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Classic Rock Display 4x3 Playing Cards gift sets

Nie Vergessen

Nie Vergessen (Never Forget) is a smash hit by the electropop duo ‘Glasperlenspiel’. Originating from their second album ‘Grenzenlos’ (Borderless), this song sets new standards in its genre.

The Art of Becoming: How Group Improvisation Works

Boldly asserting that everyone can and should improvise, The Art of Becoming sets out a framework for understanding improvisation as a universal capability and a social behavior, with important implications for contemporary artistic practices, pedagogy, and music therapy.

Around the World in 80 Days

The novel Around the World in Eighty Days by the French author Jules Verne, was first published in 1873. In this story, the Englishman Phileas Fogg sets off for a journey around the world as a result of a bet with his friends at the London Reform Club. He sets off that very night, together with his servant Passepartout, heading for Egypt, through France, and across Europe, then to Egypt and India, Hong Kong, China, Japan, and to New York where the bet appears to be lost. But they are lucky. On their arrival in London – as they have saved a day by crossing the date line – they succeed after all.

Pirates of the Caribbean: At World's End : Symphonic Highlights

With some brilliant new themes along with familar strains from the first two films, this third and final chapter promises to be the best yet. Hans Zimmer's powerful musical backdrop sets the adventure level at an all-time highfor those orchestras who love to play film music. Includes: Hoist the Colors, Drink Up Me Hearties, I See Dead People in Boats, and Up Is Down.

Arcadia

For this work, the Japanese composer Hayato Hirose dug deep into his own imagination to fi nd the right inspiration. It is about a young boy who dreams about reaching paradise (Arcadia) and sets out on a journey to find it. This journey is long and treacherous, but despite the many challenges he faces, the boy finally does reach his Arcadia. The result is a very dramatic work that will take your audience on a breath-taking journey.

Flight: DUS410 Soprano Ukulele -Quilted (With Bag)

The DUS410 is a striking addition to Flight’s Supernatural Series. The quilted ash finish on this soprano model really sets it apart from other ukuleles. It has a Maple inlaid rosette, die-cast geared tuners and a bone nut and saddle. Other premium features include an arched back, Aquila Super Nylgut strings and a quality gig bag included. Size – Soprano Top – Quilted Ash Back & Sides – Quilted Ash Rosette – Maple (inlaid) Nut & Saddle – Bone Strings – Aquila Super Nylgut EQ – No Side Dots – Yes Fretboard Inlays – Arrowhead/Cross Gig Bag - Included The DUS410 is a striking addition to Flight’s Supernatural Series. The quilted ash finish on this soprano model really sets it apart from other ukuleles. It has a Maple inlaid rosette, die-cast geared tuners and a bone nut and saddle. Other premium features include an arched back, Aquila Super Nylgut strings and a quality gig bag included. Size – Soprano Top – Quilted Ash Back & Sides – Quilted Ash Rosette – Maple (inlaid) Nut & Saddle – Bone Strings – Aquila Super Nylgut EQ – No Side Dots – Yes Fretboard Inlays –Arrowhead/Cross Gig Bag - Included

Dynamica

As the title suggests, this is a fiery and energetic, dynamic overture. Jan Van der Roost was commissioned to write the piece by the Japanese ‘Band of the NEC-Tamagawa Plant’ on the occasion of its 40th anniversary. From the first measure, the brass section sets the scene with rhythmical motives. Gradually we hear melodic and playful themes, often supported by (poly)rhythmic figures. A fermate in the trombone section prepares the way for the final theme, which virtuosically leads into a reprise of the first fanfare. The dynamic circle closes!

FLIGHT DUC410 QA/QA CONCERT UKULELE

The DUC410 is a striking addition to Flight’s Supernatural Series. The quilted ash finish on this concert model really sets it apart from other ukuleles. It has a Maple inlaid rosette, die-cast geared tuners and a bone nut and saddle. Other premium features include an arched back, Aquila Super Nylgut strings and a quality gig bag included.   Size – Concert Top – Quilted Ash Back & Sides – Quilted Ash Rosette – Maple (inlaid) Nut & Saddle – Bone Strings – Aquila Super Nylgut EQ – No Side Dots – Yes Fretboard Inlays – Arrowhead/Cross Gig Bag - Included

Dynamica

As the title suggests, this is a fiery and energetic, dynamic overture. Jan Van der Roost was commissioned to write the piece by the Japanese ‘Band of the NEC-Tamagawa Plant’ on the occasion of its 40th anniversary. From the first measure, the brass section sets the scene with rhythmical motives. Gradually we hear melodic and playful themes, often supported by (poly)rhythmic figures. A fermate in the trombone section prepares the way for the final theme, which virtuosically leads into a reprise of the first fanfare. The dynamic circle closes!

Hypernikon : More Than Conquerors

The Greek word ‘hypernikon’ roughly translates as ‘More Than Conquerors’, the motto of Gordon College in Wenham, Massachusetts – the commissioner of this piece. The work is inspired by David Rox’s very own name – the first two letters of his name, D and A, sets the first theme is in D major, with these notes being the tonic and dominant of the scale. After the stately intrada, the tempo accelerates and the festive feel of the march emerges. The trio melody serves as a beautiful contrast before finally ending with the opening theme in a grand tutti.

Complete Sonatas for Pianoforte - Critical Report

Alongside the Urtext edition of Beethoven’s 35 piano sonatas which sets new standards for the 21st century, world-renowned Beethoven expert Jonathan Del Mar presents a Critical Commentary to this body of works. With diligence and factual accuracy, he documents readings and editorial decisions, discusses problematic sections and provides answers for questions that have occupied and divided scholars for decades, including Beethoven’s notational idiosyncrasies and particular issues relating to performance practice. The Critical Commentary is more than a mere list of findings: It is a fascinating read offering valuable glimpses into Beethoven’s compositional process. Thisscholarly contribution is unparalleled in its precision and indispensable for in-depth studies of Beethoven’s piano sonatas.

Festivus Americas

Dedicated to the North American Brass Band Association, this is music that is full of energy and dynamic extremes. In form it draws from the overture style, although the themes are self-existing and the piece is programmatic. Working well asa festival opener, it sets a mood of excitement. Following the rhythmic fanfares of the opening, the first theme is presented in the cornets followed by a return to the same rhythmic material. A second theme appears in the horn section and isdeveloped, changing into a darker and sinister form of the same motif. Eventually a Maestoso section is reached, full of sustained block chords in the cornets and trombones, as the rest of the band counters with cascading lines that weavestraight through the brighter instruments.

Starflash

Starflash describes a celestial phenomenon that the composer witnessed in the summer of 2005 gazing at the night sky over the Greek island of Kos. He saw two shooting stars coming from different directions, approaching each other and burning up. This piece begins with a fanfare representing the vastness of space, followed by the flight of the shooting stars. Characteristic Greek dance elements are interwoven with themes in the style of film music. In the middle section, a bolero with an oriental flair sets in, symbolizing the close mainland of Turkey with the lights shining at night. Thanks to its unconventional rhythms and catchy melodies, Starflash is an easily accessiblemusical description of a personal experience in a modern symphonic style.

Jungle

In this fascinating piece we experience an exciting adventure in the jungle. The entrance into the “green hell” turns out to be very dangerous with wild monkeys and the roaring of elephants accompanying our way through the dark forest. There seems to be something lurking behind every tree and all of a sudden, a horde of savage cannibals appears. A wild hunt sets off and we escape at the last second by jumping from a cliff into the savage water below. Exotic birds welcome us in a new landscape and from somewhere in the distance we can hear a bamboo flute playing. This is a journey of no return…. The effects (elephants, wild monkeys, exotic birds and rain) should be producedwith much creativity - individual ideas are always desirable and welcome.

Roy Harris: Symphony No.9 (Study Score)

Roy Harris (1898-1979) was an American composer who often wrote on American subjects. His Ninth Symphony (1962) was dedicated to the city of Philadelphia, and took inspiration from the Philadelphia Convention , using phrases from the preamble to the U.S. Constitution as subtitles for each movement. Harris was a major force behind the creation of the home-grown American symphonic style that endures to this day. While he best remembered for his 3rd Symphony, his later orchestral works provide perhaps even more reward for the listener. His Ninth reflects the perceived decline in morals among 20th Century America, and as such is heavier and more angst-driven than many of his earlier works. While this is initially disconcerting, it provides this piece with a unique character, and sets it aside from, and above, its contemporaries.

Kaija Saariaho: Lichtbogen (Score)

The Full Score of Kaija Saariaho's Lichtbogen For Nine Musicians and Live Electronics. The title for this work stems from the composer's experience of seeing the Northern lights whilst starting work on writing the piece, this experience also shaped the form and language of the piece. Lichtbogen was the first time Saariaho had worked with a computer in the context of purely instrumental music, this new compositional element led to harmonic material being created by analysing short transitions played with a violin and cello, starting with artificial harmonic sounds and ending up with complex multi-phonic sounds. The rhythmic elements of this piece were created using a network of computer programmes, allowing the composer to construct interpolations and transitions for different musical parameters, rhythmic interpolations created through sets of musical patterns that are repeated but each time slightly modified in character. Lichtbogen is the commission of the French ministry of culture and is dedicated to Paul Mefanc. A splendid work for Ensemble (Flute, Percussion, Harp, Piano, 2 Violins, Viola Cello, Double Bass) and Live Electronics by this inimitable Finnish composer.

Free Arrangements and Technical Exercises : Complete Edition

Supplementary Volume 16 of the New Liszt Edition contains free arrangements and technical exercises. In the first section can be found early versions of three arrangements. The first consists of the first and intermediary versions of a transcription of Die Rose, a song Schubert composed to a poem by Schlegel. The arrangement of the second movement of Berlioz's Harold Symphony also draws on literary inspiration: Lord Byron's (1788-1824) narrative poem Childe Harold's Pilgrimage (1812-18) was a literary experience Liszt shared with Berlioz. The fantasy on themes from Bellini's opera La sonnambula [The Sleepwalker] (here the first version of 1842, and the second version dating from the following decade are given) is important in music history because it was while he worked on this (and other operatic fantasies) that Liszt developed a new concept of the form, which took shape in more complex and more concentrated fantasies than before. Particularly interesting material can be found in the appendix. In addition to sketches and drafts for arrangements of Spanish themes, there are three sources published here for the first time, which shed light on technical aspects of Liszt's piano teaching. These are three sets of exercises: the first written by Liszt himself for Valérie Boissier in 1832; the second a copy in an unidentified hand from the same period or slightly later; and finally the third which was noted down in 1871 by Henri Maréchal in Rome based on the composer's dictation. This latest volume of the New Liszt Edition includes a detailed preface in German, English, and Hungarian containing new research findings, together with five manuscript facsimiles and critical notes. Simultaneously with the cloth-bound Complete Edition, a practical paperback version has been published, the contents of which are identical to those of the hardcover edition, minus the inclusion of critical notes.

Festa Paesana

Lunteren, a village on the Veluwe (a wooded region in the Netherlands), sets the scene annually for a village festival dominated by folklore. Festa Paesana (Italian for village festival) is set to music by several folkloric sketches. The theme in Festa Paesana is partly based on a Dutch anthem (Wien Neerlands bloed); when other lyrics are used it is also known as the Lunteren anthem.The work begins with a festive introduction, completed by chimes and drums, in which pieces of the Lunteren anthem are heard. The music then transitions to represent a horse auction. We hear horses run their first rounds in the auction ring while being whipped. The following theme is partly basedon the anthem. The tension of the traditional auction is amplified by an ever-increasing cadence, reaching its climax when the word ?Sold!? is shouted. The night ends with a majestic variation on the Lunteren anthem.The next morning, when the tower clock hits seven times, the village is awaked by the reveille of the heralds. In a fugatic version of the anthem, we can hear the village slowly come to life. This evolves with the chiming of all towers in the village; the celebration can begin. Carriages drawn by horses rumble through the village and thus, it is easy to hear when a horse hesitates or runs amuck. A traditional folk dance group then dances a whirling waltz while the audience shares their pleasure. Musicians march along the scene and take over the waltz theme in their march. Until deep in the night, the musicians are still heard playing in the streets. Meanwhile, we hear the anthem theme being played in a choral variation (in minor). The first time it is played quietly, as a preparation for Sunday. Then it is played in a celebrating way, enabling the devout village residents to remember the past pleasant celebration with satisfaction.

Sardanapalo, Act 1 (Fragment) : New Liszt Edition, Series IX. Vol.2.

In 1845 Franz Liszt embarked on a project to compose an Italian opera based on Lord Byron’s tragedy, Sardanapalus (1821). It was central to his ambition to attain status as a major European composer, with premieres variously planned for Milan, Vienna, Paris and London. But he abandoned it half way through, and the music he completed has lain silently for 170 years. Liszt’s difficulty in obtaining a libretto meant that composition only began in April 1850. He completed virtually all the music for Act 1 in an annotated piano-vocal score of 111 pages, contained within his N4 music ‘sketch book’. The unnamed librettist was an Italian poet and political prisoner, seemingly living under house arrest, and a close acquaintance of Cristina Belgiojoso. His libretto survives as underlay in the N4 sketchbook and has been critically reconstructed and translated. Sardanapalo is Liszt’s only mature opera. While he consistently referred to it in French, as Sardanapale, the published title of the Italian opera would almost certainly have used the Italian name, hence this forms the title of the first edition. There are three solo roles and a chorus of concubines. The manuscript was previously thought to be fragmentary and partially illegible, but it was finally deciphered to international acclaim in March 2017. Liszt’s score offers a richly melodic style, with elements from Bellini and Verdi alongside glimmers of Wagner and the symphonic poems ahead: a unique mixture of Italianate pastiche and mid-century harmonic innovation. It remains quintessentially Lisztian. The opera sets Byron’s tragedy about war and peace in ancient Assyria: the last King, effeminate in his tastes, is drawn to wine, concubines and feasts more than politics and war: his subjects find him dishonourable (a ‘man queen’) and military rebels seek to overthrow him, but are pardoned, for the King rejects the ‘deceit of glory’ built on others’ suffering: this leads only to a larger uprising, the Euphrates floods its banks, destroying the castle’s main defensive wall, and defeat is inevitable: the King sends his family away and orders that he be burned alive with his lover, amid scents and spices in a grand inferno. As Byron put it: ‘not a mere pillar formed of cloud and flame, but a light to lessen ages.’ For his part, Liszt told a friend that his finale ‘will even aim to set fire to the entire audience!’ This critical edition includes a detailed study on the genesis of Liszt’s Sardanapalo in English, German, and Hungarian, the libretto in the original Italian as well as in English, German, and Hungarian translation, several facsimile pages of Liszt’s manuscript, and a detailed Critical Report.

Garritan: Instant Orchestra

Garritan Instant Orchestra is about instantly producing orchestral music very quickly and easily. The goal is to provide an instantly playable orchestral library with many pre-packaged orchestral sounds. This library was designed to be an effective shortcut to reach your musical goals. Consider it as a Swiss army knife for musicians - a clean, simple, multi-purpose orchestral tool that will allow you to do many things in an instant. Moreover, it is affordable and fulfils Garritan's mission of simplifying and democratizing making music and orchestrating.Instant Orchestra vs. Personal Orchestra?Instant Orchestra is for those who do not want to spend time building orchestrations with one instrument or section at a time. It provides pre- packaged groups of instruments, combined sections, orchestral effects, and mood-based presets. Instant Orchestra is designed for those who know little about orchestration or do not have the time to build them. The idea is to provide a large variety of lush, playable orchestrations with the least time and effort.Garritan Personal Orchestra?s focus is on individual solo instruments and some sections of instruments in order to build orchestrations. Usually knowledge of orchestration is required.Instant Orchestra can be a perfect complement to Garritan Personal Orchestra.Instant Orchestra Patch List:Strings:Full Strings (Violins, Violas, Cellos, & Basses) Sustains, Marcato, Martele, Lush Sordino, Alternating Short Bows, Tremolo, Col Legno, Pizzicato Full, Snap Pizz, Double Octave Strings, Trills Half-Step & Whole-Step, Easy Sustaining Strings, Easy Pizzicato, Easy Short Bows, Easy Tremolos, Sordino Soft Strings, Full Strings Sus-Alt Short, Harmonic Octaves, Harmonic Double, Octave Strings Largo, Pizzicato Loose, Portato Strings, Solo Strings Overlays, Strings Harmonics, Solo Strings Octave & Sordino Overlays, Tuning & FX Looped, Vibrato Expressivo, Vibrato Extreme, & more...Brass:Full Brass (Trumpets, Trombones, French horns & Tubas) Unisons, Big Brass Aggressive, Bones Attack, Easy Brass Chords ff Sustain, Brass Octaves, Easy Brass Soft Sustain, Full Brass Chaos, Brass Portato, Horn Clusters and Rips, Low Brass, Easy Brass Short, Organic Brass, Snappy Brass, Trumpets Attack, Tuba Clusters, Wagner Brass, Portato, & more...Woodwinds:Clarinet Clusters, Clarinet Winds, Flute Clusters, Flutes & Clarinets Clusters, Full Winds, Full Winds Octaves, Full Winds Portato, Full Winds Unison, Oboe & English Horn Clusters, Octave Winds Mix, Reedy Winds, Silvery Winds, Various Wind Clusters, & more...Percussion:Cymbals, Gongs, Cymbals Extras & FX, Earth Drums 1 - 3, Orchestral Percussion Sets, Percussion Toys & Extras, Timpani Hits, Timpani Rolls & FX, Bowed Crotales, Bowed Vibes, Marimba, Glockenspiel & Xylophone (Alternating Strikes), Vintage Sci Fi, & more...Keyboards, Harps & Choir:Celesta, Piano Light, Harpsichord, Full Organ, Scary Piano FX, Spacey Piano & Orchestra, Harp Plucks, Various Harp Glisses Up and Various Glisses Down, Harp Sweeps Up & Down, Strummed Harp Chords, Full Choir, Cathedral Choir & Orchestras, Ethereal Choir, Horrid Choir, Silvery Choir, & more...Effects:Chaos Orchestra, Full Strings Short Chaos, Orchestral Clusters, Orchestral Chaos Effects, Orchestral Effects, Many Orchestral Glisses

iRig Keys 2 - 37 mini-keys

Ultra-compact MIDI keyboard controller with 37 mini-keys.   iRig Keys 2 gives you more ways to connect & control all of your gear, in any situation. With improved compatibility for the latest mobile devices, full MIDI input and output, multiple power options, a stocked software bundle and a stylish new look, these new and improved controllers are ready to play when you are. Key Features Works with iPhone, iPad, Android, Mac/PC Lightning, USB-C** and USB-A cables included Headphone out for use with the latest devices Compatible with all your favorite apps Stand-alone mode for use with outboard rigs 2.5mm MIDI IN/OUT with MIDI adaptor included SET button to save & recall custom setups Powered by your device or USB power     Be heard Never worry about compatibility issues again. iRig Keys 2 work right out of the box with iPhone, iPad and Mac/PC, plus it’s compatible with most Android devices*, even the latest models. A new headphone output lets you connect speakers or headphones, so you’re never stuck using your device’s built-in speakers. Whether you want to practice silently or blast through a sound system, iRig Keys 2 has you covered.   Convenient control iRig Keys 2 host a number of useful controls – from modulation and pitch bend wheels, a volume output control, octave up/down buttons, program up/down buttons, a set button, an ALT button, and a data push encoder.   Plus, you can program custom settings to 4 assignable knobs for easy access to your favorite performance parameters.   An Edit mode lets you transpose the keyboard, customize touch sensitivity, change MIDI channel, customize knob assignments and more – and then save these into Sets using the Set button to recall them in a snap.   Limitless potential Best of all, iRig Keys 2 work with hundreds of popular music apps for iPhone, iPad, Android and Mac/PC. Whether you want to learn to play, practice your chops, compose a song or perform live, and more, there’s a never-ending stream of apps waiting to fuel your inspiration.   Where to next? iRig Keys 2 are designed for portability, so it can travel anywhere you do. Smaller than other keyboards on the market, they’ll run off your device, a USB wall charger or USB battery pack so there’s no bounds to your creativity. Head outside, get inspired in your hotel room, practice in the classroom – no matter where your musical journey takes you, iRig Keys 2 will be along for the ride.   Travel Size iRig Keys 2 Mini offers 25 velocity-sensitive mini-keys, skipping the pitch and mod wheels and the external pedal input but keeping all the other great features of iRig Keys 2 for a totally backpack-ready rig. Whether you’re looking to trigger an analog synth or create a beat on your iPhone, iRig Keys 2 Mini will always be there, ready to go. Go Pro iRig Keys 2 Pro offers all of the same great features, but with full-sized keys for a true piano feel. iRig Keys 2 Pro offers superior playability while still offering a convenient, portable size and all the great features of iRig Keys 2.   Cutting-edge software bundle iRig Keys 2 include IK’s award-winning Mac/PC sound & groove workstation, SampleTank 4 SE, giving you over 2000 sounds to create cutting-edge tracks right out of the box. It also unlocks free apps like SampleTank FREE for iPhone iPad, iGrand Piano FREE for iPhone, iPad and Android, and iLectric Piano FREE for Android.     Specs Keyboard iRig Keys 2: 37 mini-keys with velocity iRig Keys 2 Pro: 37 full-size keys with velocity iRig Keys 2 Mini: 25 mini-keys with velocity Connections Device Connector: micro-USB MIDI Input: 2.5mm TRS Jack MIDI Output: 2.5mm TRS Jack Headphone Stereo Output: 1/8" TRS Jack External Pedal Input: 1/4" TRS Jack (only iRig Keys 2 and iRig Keys 2 Pro) Controls Volume knob Octave up/down buttons Program up/down buttons Setup button 1 assignable data push encoder 4+4 assignable knobs Pitch bend wheel (only iRig Keys 2 and iRig Keys 2 Pro) Modulation wheel (only iRig Keys 2 and iRig Keys 2 Pro) Common Conversion: 16 or 24-bit D/A Sampling Rate: 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz Power: USB bus powered when used with computer or mobile device, USB power supply or USB battery packs* (see note) * Note: iRig Keys 2 sinks very little current from the power source to maximize battery life. However, some USB battery packs may automatically switch off when the load is very light. If you plan to use iRig Keys 2 in stand-alone MIDI mode powered by an USB battery pack, make sure you use one that can stay ON even when nothing is connected. Package includes iRig Keys 2 or iRig Keys 2 Pro keyboard (depending on the version) Lightning to micro-USB connection cable (60cm/23.6") USB-A to micro-USB connection cable ...

iRig Keys 2 Mini - 25 keys

Kompakt og alsidigt MIDI/USB-keyboard med 25 anslagsfølsomme Mini-tangenter. iRig Keys 2 Mini giver dig flere måder at tilslutte og kontrollere alt dit udstyr i enhver situation. Med forbedret kompatibilitet med de nyeste mobile enheder, MIDI ind- og udgang, flere strømtilslutningsmuligheder, stor softwarepakke og et stilfuldt nyt look, er disse nye og forbedrede controllere klar til at spille, når du er. Specifikationer Fungerer med iPhone, iPad, Android, Mac/PC Lightning, USB-C** og USB-A kabler medfølger Hovedtelefonudgang til brug med de nyeste enheder 25 anslagsfølsomme fuld størrelse tangenter Oktav-knapper 4 programmerbare MIDI CC-potmetre Kompatibel med alle dine yndlingsapps Stand-alone tilstand 2,5 mm MIDI IN/OUT med MIDI-adapter inkluderet SET-knap gemmer og genkalder brugerdefinerede opsætninger Strøm fra enheden eller via USB     Be heard Never worry about compatibility issues again. iRig Keys 2 work right out of the box with iPhone, iPad and Mac/PC, plus it’s compatible with most Android devices*, even the latest models. A new headphone output lets you connect speakers or headphones, so you’re never stuck using your device’s built-in speakers. Whether you want to practice silently or blast through a sound system, iRig Keys 2 has you covered.   Convenient control iRig Keys 2 host a number of useful controls – from modulation and pitch bend wheels, a volume output control, octave up/down buttons, program up/down buttons, a set button, an ALT button, and a data push encoder.   Plus, you can program custom settings to 4 assignable knobs for easy access to your favorite performance parameters.   An Edit mode lets you transpose the keyboard, customize touch sensitivity, change MIDI channel, customize knob assignments and more – and then save these into Sets using the Set button to recall them in a snap.   Limitless potential Best of all, iRig Keys 2 work with hundreds of popular music apps for iPhone, iPad, Android and Mac/PC. Whether you want to learn to play, practice your chops, compose a song or perform live, and more, there’s a never-ending stream of apps waiting to fuel your inspiration.   Where to next? iRig Keys 2 are designed for portability, so it can travel anywhere you do. Smaller than other keyboards on the market, they’ll run off your device, a USB wall charger or USB battery pack so there’s no bounds to your creativity. Head outside, get inspired in your hotel room, practice in the classroom – no matter where your musical journey takes you, iRig Keys 2 will be along for the ride.   Travel Size iRig Keys 2 Mini offers 25 velocity-sensitive mini-keys, skipping the pitch and mod wheels and the external pedal input but keeping all the other great features of iRig Keys 2 for a totally backpack-ready rig. Whether you’re looking to trigger an analog synth or create a beat on your iPhone, iRig Keys 2 Mini will always be there, ready to go. Go Pro iRig Keys 2 Pro offers all of the same great features, but with full-sized keys for a true piano feel. iRig Keys 2 Pro offers superior playability while still offering a convenient, portable size and all the great features of iRig Keys 2.   Cutting-edge software bundle iRig Keys 2 include IK’s award-winning Mac/PC sound & groove workstation, SampleTank 4 SE, giving you over 2000 sounds to create cutting-edge tracks right out of the box. It also unlocks free apps like SampleTank FREE for iPhone iPad, iGrand Piano FREE for iPhone, iPad and Android, and iLectric Piano FREE for Android.     Specs Keyboard iRig Keys 2: 37 mini-keys with velocity iRig Keys 2 Pro: 37 full-size keys with velocity iRig Keys 2 Mini: 25 mini-keys with velocity Connections Device Connector: micro-USB MIDI Input: 2.5mm TRS Jack MIDI Output: 2.5mm TRS Jack Headphone Stereo Output: 1/8" TRS Jack External Pedal Input: 1/4" TRS Jack (only iRig Keys 2 and iRig Keys 2 Pro) Controls Volume knob Octave up/down buttons Program up/down buttons Setup button 1 assignable data push encoder 4+4 assignable knobs Pitch bend wheel (only iRig Keys 2 and iRig Keys 2 Pro) Modulation wheel (only iRig Keys 2 and iRig Keys 2 Pro) Common Conversion: 16 or 24-bit D/A Sampling Rate: 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz Power: USB bus powered when used with computer or mobile device, USB power supply or USB battery packs* (see note) * Note: iRig Keys 2 sinks very little current from the power source to maximize battery life. However, some USB battery packs may automatically switch off when the load is very light. If you plan to use iRig Keys 2 in stand-alone MIDI mode powered by an USB battery pack, make sure you use one that can stay ON even when nothing is connected. Package includes iRig Keys 2 or iRig Keys 2 Pro ...

iRig Keys 2 PRO - 37 fullsize-keys

Ultra-compact MIDI keyboard controller with 37 FULSIZE-keys.   iRig Keys 2 gives you more ways to connect & control all of your gear, in any situation. With improved compatibility for the latest mobile devices, full MIDI input and output, multiple power options, a stocked software bundle and a stylish new look, these new and improved controllers are ready to play when you are. Key Features Works with iPhone, iPad, Android, Mac/PC Lightning, USB-C** and USB-A cables included Headphone out for use with the latest devices Compatible with all your favorite apps Stand-alone mode for use with outboard rigs 2.5mm MIDI IN/OUT with MIDI adaptor included SET button to save & recall custom setups Powered by your device or USB power     Be heard Never worry about compatibility issues again. iRig Keys 2 work right out of the box with iPhone, iPad and Mac/PC, plus it’s compatible with most Android devices*, even the latest models. A new headphone output lets you connect speakers or headphones, so you’re never stuck using your device’s built-in speakers. Whether you want to practice silently or blast through a sound system, iRig Keys 2 has you covered.   Convenient control iRig Keys 2 host a number of useful controls – from modulation and pitch bend wheels, a volume output control, octave up/down buttons, program up/down buttons, a set button, an ALT button, and a data push encoder.   Plus, you can program custom settings to 4 assignable knobs for easy access to your favorite performance parameters.   An Edit mode lets you transpose the keyboard, customize touch sensitivity, change MIDI channel, customize knob assignments and more – and then save these into Sets using the Set button to recall them in a snap.   Limitless potential Best of all, iRig Keys 2 work with hundreds of popular music apps for iPhone, iPad, Android and Mac/PC. Whether you want to learn to play, practice your chops, compose a song or perform live, and more, there’s a never-ending stream of apps waiting to fuel your inspiration.   Where to next? iRig Keys 2 are designed for portability, so it can travel anywhere you do. Smaller than other keyboards on the market, they’ll run off your device, a USB wall charger or USB battery pack so there’s no bounds to your creativity. Head outside, get inspired in your hotel room, practice in the classroom – no matter where your musical journey takes you, iRig Keys 2 will be along for the ride.   Travel Size iRig Keys 2 Mini offers 25 velocity-sensitive mini-keys, skipping the pitch and mod wheels and the external pedal input but keeping all the other great features of iRig Keys 2 for a totally backpack-ready rig. Whether you’re looking to trigger an analog synth or create a beat on your iPhone, iRig Keys 2 Mini will always be there, ready to go. Go Pro iRig Keys 2 Pro offers all of the same great features, but with full-sized keys for a true piano feel. iRig Keys 2 Pro offers superior playability while still offering a convenient, portable size and all the great features of iRig Keys 2.   Cutting-edge software bundle iRig Keys 2 include IK’s award-winning Mac/PC sound & groove workstation, SampleTank 4 SE, giving you over 2000 sounds to create cutting-edge tracks right out of the box. It also unlocks free apps like SampleTank FREE for iPhone iPad, iGrand Piano FREE for iPhone, iPad and Android, and iLectric Piano FREE for Android.     Specs Keyboard iRig Keys 2: 37 mini-keys with velocity iRig Keys 2 Pro: 37 full-size keys with velocity iRig Keys 2 Mini: 25 mini-keys with velocity Connections Device Connector: micro-USB MIDI Input: 2.5mm TRS Jack MIDI Output: 2.5mm TRS Jack Headphone Stereo Output: 1/8" TRS Jack External Pedal Input: 1/4" TRS Jack (only iRig Keys 2 and iRig Keys 2 Pro) Controls Volume knob Octave up/down buttons Program up/down buttons Setup button 1 assignable data push encoder 4+4 assignable knobs Pitch bend wheel (only iRig Keys 2 and iRig Keys 2 Pro) Modulation wheel (only iRig Keys 2 and iRig Keys 2 Pro) Common Conversion: 16 or 24-bit D/A Sampling Rate: 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz Power: USB bus powered when used with computer or mobile device, USB power supply or USB battery packs* (see note) * Note: iRig Keys 2 sinks very little current from the power source to maximize battery life. However, some USB battery packs may automatically switch off when the load is very light. If you plan to use iRig Keys 2 in stand-alone MIDI mode powered by an USB battery pack, make sure you use one that can stay ON even when nothing is connected. Package includes iRig Keys 2 or iRig Keys 2 Pro keyboard (depending on the version) Lightning to micro-USB connection cable (60cm/23.6") USB-A to micro-USB connection cable ...