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Friendly Takeover

Friendly Takeover

Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in different meters throughout the piece. In the finale, the musical scene is taken over completely by groove-based rhythms. This takeover, however, is of a friendly nature, as the various beats are not being conceived as rivals of the lyrical motives, but are rather supposed to infuse energy and vitality to the latter. Thus, one gets the impression of an ongoing acceleration throughout the piece.Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in different meters throughout the piece. In the finale, the musical scene is taken over completely by groove-based rhythms. This takeover, however, is of a friendly nature, as the various beats are not being conceived as rivals of the lyrical motives, but are rather supposed to infuse energy and vitality to the latter. Thus, one gets the impression of an ongoing acceleration throughout the piece.Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux.In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in different meters throughout the piece. In the finale, the musical scene is taken over completely by groove-based rhythms. This takeover, however, is of a friendly nature, as the various beats are not being conceived as rivals of the lyrical motives, but are rather supposed to infuse energy and vitality to the latter. Thus, one gets the impression of an ongoing acceleration throughout the piece.

SEK 385.00
1

William H. Harris: Sonata In A Minor for Organ

Piano Trio The Chronophage

The Advanced Pianist Book 2

M. Nagatomi: 3 Esquisses (Piano solo)

Devotion - Sacred Solos For Guitar

Technique in Practice

Three Blind Mice

Greensleeves GeWV 261 : Variations on an Old Folk Song

Jacob Narverud: The Resonant Male Singer

The Graces of Love : Le Gratie d'Amore

Glenn Lorbecki: Power Tools for Pro Tools 10

Ableton Live 9 Sound Design Bk/Dvd

Ableton Live 9 Producing Bk/Dvd

Hugh Benham: Baroque Music In Focus - Second Edition

Hugh Benham: Baroque Music In Focus - Second Edition

This book defines Baroque music simply and explains how it began, developed and influenced later musicians, with chapters on major genres and a survey of the lives and music of the two leading composers of the late Baroque, Bach and Handel.This book suggests listening, viewing and further reading material to complement the main topics within the book, and is an ideal resource for those wanting to explore the many aspects of Baroque music.This second edition has been fully revised and updated, with expanded sections on the major genres and works of the Baroque era.Written to provide a solid foundation for pupils of all levels who are studying Baroque music, Baroque Music in Focus would also be useful for any readers with an interest in the topic.Hugh Benham read Music and English at Southampton University, where he was awarded a Ph.D. for his study of the music of John Taverner. He is a chair of examiners for GCE Music, an in-service trainer, church organist, and writer, and formerly taught music in a sixth-form college.Hugh has contributed to Music Teacher and Classroom Music magazines, and is the author of Baroque Music in Focus (Rhinegold, 2007). His other writing includes two books on English church music, including John Taverner: his Life and Music (Ashgate, 2003), articles on early music, contributions to The New Grove Dictionary of Music and Musicians (2001) and Die Musik in Geschichte und Gegenwart, and a complete edition of Taverner for Early English Church Music.

SEK 236.00
1

We Will Sing! : Choral Music Experience for Classroom Choirs

We Will Sing! : Choral Music Experience for Classroom Choirs

The complete resource for training young choirs. Provides everything you need: the basics of how to produce a good singing tone, basic music theory, reading and ear training, vocal exercises, 18 songs, rehearsal guides, evaluation questions and assessment materials. Songs (for unison and 2 pt treble voices) in a variety of styles including folk, classical and jazz. Handy pupils' song books available in economy packs; ideal for concert performance. Cassettes and CDs provide demonstrations and keyboard accompaniments to all the songs. Helps meet curriculum requirements including performing, listening and appraising. For 9 year olds and above; can be used by generalist and specialistmusic teachers. Written by internationally acclaimed music educationalist and choral trainer Doreen Rao. Offers an insightful, practical approach to classroom music. Helps instill a life-long love of music in your students while giving them a solid foundation in musical understanding and singing skill. The 18 choral arrangements in the book are also available in three separate 'Performance Program' books, making them easy to use in concert as well as in the classroom. Program 1: O Music, Sweet Music-Mason/Rao; The Sally Gardens-arr. Britten; Simple Gifts-arr. Copland; She's Like The Swallow-arr. Dolloff; A Spring Morning-Carey/Rao; Good Night-Kabalevsky. Program 2: Jubilate Deo-Praetorius/Rao; The Path To The Moon-Thiman; I Know Where I'm Goin'-arr. Hughes; Oliver Cromwell-arr. Britten; Bist Du Bei Mir-Bach; Ching-A-Ring Chaw-arr. Copland. Program 3: Hodie from 'A Ceremony Of Carols'-Britten; A Child Is Born-Anon.; Poor Little Children-Spiritual; How Beautiful Are The Feet Of Them from 'Messiah'-Handel; In Dulci Jubilo-Bach and Jingle Bell Swing-arr. Elliott.

SEK 493.00
1

Hugh Benham/Alistair Wightman: Edexcel AS Music Listening Tests - 3rd Edition

Hugh Benham/Alistair Wightman: Edexcel AS Music Listening Tests - 3rd Edition

This book contains a series of practice tests and papers that will help you to prepare fully for Unit 3 (Developing Musical Understanding) of your AS-level exam. It has been carefully written by experienced teachers and examiners to match the requirements of the Edexcel AS Music specification; the content relates to the set works that you will study for examination in 2011, 2012 or 2013. You can use this book for coursework or revision and preparation in the final weeks before your exam. It includes:Listening tests and practice questions for all three sections of the written paperOne full practice paper for each year, laid out as in the examExpert advice on how to devise your own testsHelpful hints to enable you to get a better gradeModel answers to all of the questionsA comprehensive glossary that explains all of the terms you need to know [/BL] This book has been written for use with the CDs that accompany the Edexcel New Anthology of Music.Hugh Benham read Music and English at Southampton University, where he was awarded a Ph.D. for his study of the music of John Taverner. He is a chair of examiners for GCE Music, an in-service trainer, church organist, and writer, and formerly taught music in a sixth-form college.Hugh has contributed to Music Teacher and Classroom Music magazines, and is the author of Baroque Music in Focus (Rhinegold, 2007). His other writing includes two books on English church music, including John Taverner: his Life and Music (Ashgate, 2003), articles on early music, contributions to The New Grove Dictionary of Music and Musicians (2001) and Die Musik in Geschichte und Gegenwart, and a complete edition of Taverner for Early English Church Music.

SEK 318.00
1