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The Red Tower : Based on the painting by Giorgio de Chirico (1888-

The Red Tower : Based on the painting by Giorgio de Chirico (1888-

The 2nd movement of The Venetian Collection refers to a painting by the Italian artist Giorgio de Chirico, and was commissioned by the Banda Civica di Soncino [Italy]. One of the main towers of the ancient walls that surround themedieval town of Soncino, La rocca sforzesca, has a significant resemblance with the tower on De Chirico's painting. De Meij has constructed an exciting and warm-blooded work, based on a simple four-note motif, with lyric solopassages for bassoon, bass clarinet and soprano saxophone in the middle section. In November of 2000, THE RED TOWER was awarded 1st Prize in the International Composition Competition of OMAN. (Duration 8:30)

SEK 1971.00
1

Hunting Tower

Hunting Tower

Not much is known about the origin of Huntingtower, except for the fact that this ballad was composed in 1931 by the Italian composer Ottorino Respighi (1879-1936), commissioned by Edwin Franko Goldman and the American Bandmaster Association, and was premiered on 17 April 1932 at a concert in memory of John Philip Sousa in Washington D.C. It is not even certain whether Respighi arranged the work himself, or left this to someone else. Huntingtower is the name of a castle in Scotland, where Respighi spent some time. It is possible that this ballad contains his musical impressions of his stay there. The orchestration on this CD, made by Franco Cesarini in 1987, is an adaptation ofthe work to the demands of the contemporary concert band.

SEK 1772.00
1

Power Play : To Edi and Ana-Maria

Power Play : To Edi and Ana-Maria

The composer has dedicated this piece to hischildren. From a parent’s point of view, childhoodpasses by too quickly. However, at other times thedays seem endless - particularly those days whenchildren keep their parents so busy and pushed tothe limit that they don’t know if they’re coming orgoing. Scraped knees, crayoned walls and ravagedplayrooms are the ingredients for a battle of wills -a real “power play.” However, one enchantingsmile from a child is enough to make the hardwork worth it. This piece was written in the middleof teddy bears, toy cars and Lego bricks.

SEK 1396.00
1

Girl Power! : Wuthering Heights - Bitch - Like A Virgin - Girls Just Want To Have Fun

Girl Power! : Wuthering Heights - Bitch - Like A Virgin - Girls Just Want To Have Fun

Pop music up until the 1980s used to be dominated by male artists and bands, until artists like Cindy Lauper and Madonna came along. With their often provocative lyrics and videos, they put an entire movement in motion whichengaged with a new, female audience. This ‘Girl Power Medley’ features ‘Bitch' (Meredith Brooks), 'Girls Just Want To Have Fun' (Cindy Lauper), 'Like a Virgin' (Madonna) and 'Wuthering Heights’ (Kate Bush).

SEK 1455.00
1

Of Castles and Legends : Die Legende von der weißen Jungfrau zur Kugelsburg

Of Castles and Legends : Die Legende von der weißen Jungfrau zur Kugelsburg

The programmatic composition Of Castles and Legends is basedon the German legend of the white maiden who lived in the smallcity of Volkmarsen. It tells the tale of invading evil knights whokidnap a beautiful maiden, who through sheer panic commandedher spirit into the hands of God and by jumping into the abyss fromthe highest tower of the castle where she was being held. Fromthat day onward, she appeared from time to time, in shiny whitegarments, a sign of eternal heavenly joy. A fantastically descriptivepiece which portrays this tragic legend through the power of music.

SEK 2040.00
1

Funk Attack

Funk Attack

Otto M. Schwarz is endeavoring to contribute new ideas to concert band literature. He has contributed in the field of multimedia (Asteroid), and with his many compositions in symphonic/modern arrangement (Jazz Waltz No 1, Fire and Ice or Band Fever). His new composition Funk Attack is, as the name suggests, a piece in funk style. Otto M. Schwarz first gained his experience in his style in the 8o?s, transcribing numbers by famos Amerarican bands including "Earth, Wind and Fire", "Tower of Power"", and the British slap idol "Mark King" (Level 42). Funk attack is atypical of "the concert band scene" and requires absolute precision in phrasing and rhythm. Without the support of agreat percussion groove, the orchestra plays an interlocked theme in the central section in style of recent American Big Bands. Otto M. Schwarz dedicated this work to "Alexander Veit and Symphonic Winds".

SEK 1128.00
1

Kraftwerk

Kraftwerk

The theme of this work is the history of the town of Grafenrheinfeld (Bavaria, Germany) in the twentieth century, a town that is now mainly associated with its nuclear plant. The German word for this is Kraftwerk, which can be divided into the words Kraft (power) and Werk (work). In this composition, it is a metaphor for the ?work? that can be realised through ?power? in a negative way (war) and in a positive way (reconstruction). Musically speaking, power also plays an important role in this work, as opposed to vulnerability, the sense of loss and the insecurity about the lost identity. Based on the text of Lied der Franke ?Kraftwerk? is a powerfully descriptive work thatwill add energy to any concert.

SEK 1921.00
1

Kraftwerk

Kraftwerk

The theme of this work is the history of the town of Grafenrheinfeld (Bavaria, Germany) in the twentieth century, a town that is now mainly associated with its nuclear plant. The German word for this is Kraftwerk, which can be divided into the words Kraft (power) and Werk (work). In this composition, it is a metaphor for the ?work? that can be realised through ?power? in a negative way (war) and in a positive way (reconstruction). Musically speaking, power also plays an important role in this work, as opposed to vulnerability, the sense of loss and the insecurity about the lost identity. Based on the text of Lied der Franke ?Kraftwerk? is a powerfully descriptive work thatwill add energy to any concert.

SEK 1921.00
1