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Turn the Beat Around

In the nineties, the Cuban-American singer Gloria Estefan recorded a sparkling version of Vicki Sue Robinson’s disco classic Turn the Beat Around. She gave the song a catchy Latin beat, and with this new impulse, it was a worldwide hit. With the sentence from the song text “Love to hear percussion” in mind, Peter Kleine Schaars incorporated a compelling percussion solo in his arrangement. The result is a dynamic piece of music full of pace and passion.

Turn the Beat Around

In the nineties, the Cuban-American singer Gloria Estefan recorded a sparkling version of Vicki Sue Robinson’s disco classic Turn the Beat Around. She gave the song a catchy Latin beat, and with this new impulse, it was a worldwide hit. With the sentence from the song text “Love to hear percussion” in mind, Peter Kleine Schaars incorporated a compelling percussion solo in his arrangement. The result is a dynamic piece of music full of pace and passion.

Turn the Beat Around

In the nineties, the Cuban-American singer Gloria Estefan recorded a sparkling version of Vicki Sue Robinson’s disco classic Turn the Beat Around. She gave the song a catchy Latin beat, and with this new impulse, it was a worldwide hit. With the sentence from the song text “Love to hear percussion” in mind, Peter Kleine Schaars incorporated a compelling percussion solo in his arrangement. The result is a dynamic piece of music full of pace and passion.

Pelle Gudmundsen-Holmgreen: Turn II (Parts)

Ensemble1 Bass Flute1 Guitar1 Percussion (1 player, see next page for details)Soprano SoloAlto SoloTenor SoloBass SoloHarpThe score is notated in C, with traditional octave transposing clefs,making the Tenor Solo part, as well as the Bass Flute and the Guitar sound anoctave lower than notated, as indicated at the (initial) clefs.

Turn On, Tune In, : Drift Off Ambient Music's Psychedelic Past (Hardback)

Hearing Homophony : Tonal Expectation at the Turn of the Seventeenth Century

In Hearing Homophony, Megan Kaes Long presents a groundbreaking model for understanding tonality and its origins, examining it through the lens of popular songs of late-Renaissance Western Europe.

Turn Of The Screw Op.54 : Opera in a prologue and two acts

Complete Opera in Hardbound HPS 784

Body Knowledge Performance : Intermediality, and American Entertainment at the Turn of the Twentieth Century

The Turn of the Screw op. 54 : An Opera in a prologue and two acts

The Fascist Turn in the Dance of Serge Lifar : Interwar French Ballet and the German Occupation

Last Call

Austrian composer Otto M. Schwarz was asked to write an encore piece with which the band could really show off. Featuring all the sections of the band in turn, accompanied by a driving funky rhythm, Last Call will ensure your audience are dazzled by your players’ skills!

Spring Song

Spring has finally arrived. The days grow longer, birds prepare to nest, trees turn green and plants begin to bloom as nature wakes up from her winter sleep. This, and the fact that the composer’s third grandson was born in the spring, were the inspiration for Spring Song.

Spring Song

Spring has finally arrived. The days grow longer, birds prepare to nest, trees turn green and plants begin to bloom as nature wakes up from her winter sleep. This, and the fact that the composer’s third grandson was born in the spring, were the inspiration for Spring Song.

Constellation

This easy concert march can be divided into two parts. The first part, which is rhythmical, beautifully contrasts with the second part, which is lyrical. Each section of the band has its turn in this concertmarch, which, in spite of its easy level of difficulty, deserves the designation “five-star piece.”

Constellation

This easy concert march can be divided into two parts. The first part, which is rhythmical, beautifully contrasts with the second part, which is lyrical. Each section of the band has its turn in this concertmarch, which, in spite of its easy level of difficulty, deserves the designation “five-star piece”.

Ritual

Ritual, a work for large concert band, describes the atmosphere during a pagan ceremonial offering. The tension of the approaching ritual, softly supported by a mysterious percussion accompaniment, slowly builds and leads to an enticing dance. This precedes the height of the ritual, the pagan sacrifice. Following the sacrifice the peace seems to be restored until suddenly a surprising final turn ends Ritual.

Convergents

With Convergents Franco Cesarini has succeeded in composing a piece suitable for both concerts or contests which whilst not being too difficult still has the feel of a major work. This extremely rhythmical piece is built upon three themes which, after being introduced in turn, finally converge into the triumphal finale of the work. This scintillating workwill be a definite enrichment to the repertoire of your concert band.

Convergents

With Convergents Franco Cesarini has succeeded in composing a piece suitable for both concerts or contests which whilst not being too difficult still has the feel of a major work. This extremely rhythmical piece is built upon three themes which, after being introduced in turn, finally converge into the triumphal finale of the work. This scintillating workwill be a definite enrichment to the repertoire of your concert band.

Convergents

With Convergents Franco Cesarini has succeeded in composing a piece suitable for both concerts or contests which whilst not being too difficult still has the feel of a major work. This extremely rhythmical piece is built upon three themes which, after being introduced in turn, finally converge into the triumphal finale of the work. This scintillating workwill be a definite enrichment to the repertoire of your concert band.

Verdi's Triumphs

This piece, as the title might suggest, brings together Verdi’s greatest operatic triumphs. Amongst his best hits are Nabucco from 1842, which signified a turn-around after the flop of a previous opera, as well as Rigoletto, which in 1851 propelled him to international fame. Verdi’s Triumphs features: Triumphmarch and Su! Del nilo al sacro lido from Aida, the Prisoners’ Freedom Choir from Nabucco and La donna è mobile from Rigoletto.

Global Variations Wind Band (Score And Parts)

Around the world in just over eight minutes! Although commissioned for a Youth Band, no concessions are made here for lack of technical ability, particularly in the percussion department. The chimes of Big Ben herald the start of a whistle-stop global journey, calling in turn at France, Spain, South Africa, Egypt, Russia, India, China, Australia, South America, and the USA, with a final detour through Ireland and Scotland before hearing Big Ben once more as we arrive home!

The Wild One! : Circus March

The Wild One! is a blistering circus march by Brian Balmages. Designed to showcase your entire ensemble, this adrenaline-packed work will bring your audience to its feet regardless of where you program it in your concert. Cleverly combining the traditional march form with contemporary elements, this barnburner is sure to turn heads and be a ton of fun for performers and audiences alike. There are plenty of opportunities for percussionists, including several optional parts for directors with larger sections.

Lions of Legends

This work was commissioned by Eurofestival. Ever since antiquity, mankind has been fascinated by the lion: symbolising courage, strength and temperance. Many have made use of the lion to represent themselves in symbols and emblems. In five movements the composer describes both the history of the lion throughout centuries, as well as the characteristics. A challenging idea to turn into music! The final movement ‘King of Kings’ is extremely spectacular. A great choice for thematic concerts or as a main piece in your concert or contest.

Aurora Dances

Aurora Dances was commissioned by the Hong Kong-based Winter Band Festival, and consists of three movements, to be played without a break. ‘Aurora Borealis’ opens with florid woodwind figures and highlights different sections of the band in turn. The second movement ‘Aurora Australis’ leads to a sombre chorale, which builds to a full-band climax. The finale ‘Aurora Dances’ is characterised by rhythmic, dance-like themes. A central section features a contrasting legato melody, but this doesn’t dispel the energetic feel of the opening, which returns to close the work.

Oldies Forever

In the field of popular music the years around the change from the 60’s to the 70’s saw a wealth of great releases. Many of these hits have been re-released or reworked by artists making them popular today with a new young audience. This new medley presents many hits that would be attractive concert items in their own right but together they form a musical masterpiece with an almost irresistible appeal to the listener. Turn back time to this great arrangement that will be an ever-popular part of your concert programmes.