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For The President's Own

For The President's Own

In addition to being one of the greatest film composers of all time, John Williams has enjoyed a special relationship with The President's Own U.S. Marine Band. In honor of the band's 215th anniversary, Mr. Williams composed awork specifically for this storied ensemble. Casually described as a curtain raiser, For the President's Own is a spirited work that offers virtuosic challenges for every section of the band and represents a stunning addition tothe repertoire for mature bands. Performance time - ca. 4:20

SEK 2684.00
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Sollicitus for Brass band and Percussion

Sollicitus for Brass band and Percussion

The latin title «Sollicitus» means upset or uneasy is important in terms of the character and form of the work. This work contains several different pcarts, all of them based around a fanfare-like theme which is presented several times. This theme change it’s character, form, tonality, rhytmic and tension throughout the piece which triggers the turbulence of the music. «Sollicitus» is a commission for Midtun Skoles Musikkorps and their conductor Christian Breistein for their participation in the Norwegian Championships for School Bands in 2017. The version for Brass Band was written to Laksevåg Musikkforening for their participation at the Norwegian Brass Band Championships 2018.

SEK 2650.00
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Dutch Masters Suite : for Wind Orchestra

Dutch Masters Suite : for Wind Orchestra

For this exciting work Johan de Meij took his inspiration from Rembrandt’s The Night Watch, Vermeer’s Love Letter and Steen’s Prinsjesdag. In the first movement the solo trombone keeps watch at night, whilst in the second movement lyrical lute music accompanies Vermeer’s Love Letter. The third movement takes place in a tavern, where the drinking, singing and (increasingly inarticulate) music take place. An epilogue from the watchful trombone brings the piece to a peaceful end. This new work by Johan de Meij was the set-piece for 2nd division concert bands at the 16th WMC in Kerkrade 2009.

SEK 3160.00
1

Lincolnshire Posy - 2020 Edition

Lincolnshire Posy - 2020 Edition

This new 2020 revision by R. Mark Rogers addresses errors found in the previous edition and follows Grainger's scoring practices and concept of instrumental color more closely. One of the absolute gems in the entire worldwide repertoire for wind bands, Lincolnshire Posy remains at the pinnacle for all bands who believe themselves ready to prove their artistic worth. Along with Percy Grainger's wonderful material, the added bonus of the explicit editing and notes from the definitive interpreter of the work, Dr. Frederick Fennell, makes this a must have for performance and for study. It is this work that has literally been responsible for inspiring thousands of aspiring musicians to become directors of bands, orchestras, and choruses, thus fostering a lifetime of love of and respect for music. Ludwig Music is extremely proud to play a major part, by making this edition available, in keeping this very important piece of music at the forefront of musicians and audiences around the world.

SEK 2532.00
1

Symphony No. 9, Op. 160 : for Large Wind Band

Symphony No. 9, Op. 160 : for Large Wind Band

Premiered on September 21, 2018 in Lawrence, Kansas by the University of Kansas Wind Ensemble (Dr. Paul Popiel, conducting), James Barnes' Ninth Symphony was composed between January and late June of that same year. This large work was commissioned by a consortium of twenty-one college bands, community bands, professional bands and individuals to help mark the 70th birthday of the composer (b. 1949). It is an expansive forty-minute work in four movements, of which the composer writes, This is my last symphony... this work represents a compendium of all that I have learned during the fifty years of composing and scoring for this wonderful new medium: the modern wind band. The first movement, subtitled Elegy, is based around G minor. It is the longest movement of the symphony. Tragic and despondent in character, it is cast in sonata-allegro form. The second movement is entitled Scherzo. Barnes claims that I have always wanted to write a waltz, and that is how this movement is cast, in a modified rondo form in D minor. In contrast to the mood of the first movement, the scherzo is a delightful posy of expansive melody, splashy color, humor and rhythm. The third movement, which is in a modified tertiary form, is entitled Night Music. In contrast to the scherzo, this movement begins with a mysterious incantation, first displayed by solo Alto flute. The music becomes even darker and more mysterious, while overall the movement effectively expresses an otherworldly mood, ending with a solo soprano offstage which suddenly emerges, eerily singing a modified version of the opening incantation. Cast in sonata-allegro form, the fourth movement is most definitely a rousing Finale, beginning with a brilliant fanfare and undergoing several mood transformations before emerging into the final coda, ending the symphony with an energetic splash of color.

SEK 4052.00
1

60 Warm-up Chorales for Concert Band : Compiled and Arranged by Franco Cesarini

60 Warm-up Chorales for Concert Band : Compiled and Arranged by Franco Cesarini

During his experience as a band conductor and teacher of wind orchestra conducting at university, Franco Cesarini has dealt with the topic of warm-ups very frequently. Throughout these long years of conducting he has had the opportunity to try many existing methods, evaluating their advantages and disadvantages. After a long time, he has decided to compile a collection of chorales for warm-ups, which are organized according to the criteria that he considers most effective.While working on his60 Warm-up Chorales for Concert Band, Franco Cesarini has always borne in mind that amateur musicians play for pleasure. He feels that it is extremely important that they have satisfaction at every moment of the rehearsal and not to start the rehearsal with needless "punishing" exercises. Nobody is really motivated to start playing with scales, long notes, or tricky rhythmical exercises. There is often a distinguished absentee in band rehearsals, namely music itself!Although this publication does not foresee a specific tempo for the chorales, they should often be performed rather slowly but without dragging.Dynamics are not indicated, so that the conductor has the opportunity to draw the attention of the musicians to his gestures and to make them react according to his indications.Timpani and bell parts have been added with the aim of not leaving the percussionists completely inactive during the warm-up phase, but can also be omitted.The chorales are written in four parts (SATB) and are also playable in smaller groups. The four voices can be played in different combinations of woodwinds or brass quartets or in mixed combinations.The collection includes ten chorales for the following keys: D flat major, A flat major, E flat major, B flat major, F major and C major.With his 60 Warm-up Chorales Franco Cesarini would like to convey the message to play the chorales in a musical way, thus raising the musicians’ awareness of phrasing, the right interpretation of cadences, rubato and agogic. Above all, never do anything without putting the musical aspect in the foreground. 60 Warm-up Chorales for Concert Band: A perfect collection to warm-up and improve tuning of a concert band!

SEK 2219.00
1

Oscar for Amnesty

Oscar for Amnesty

The central figure in this work is Marianella Garçia Villas (1948-1983). This Salvadorean woman fought for human rights in her country. As a barrister for political prisoners she belonged to the opponents of the regime in El Salvador. She escaped death several times, but eventually her activities cost her her life. The story of Marianella Garçia Villas is very important in the struggle for human rights in South America with many people followed her example. Dirk Brossé ends this symphonic poem with a Coda in which hope for improvements in human rights triumph.

SEK 2684.00
1

Concert Favorites Vol. 2 - Value Pak : 37 Part Books with Conductor Score and CD

Concert Favorites Vol. 2 - Value Pak : 37 Part Books with Conductor Score and CD

Here is a follow-up to the popular Concert Favorites, Volume 1 that features even more terrific easy works for beginning bands. Perfect for groups with limited rehearsal time, this collection is also an economical way toprovide your players with quality literature. (Beginning level to Grade 1.5)Includes: Gallant March, High Adventure, The “Hey” Song, Beethoven's Ninth, Bandroom Boogie, Amazing Grace, Infinity Concert March,Latin Fire, Linus and Lucy, Star Trek Generations, American Spirit March, Gathering in the Glen, The Loco-Motion, Scarborough Fair, and Royal Fireworks Music.

SEK 3557.00
1

The Wild Rumpus

The Wild Rumpus

Score and Parts. Grade 5 Winner of the prestigious 1999 Schirmer competition for young composers, this significant work with expanded instrumentation brings Stephen Beck to the forefront of contemporary literture for bands. The Wild Rumpus was inspired by the childrens book, Where The Wild Things Are, by Maurice Sendak. Near the middle of the story, the hero, a young boy named Max, discovers the world of the Wild Things, and is crowned king of the Wild Things. At that point, Max shouts Let the wild rumpus start! Composed in two movements - I. Howling, Swinging and II. Marching.

SEK 2219.00
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Concerto for Trumpet No. 1: Trumpet Town : for Solo Bb Trumpet & Orchestra

Concerto for Trumpet No. 1: Trumpet Town : for Solo Bb Trumpet & Orchestra

Composer Otto M. Schwarz completed his first Concerto for trumpet in October 2009. Schwarz displays a special knack in writing for this instrument, thanks to his trumpet studies undertaken with Professor Josef Pomberger at the Music Conservatory in Vienna. Concerto for Trumpet No. 1 ‚Trumpet Town’ was commissioned by the police-orchestra of Upper Austria, under the baton of Andreas Schwarzenlander. The work was premiered on 17 November 2009. The soloist for the evening was trumpeter Franz Wagnermeyer, who also studied at the Vienna Conservatory and who currently performs with, amongst others, the international group “Ten of the Best”. A rapid flourish in 12/8 time opens Concerto for Trumpet No. 1 ‘Trumpet Town’. The metric changes that follow affect the pulse rhythmically and melodically, in exciting and unexpected ways. The solo trumpet’s displays of technical prowess and bravura alternate with the film-score-like tutti sections of the brass ensemble. The slow, almost elegiac, central section can be performed on the flugel horn, while the closing reprise demands that both the soloist and the orchestra give of their best as the piece comes to an exciting, colourful, and uplifting finale. This piece is also available for trumpet and piano.

SEK 2148.00
1

Works For Male Choir - Equal Voices : Volume 2

Works For Male Choir - Equal Voices : Volume 2

With only one exception, Gade composed his works for male choir with accompaniment for Danish choral societies, numerous of which had been founded across the country since 1839. These societies were often closely connected with professional associations, making them equally important for musical and social matters.This volume contains five occasional works for male choir with accompaniment that were composed between around 1838 and 1883. Three of them were intended for church usage (two funerals and one wedding).Among the works for equal voices and accompaniment in this volume, “Aarstidsbilleder” op. 51 is the longest. It was composed for the women of The MusicSociety in Copenhagen and conducted by Gade himself during the 1871/72 seasons.The appendix contains works that were completed, but do not allow for definitive decisions regarding their final presentation.

SEK 4959.00
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