Digital synlighed. Målbart afkast.

Display

21 Pocket Hybrid Display Floor

Classic Rock Display 4x3 Playing Cards gift sets

Classic Rock Prepack Display 8x3 playing cards : Aquarius

21 Pocket Hybrid Display Floor : Internal use on Fairs

La Virgen Del La Macarena

The Spanish classic as performed by the Canadian Brass. Featuring solo cadenzas for both clarinet and trumpet, this audience favorite is an awesome display of the fiery Spanish style. An impressive selection for concert band.

Band Fever

Modern wind music in the style of the great Big Bands was the model for the composition Band Fever by Otto M. Schwarz. The piece features two soloists, saxophone and flugel horn. Rhythms such as Hip Hop and Double Samba support acatchy melody played by the full band. This forms the basis for the soloists' improvisations. This unique concert band work allows both soloists and conductor to display individuality and creativity. It is especially suitable as alight opening piece or as a feature number to display the great skills of your saxophone and flugel (or trumpet) players.

Star Wars: The Last Jedi : Soundtrack Highlights from

From the blockbuster movie Star Wars: The Last Jedi, John Williams continues to display his mastery of music for film. This dynamic medley includes poignant new themes along with familiar older melodies as some of our favorite characters return for this episode.

Sweet Sunset

The sky creates a dazzling display of yellows, oranges, and reds, before turning a calm blue, then purple, and finally black. Such sunsets inspired Jan de Haan to write this piece for solo flugelhorn and brass band. It is dedicated to his daughter, Hermanda.

Band Power

Festive brass fanfares, an attractive melody and a quiet chorale-likeinterlude, played by the woodwind section, are the main ingredientsof this compelling concert opener by Gilbert Tinner. The lively startreturns in the finale with a display of musical fireworks ensuring yourconcert band make a truly powerful entrance!

Symphony No.1 for Wind Orchestra - Mvt. 1

Richard's first symphony for winds is a tour de force of orchestrational textures and rhythmic vitality. Movement 1 opens with a virtuosic display of solo statements followed by a layering of sounds and soaring melodies allleading to a dynamic finish. Dur: 4:00 (Includes full performance CD)

Sweet Sunset

Sunset - the sun heads towards the western horizon and slowly slips from view. The sky creates a dazzling display of yellows, oranges, and reds, before turning a calm blue, then purple, and finally black. Such sunsets inspired Jan de Haan to write this piece for solo oboe and concert band. It is dedicated to his daughter, Hermanda.

Shorewood Overture : for Multi-level Combined Bands

A musical firework display aimed at various levels of ability, and just the kind of motivation young players need—that’s Shorewood Overture! This piece was composed especially for combined ensembles containing players with different requirements.Musicians in groups can show off their skills and in between all play together. The ‘Level 3’ parts can also be performed by a separate ensemble.

Rush

Grade 5Written as a follow-up to his wildly successful composition Ride, this new work from Samuel Hazo was commissioned by the Wenger Corporation and premiered at the 2006 Midwest Clinic in Chicago. Like itspredecessor, Rush is an exhilarating display of rhythmic intensity, featuring shifting meters and dynamic wind band scoring. Sure to leave your listeners breathless. Dur: 3:35 (Includes full performance CD)

Festive Rock

The contemporary Lithuanian composer Kazys Daugėla created Festive Rock in celebration of the 2003 Lithuanian national holiday. The premier took place at a concert with not one, but two concert bands being eluminated by the many colours of a concert closing firework display. This unforgettable event led to the piece’s popularity among concert bands. Now it can also become a part of your repertoire with or without fireworks!

Apollo : Osakan

Like previous marches by Jan Van der Roost (Mercury, Arsenal, Helios, Minerva, Artemis, Montana...) the overall character of Apollo is rather stately and noble. Broad themes and a lyrical trio melody offer the opportunity for variousregisters to shine and to display their qualities, making this concert march a captivating experience for players and audience alike! Starting in a minor key, the march soon turns towards the major, reflecting the festive character of a true'jubilee march'.

All Together

All Together is a sparkling piece that is suitable for various playing levels, and offers the ideal motivation for young musicians within your society. Peter Kleine Schaars wrote this composition especially for (combined) ensembles withdifferent playing skills. Musicians can display their abilities at their own level and in between, they all play together. The ‘grade three parts’ contain all levels in cues, so that this composition can also be played by the large band only.

Laguna di Grado : partly based on a theme by Guglielmo Czuberth as written in 1861

Picture yourself in the marvellous paradise of Italy’s Grado Lagoon. The magnificent display of colour and the salty scent of sea air combine with the fragrant tamarisk to create a unique atmosphere. In this glorious haven time stands still - except for the flight of the seagulls and the slow flood tide. From a distance you hear an adagio coming through the air from a procession of boats. Its solemn tones dissipate into the landscape of the lagoon.

Farewell Medley

While it can be fairly easy to select a musical piece for the beginning of a concert, the search for a proper closing piece can sometimes be more difficult. Helping to fill this gap was Stefan Schwalgin's motivation for this Farewell Medley. In this piece he has woven four world-famous folk tunes from the Anglo/Irish/Scottish culture (Danny Boy, Amazing Grace, The Last Post and Auld Lang Syne) into a high-quality arrangement that allows the band to display its full range of colours at the end of any concert.

Mercury

Mercury is a concert march composed in a typically British idiom. In 1990, Jan Van der Roost wrote this piece on the occasion of the 15-year anniversary of his own band: Brass Band Midden Brabant. Like many British marches, the main theme is written in a minor key. Powerful and virtuoso themes characterize the first part of this march, while the trio melody is much more melodical, offering the tenor register to display its lyrical skills. Follows a dynamic passage for trombones and trumpets/cornets, leading to a "grandioso" version of the main trio melody and thus concluding this march in a magnificent way.

Mercury

Mercury is a concert march composed in a typically British idiom. In 1990, Jan Van der Roost wrote this piece on the occasion of the 15-year anniversary of his own band: Brass Band Midden Brabant. Like many British marches, the main theme is written in a minor key. Powerful and virtuoso themes characterize the first part of this march, while the trio melody is much more melodical, offering the tenor register to display its lyrical skills. Follows a dynamic passage for trombones and trumpets/cornets, leading to a "grandioso" version of the main trio melody and thus concluding this march in a magnificent way.

T-Bone Concerto, Part I - Rare

The T-Bone Concerto was Johan de Meij's first composition for solo instrument and symphonic band. It consists of three movements called respectively 'Rare', 'Medium' and 'Well Done'. In addition to the solo trombone, an important role has been allotted to a kind of chamber music ensemble within the band. This group introduces new thematic material and accompanies the soloist, thus creating a delightful transparant accompaniment. The ensemble consists of a double wind quintet (2 flutes, 2 oboes, 2 clarinets, 2 french horns and 2 bassoons) plus a cor anglais and a double bass. Part I is written in the A-B-A form and allow the soloist to display both the technical and the lyricalcharacteristics of the instrument.

Landscapes : Concerto Grosso for Brass Band and Percussion

Landscapes is a work structured around two main ideas. On the one hand, the music freely paints some of the superb landscapes I’ve seen during several of my trips around the world. Listeners should, however, not be influenced by this programmatic framework and are encouraged to build their own ‘mind pictures’.On the other hand, Landscapes constitutes a test piece for each section of the brass band. Indeed, each musical landscape highlights a particular register. A small group of soloists is given the opportunity to fully display its skills in dialogue with the rest of the band (the tutti), hence the name ‘concerto grosso’. Landscapes also relies on the band’s different soloistmusicians when it comes to express highly complex, musically and technically challenging passages.

Band Fever

Modern wind music in the style of the great Big Bands was the model for the composition Band Fever by Otto M. Schwarz. It was written on commission of the prestigious South Tyrolese concert band, Symphonic Winds. The piece features two soloists, one saxophone and one flugel. Rhythms like Hip Hop Style and Double Samba support a catchy melody, which is later taken up by the full band, forming the basis for the above-mentioned soloists’ improvisations. A unique work in the world of wind music, Band Fever allows both soloists and conductor to display individuality and creativity. It is especially suitable as an opener of the light part of a concert, or as afeature number for special soloists in the orchestra.

Studium

Poul Ruders STUDIUM: Concerto for 2 percussionsoloists and OrchestraAs indicated in the Latin title STUDIUM, this concerto is a study or etude for virtuoso percussion and orchestra and a composer?s studium of the meticulous and patient building up a huge structure based on a very tight and sparse material. The title originally means and undertaking done with ardour and the wish to strive for the highest possible goal, a natural aim in any artistic endeavour. The orchestra and the soloists work in a body towards the off-centre placed climax, the technical level of the soloists increasing form ensemble status to stupefying virtuosic display, whereas the orchestra maintains its tightly composed surround-sound. What then happens shall remain a surprise.Poul Ruders