and West met in the mountains in October 1907. At this point, the rails were joined together with a joint in the national colours: ”The Junction Point”!

1834 : Machera Impressions

The twofold title of this concert work is directly connected with the band who commissioned it. The ‘Harmonie Municipale Grevenmacher’ from the town of the same name, by the river Moselle in the Grand Duchy of Luxembourg was founded in the year1834. The name Machera is derived from the word machara, which in turn originated from maceries (old wall). Later, Machera evolved into Machern, Grafenmachern, and finally Grevenmacher.In 2009, this music society the third oldest still in existence in the country celebrated its 175th anniversary. And after all these years the society still flourishes! The dynamic committee, led by Georges May, fully supports and inspires themusical leader of the band, Claude Weiland, as well as his 60-strong ensemble. This well-functioning team took the initiative to ask Jan Van der Roost to write an anniversary composition, inspired, on the one hand, by the rural character ofGrevenmacher and its surroundings (where the famous Moselle wine growing dominates the countryside), and on the other hand, by the dynamics, creativity and joie de vivre the band exudes. All of this resulted in a twofold work with alternating peaceand excitement, virtuous and melodic features, orchestral splendour and soberly orchestrated passages. The première, on 10 January 2010, was conducted by the composer himself at a successful gala concert which brought a fine year full of musicalfestivities to a close. The ‘Harmonie Municipale Grevenmacher’ faces the future with confidence, and will now prepare for its next milestone: the 200th anniversary!

Toccata Festiva

‘Toccata Festiva’ was commissioned in 1994 by the Dutch Brass Band Championships. The wind band version was made a year later by the composer himself. Historically speaking, the toccata is considered to be one of the first independent instrumental forms for keyboard instruments. Originally the toccata was typically more or less improvised, later this musical form was given a more regulated structure. Both elements are used in the ‘Toccata Festiva’: on the one hand the different themes are developed freely, on the other, the piece has an orderly structure. It is in a three part form (quick-slow-quick) and includes both strong rhythmical figures and broad melodic lines. Partof the composition is written in a more or less archaic tone idiom, referring to the period from which the toccata form originates (16th century).

Toccata Festiva

‘Toccata Festiva’ was commissioned in 1994 by the Dutch Brass Band Championships. The wind band version was made a year later by the composer himself. Historically speaking, the toccata is considered to be one of the first independent instrumental forms for keyboard instruments. Originally the toccata was typically more or less improvised, later this musical form was given a more regulated structure. Both elements are used in the ‘Toccata Festiva’: on the one hand the different themes are developed freely, on the other, the piece has an orderly structure. It is in a three part form (quick-slow-quick) and includes both strong rhythmical figures and broad melodic lines. Partof the composition is written in a more or less archaic tone idiom, referring to the period from which the toccata form originates (16th century).

Early Hungarian Dances

The composer wrote of his work as follows: In the music of Hungary, folk songs are manifestly of great importance, on the other hand our ancient airs and dances play a modest role. For this work I have been influenced by dances of the 17th century, written by unknown amateurs in a relatively simple style. Most of these dances were recorded between the 14th and 18th centuries under the usual form of tablature notation. My interest in this music was first captured in the 1940s. I was so fascinated that I decided to give these melodies new life. I fitted the little eight-bar dances together into ternary and rondo forms, and leaning on early Baroque harmony and counterpoint, Iattempted a reminiscence of that atmosphere of the provincial Hungarian Baroque.

Toccata Festiva

‘Toccata Festiva’ was commissioned in 1994 by the Dutch Brass Band Championships. The wind band version was made a year later by the composer himself. Historically speaking, the toccata is considered to be one of the first independent instrumental forms for keyboard instruments. Originally the toccata was typically more or less improvised, later this musical form was given a more regulated structure. Both elements are used in the ‘Toccata Festiva’: on the one hand the different themes are developed freely, on the other, the piece has an orderly structure. It is in a three part form (quick-slow-quick) and includes both strong rhythmical figures and broad melodic lines. Partof the composition is written in a more or less archaic tone idiom, referring to the period from which the toccata form originates (16th century).

Idomeneo K.366 with Ballet K.367 : Facsimile of Mozarts autograph score

The Packard Humanities Institute, Los Altos, Ca, in association with the International Mozarteum Foundation, Salzburg, present a facsimilie edition of the autograph scores of the seven great Mozart operas.Mozart's sevengreat operas, his brilliant contribution to music theatre and world culture, are unequalled in their depth of human characterisation and musical expression.Now Mozart scholars, libraries and lover's of Mozart's stage workshave the oppertunity to acquire these priceless manuscripts in flawless reproductions.All volumes include essays on the history of the work and introduction by leading Mozart scholars in EnglishandGermanConsolidation of Mozart manuscripts held in different placesHighest level of precision in reproduction and authenticity of colour through use of the latest technology'I regard it as a true privilege to be able to read and study Mozart's scores in his manuscript hand... The commanding clarity and the characteristic appearance of Mozart's handwriting are unique'    - Kent Nagano (Conductor)

Die Entfuhrung aus dem Seail K.384 : Facsimile of Mozarts autograph score

The Packard Humanities Institute, Los Altos, Ca, in association with the International Mozarteum Foundation, Salzburg, present a facsimilie edition of the autograph scores of the seven great Mozart operas. Mozart's seven great operas, his brilliant contribution to music theatre and world culture, are unequalled in their depth of human characterisation and musical expression. Now Mozart scholars, libraries and lover'sof Mozart's stage works have the oppertunity to acquire these priceless manuscripts in flawless reproductions. All volumes include essays on the history of the work and introduction by leadingMozartscholars in English and German Consolidation of Mozart manuscripts held in different places Highest level of precision in reproduction and authenticity of colour through use of thelatest technology 'I regard it as a true privilege to be able to read and study Mozart's scores in his manuscript hand... The commanding clarity and the characteristicappearance of Mozart's handwriting are unique'     - Kent Nagano (Conductor)

Cosi fan tutte K.588 : Facsimile of Mozarts autograph score

The Packard Humanities Institute, Los Altos, Ca, in association with the International Mozarteum Foundation, Salzburg, present a facsimilie edition of the autograph scores of the seven great Mozart operas. Mozart's seven great operas, his brilliant contribution to music theatre and world culture, are unequalled in their depth of human characterisation and musical expression. Now Mozart scholars, libraries and lover'sof Mozart's stage works have the oppertunity to acquire these priceless manuscripts in flawless reproductions. All volumes include essays on the history of the work and introduction by leadingMozartscholars in English and German Consolidation of Mozart manuscripts held in different places Highest level of precision in reproduction and authenticity of colour through use of thelatest technology 'I regard it as a true privilege to be able to read and study Mozart's scores in his manuscript hand... The commanding clarity and the characteristicappearance of Mozart's handwriting are unique'     - Kent Nagano (Conductor)

Le nozze di Figaro K.492 : Facsimile of Mozarts autograph score

The Packard Humanities Institute, Los Altos, Ca, in association with the International Mozarteum Foundation, Salzburg, present a facsimilie edition of the autograph scores of the seven great Mozart operas. Mozart's seven great operas, his brilliant contribution to music theatre and world culture, are unequalled in their depth of human characterisation and musical expression. Now Mozart scholars, libraries and lover'sof Mozart's stage works have the oppertunity to acquire these priceless manuscripts in flawless reproductions. All volumes include essays on the history of the work and introduction by leadingMozartscholars in English and German Consolidation of Mozart manuscripts held in different places Highest level of precision in reproduction and authenticity of colour through use of thelatest technology 'I regard it as a true privilege to be able to read and study Mozart's scores in his manuscript hand... The commanding clarity and the characteristicappearance of Mozart's handwriting are unique'     - Kent Nagano (Conductor)

Flight: Diana Tenor Electro Ukulele - SoundWave PU : SoundWave Pick Up

Flight is thrilled to announce the Soundwave Pickup System, a pickup system that that uses phenomenal new technology to place control of the preamp and various effects at the fingertips of the player, whether the ukulele is plugged into an amplifier or not. Performers are often at the mercy of a sound engineer when gigging. The Flight Soundwave Pickup System not only adds a new dimension to acoustic playing, but also gives the gigging musician complete control without the need of additional equipment other than a lead cable and the ukulele in their hand. Bring style and grace to any event or performance with this tenor sized ukulele The stunning sound comes fromits solid cedar top supported by laminate walnut to the back and sides. This tenor ukulele is flourished with a very rich wood stain, golden tuners, in a stunning gloss finish. Every Diana ukulele comes with a bone nut and saddle, and Worth Brown fluorocarbon strings. Body Shape - Tenor (18 frets) Top - Solid Cedar Back & Sides - Stained Walnut Bridge - Purplewood Neck - Okoume Fretboard - Purplewood Nut & Saddle - Bone Position Markers - 5th, 7th, 10th and 12th frets. Electronics - SoundWave Active Pick Up with effects - reverb, delay, chorus Premium Features - SoundWave Pick Up, Slotted Headstock, Gold Tuners, Abalone Rosette, Worth Brown Strings. https://flightmusic.com/2020/01/05/soundwave-pickup-system/ Flight is thrilled to announce the Soundwave Pickup System, a pickup system that that uses phenomenal new technology to place control of the preamp and various effects at the fingertips of the player, whether the ukulele is plugged into an amplifier or not. Performers are often at the mercy of a sound engineer when gigging. The Flight Soundwave Pickup System not only adds a new dimension to acoustic playing, but also gives the gigging musician complete control without the need of additional equipment other than a lead cable and the ukulele in their hand. Bring style and grace to any event or performance with this tenor sized ukulele The stunning sound comes fromits solid cedar top supported by laminate walnut to the back and sides. This tenor ukulele is flourished with a very rich wood stain, golden tuners, in a stunning gloss finish. Every Diana ukulele comes with a bone nut and saddle, and Worth Brown fluorocarbon strings. Body Shape - Tenor (18 frets) Top - Solid Cedar Back & Sides - Stained Walnut Bridge - Purplewood Neck - Okoume Fretboard - Purplewood Nut & Saddle - Bone Position Markers - 5th, 7th, 10th and 12th frets. Electronics - SoundWave Active Pick Up with effects - reverb, delay, chorus Premium Features - SoundWave Pick Up, Slotted Headstock, Gold Tuners, Abalone Rosette, Worth Brown Strings. https://flightmusic.com/2020/01/05/soundwave-pickup-system/

Flight: Sophia Tenor Electro Uke - SoundWave PU : SoundWave Pick Up

Flight is thrilled to announce the Soundwave Pickup System, a pickup system that that uses phenomenal new technology to place control of the preamp and various effects at the fingertips of the player, whether the ukulele is plugged into an amplifier or not.   Performers are often at the mercy of a sound engineer when gigging. The Flight Soundwave Pickup System not only adds a new dimension to acoustic playing, but also gives the gigging musician complete control without the need of additional equipment other than a lead cable and the ukulele in their hand. This tenor sized ukulele is the true belle of our modern designs! This ukulele has a bright solid spruce topwith a warm laminate walnut back and sides. The high quality gold tuners and high gloss finish increase the class of this already beautiful instrument. Every Sophia ukulele comes with a bone nut and saddle, and Worth Brown fluorocarbon strings.   Body Shape - Tenor (18 frets) Top - Solid Spruce Back & Sides - Walnut Bridge - Purplewood Neck - Okoume Fretboard - Purplewood Nut & Saddle - Bone Position Markers - 5th, 7th, 10th and 12th frets. Electronics - SoundWave Active Pick Up with effects - reverb, delay, chorus Premium Features - SoundWave Pick Up, Slotted Headstock, Gold Tuners, Abalone Rosette, Worth Brown Strings.    

Pagliacci : Masterpieces of Italian Opera

The verismo opera Pagliacci by Ruggero Leoncavallo is the first work in Bärenreiter's new series “Masterpieces of Italian Opera” (MIO). Pagliacci, which was Leoncavallo's most successful work, has remained an integral part of opera literature up until today. The role of Canio the tragic clown helped many singers achieve successful performances and iconic interpretations.The new edition of Pagliacci, edited by Andreas Giger, is the first to follow clear editorial guidelines, documenting all amendments of the musical text in a Critical Commentary. It presents the opera in two versions, both of which were regarded as complete in their time: The version Leoncavallo presented to the Italian publisher Sonzogno (one act, without Prologue and Intermezzo) and the “final version” (two acts with Prologue and Intermezzo), the conception of which was influenced by Victor Maurel, Sonzogno, as well as the experiences collected during the first series of performances. The new edition follows the autograph score of the composer as closely as current opera practice allows, correcting erroneous pitches, adjusting articulation markings, slurs, and offering dynamic marks that were not included in previous editions. Additionally, instrumentation issues have been addressed.There are several secondary sources for Pagliacci that offer a substantial amount of performance suggestions, not all of which can be attributed to Leoncavallo with certainty. While previous editions mostly include these instructions, they have only been adapted into this edition as demanded by musical logic, in cases where they can be attributed to the composer with certainty, and based on practical value (such as metronome markings or puntature). In all cases, they have been offset typographically from autograph markings. An important secondary source, namely a copy of the first printed score, contains corrections in the composer's hand. Bärenreiter's new edition is the first to offer this valuable information to performers and scholars.The libretto for Pagliacci was written by Leoncavallo himself. Regarding vocal text and stage directions, the new edition follows the autograph as well as secondary sources authorized by Leoncavallo. As a result of clearly stated editorial guidelines and their execution, this new edition of Pagliacci offers a consistent score that closely follows Leoncavallo's intentions.The verismo opera Pagliacci by Ruggero Leoncavallo is the first work in Bärenreiter's new series “Masterpieces of Italian Opera” (MIO). Pagliacci, which was Leoncavallo's most successful work, has remained an integral part of opera literature up until today. The role of Canio the tragic clown helped many singers achieve successful performances and iconic interpretations.The new edition of Pagliacci, edited by Andreas Giger, is the first to follow clear editorial guidelines, documenting all amendments of the musical text in a Critical Commentary. It presents the opera in two versions, both of which were regarded as complete in their time: The version Leoncavallo presented to the Italian publisher Sonzogno (one act, without Prologue and Intermezzo) and the “final version” (two acts with Prologue and Intermezzo), the conception of which was influenced by Victor Maurel, Sonzogno, as well as the experiences collected during the first series of performances. The new edition follows the autograph score of the composer as closely as current opera practice allows, correcting erroneous pitches, adjusting articulation markings, slurs, and offering dynamic marks that were not included in previous editions. Additionally, instrumentation issues have been addressed.There are several secondary sources for Pagliacci that offer a substantial amount of performance suggestions, not all of which can be attributed to Leoncavallo with certainty. While previous editions mostly include these instructions, they have only been adapted into this edition as demanded by musical logic, in cases where they can be attributed to the composer with certainty, and based on practical value (such as metronome markings or puntature). In all cases, they have been offset typographically from autograph markings. An important secondary source, namely a copy of the first printed score, contains corrections in the composer's hand. Bärenreiter's new edition is the first to offer this valuable information to performers and scholars.The libretto for Pagliacci was written by Leoncavallo himself. Regarding vocal text and stage directions, the new edition follows the autograph as well as secondary sources authorized by Leoncavallo. As a result of clearly stated editorial guidelines and their execution, this new edition of Pagliacci offers a consistent score that closely follows Leoncavallo's intentions.