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CHAMBER CONCERT FOR 11 INSTR. MS

CHAMBER CONCERT FOR 11 INSTR. MS

GOUNOD CHANSON DE PRINTEMPS N2 MS-B

GOUNOD CHANSON DE PRINTEMPS N2 MS-B

W.A. Mozart: Symphony No.25 In G Minor K.183 (Study Score)

Mozart composed two new symphonies in the Autumn of 1773, after having returned to Salzburg from Vienna. The first of the two was the Symphony No.24 In B Flat K.182 , and the second was the Symphony No.25 in G Minor K.183 This symphony was one of two which Mozart composed in a minor key – the other being the Symphony No.40 in G Minor K.550 . The latter can be identified with some of Mozart’s most troubled and agitated music, reflecting those difficult moments in his life. However, the twenty-fifth symphony is thought to have been composed as part of a sudden wave of minor-key symphonies which appeared in the later 1760s and early 1770s – among others were composed by Vanhal, Ordonez, and Joseph Haydn. Available here is the study score for one of Mozart’s two symphonies composed in a minor key, the Symphony No.25 in G Minor K.183 . This score is ideal for study and perusal usage.

Caix D'hervelois Louis De 2 Minuets Brass Quartet Mfb183 Score/Parts

Music for Brass no.183.

Skaters Waltz Op.183

Johann Sebastian Bach: Gavotte et Musette (Classiques No.183) (Violin & Piano)

from Suite No.6 for Harpsichord

Burgon Hymn To Venus (1966) Ms/Pf

Oliver Knussen: Prayer Bell Sketch (Piano)

'Prayer Bell Sketch' was commissioned by Ms. Masako Okamura and Mr. Motoyuki Nakagawa in memory of Toru Takemitsu. Here is the 'prayer Bell Sketch' for the solo piano.

Smash! Spring 2003

A collection of 30 mega pop hits for Piano, Voice and Guitar, including Britney Spears 'I Love Rock 'n' Roll', Avril Lavigne 'Sk8er Boi', Ms. Dynamite 'Put Him Out' and Kylie Minogue 'Come Into My World'.

Nineteen European Folk Songs

Edited by Maud Karpeles for the International Folk Council, and arranged with piano accompaniment by Imogen Holst.The Songs in this book are taken from Folk Songs Of Europe, an anthology of 183 songs from thirty European countries in which the original textes are given as well as English translations. This book contains English translations only.For unison voices and piano accompaniment.

Suzi's Carol

This is the original accompaniment option for John Rutter's setting of the well-known 15th-century text from the Sloane MS: 'A babe is born all of a may, to bring salvation unto us'. Conductors should conduct from the vocalscore.

Johann Sebastian Bach: French Suites

These six little Suites, to which, in the course of time, the by-name 'French' was applied because they were written in the French Style of that period (being similar to those by F. Couperin), are here presented in a new edition after an original MS., with emendations by J.S. Bach's own hand, said MS. having been found among F. W. Rust's literary remains. It contains, however only the first four Suites, the fifth and sixth, added later to the series by Bach, owe much of their corrections to an old edition by M. Clementi.On the whole, the style of these Suites is free, rather than scholastic, and they are of moderate technical difficulty.

Madeline MacNeil: You Can Teach Yourself Dulcimer

Madeline MacNeil brings her considerable expertise in teaching the dulcimer to this video companion to the book of the same title. The format is both comprehensive yet easy to understand. Ms. MacNeil covers such areas as tuning, scales, strumming, fingering, chord studies, alternate tunings, use of the capo, and the noter. In addition, she demonstrates a substantial number of fine dulcimer arrangements.

Sonata per flauto e cZalo (pianoforte)

As sources for this present edition served the manuscript marked Mus. ms. Bach St. 296 held in the Staatsbibliothek Preussischer Kulturbesitz at Berlin. The original title reads: Sonata / a / Flauto Traverso / e / Cembalo Concertato / di / J. C. Bac h. Our edition follows closely the manuscript except for the arrangement according to present-day notation (use of accidentals, the addition of slurs to tie the appoggiatura to the main note, etc.). Obvious errors are listed in the Critical Notes. Sl urs have been but in square brackets. The basso continuo marked in the original by figuring is given here in small print. György Orbán

Stef Conner: The Shipwrecked Ghost

Stef Conner's The Shipwrecked Ghost for Mezzo-Soprano, Flute, Clarinet, Percussion, Violin and Cello. Composed 2014. Duration: 9 minutes. Commissioned by Dark Inventions for their Firewheel project, part of the Sound and Music ‘Composer Curator Scheme’. Premiered by Dark Inventions at The Engine House, Manchester, 8th May 2014. This piece is based on the traditional melody ‘The Lover’s Ghost’ (also known as ‘The Grey Cock’), JEFDSS 1953, as sung by Mrs Costello (Birmingham, 1951); recorded by the BBC; transcribed by Patrick Shuldham Shaw. The lyrics of ‘The Shipwreck't Ghost’ were written down, and probably written by, the poet John Clare (1793-1864). Transcribed from Peterborough MS. A7 p.33a and set to the traditional melody ‘The Lover's Ghost’ (also known as ‘The Grey Cock’) by George Deacon, published in John Clare and the Folk Tradition by Francis Boutle © George Deacon London 2002 & 1983. Reproduced by kind permission of the author and edited and arranged by Stef Conner. More information on John Clare can be found through the John Clare Society: http://www.johnclaresociety.blogspot.co.uk

Concerto For Harpsichord In G Minor : G minor BWV 1058

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord.Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto for Harpsichord and Strings in G minor, BWV 1058, is the lastcomplete work in the original autograph score of harpsichord concertos that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. Ms. Bach 234). However, it only came to occupy this position later when the manuscriptwasbound. It stands at the very outset of the genesis of this group of works, and marks the earliest stage in Bach’s efforts to transform concertos for melody instrument and strings into harpsichord concertos. In this casethe original model, the Concerto for Violin and Strings in A minor (BWV 1041), has survived, thereby allowing us to examine Bach’s technique of arrangement in detail.- Urtext of the New Bach Edition- Full score& parts (BA5230), two-keyboard reduction (BA5230-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord In G Minor : G minor BWV 1058

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord.Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto for Harpsichord and Strings in G minor, BWV 1058, is the lastcomplete work in the original autograph score of harpsichord concertos that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. Ms. Bach 234). However, it only came to occupy this position later when the manuscriptwasbound. It stands at the very outset of the genesis of this group of works, and marks the earliest stage in Bach’s efforts to transform concertos for melody instrument and strings into harpsichord concertos. In this casethe original model, the Concerto for Violin and Strings in A minor (BWV 1041), has survived, thereby allowing us to examine Bach’s technique of arrangement in detail.- Urtext of the New Bach Edition- Full score& parts (BA5230), two-keyboard reduction (BA5230-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord In G Minor : G minor BWV 1058

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord.Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto for Harpsichord and Strings in G minor, BWV 1058, is the lastcomplete work in the original autograph score of harpsichord concertos that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. Ms. Bach 234). However, it only came to occupy this position later when the manuscriptwasbound. It stands at the very outset of the genesis of this group of works, and marks the earliest stage in Bach’s efforts to transform concertos for melody instrument and strings into harpsichord concertos. In this casethe original model, the Concerto for Violin and Strings in A minor (BWV 1041), has survived, thereby allowing us to examine Bach’s technique of arrangement in detail.- Urtext of the New Bach Edition- Full score& parts (BA5230), two-keyboard reduction (BA5230-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale