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Philip Venables: Beethoven Op.30/2, Bars 107-112 (2 Performance Scores)

Philip Venables ' Beethoven Op.30/2, Bars 107-112 (2014) for Piano with Violin accompaniment. 2 performance scores.

Peter Maxwell Davies: Seven Summer Songs Chime Bars Part

A superb cycle of 7 songs depicting the hero's stay on Grandma's farm somewhere in the Orkneys one summer. The songs tell of the farm chores, nature and ghosts and are arranged for unison voices, piano, recorders and pitched or unpitched percussion. The songs can be used individually to link in with topic work or performed as an attractive concert item. Chime Bars part.This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

Cereal Bars

Peter Maxwell Davies: A Selkie Tale Glockenspiel And Chime Bars Part

A Selkie Tale is a short music-theatre work (duration about 25 minutes) designed for performance by seven- to eleven-year-olds year olds. Four solo roles and several separate chorus groups give scope for the participation of a large number of children of all ability levels.The story is a humorous version of the Orkney folk-tale of an islander kidnapping a Selkie wife - a creature who is a seal in the sea and a woman on the land. Things go hilariously wrong, with the Selkie wife escaping to rejoin her companions in the sea, and Mansie, the islander, facing a most uncongenial alliance with his cousin and housekeeper, Miss Trowie-Tattibogle.Glockenspiel and chime bars part.This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

Parallel Movements : für vier Instrumentengruppen

Each part may be performed by four to eight instruments, which are all capable of sustaining a note with identical intensity. The written notes can only be read is treble clef but can be placed anywhere in the register. The composition of the groups of instruments within the individual parts should always be varied both as far as the setting and the proportion of the high, middle and low instruments within one and same part are concerned. The various groups may also consist exclusively of wind or string instruments. It is extremely important to precisely keep the durations and the dynamics. For the duration of a note all factors must remain identical. Accidentals always governonly the note they preceed (even within one bar).

Suite Für Zwei Trompeten Und Zwei Posaunen

The titles of all three movements evoke the Baroque era. The first movement is a small ouverture falling into three parts (slow-fast-slow). The second one is a Gigue with alternating bars which is followed attacca by the final movement Air. Due to the presence of alternating bars this otherwise moderately difficult piece requires very careful ensemble playing.

Valerie Roth Roubos: Picture This! Book 2

Contents include: Candy Bars for Breakfast; It's Raining; The Magical Forest; Halloween Night; Russian Sleigh Ride; The Forgotten Road; Soaring Through the Clouds; Race Across the Serengeti; December Frost; Calypso Island.

Flöte spielen Trios : Parallel zu FLÖTE SPIELEN Band A und B

Jenkyns: First Nursery Suite for Clarinet Ensemble (Score)

Peter Jenkyns 's First Nursery Suite is a work designed for group music-making. The instrumentation for this piece consists of: Voices, Descant Recorder, Chime Bars or Glockenspiel, Xylophone, Drum, Triangle, Tambourine, Claves and Piano.

Stephen Covello: Step, Skip, and Repeat, Book 2

Sequential and methodical, the second installment of this unique reading course drills pattern recognition through playing in parallel motion at the octave, and at the third and sixth. Features etudes as well as familiar songs.

Wynn-Anne Rossi And Lucy W. Warren: Treasures In Technique - Primer Level

Students learn technique while collecting treasure on a delightfully imaginative trip to the seaside. Techniques emphasized are: correct posture and hand/arm position, legato, right-hand/left-hand coordination, dynamics, playing skips, and parallel and contrasting motion.

A Hundred Bars for Tom Everett für Bassposaune : für Bassposaune und 3 Bongos

The inspiration for writing this piece came from the talented young trombonist. The wind part is highly demanding: sure intonation ability is a prerequisite for performing it. Characteristic of this movement is the maximum exploration of the capabilities of the instrument.

Theory Fun Factory 1 Vol. 1 : Music Theory Puzzles and Games

Suitable for Pre-Grade 1 Level Theory. Contents: Note Values · Bars and Time Signatures · The Stave and the Musical Alphabet · The Treble Clef · The Bass Clef · Rests · Dynamics · Ties · Dots · Repeats · More Words and Signs ·Sharps and Flats · The Semiquaver and Its Rest.

Familiar Tunes Book 1

Gwendoline Skett. Thirty-nine tunes for xylophone, glockenspiel or chime bars. Letter names of the notes given under the music notation and words. Tunes include ?Pease Pudding Hot?, ?Dance To Your Daddy?, ?Baa Baa Black Sheep? and ?Sing A Song of Sixpence?.

Pure Spirit

Here is a strikingly different composition for jazz ensemble from the pen of acclaimed jazz pianist and writer Steve Allee. Featuring a floating texture of parallel harmonics and melodic lines, Pure Spirit is a fresh-sounding and rewarding piece for the entire ensemble.

Whispers

This quiet and spacious miniature challenges the performer's ability to play within the lowest dynamic range of the piano. The gently sonorous opening bars return after a lightly animated central section. The change of pacereflects the fact that whispering can be either tender or moderately urgent.

Karen Tanaka: At The Grave Of Beethoven (Score)

At the grave of Beethoven was commissioned by the Brodsky Quartet, on the occasion of the bicentenary anniversary of Beethoven's opus 18. The title suggests admiration and a tribute towards Beethoven, and the first movement was inspired by the first four bars of opus 18 no.3.

Fingerpower Transposer: Level Two

This book contains 16 exercises that use expanded 5-finger positions. Key signatures of D major and B-flat major are added. Some patterns involve parallel motion and thumb crossover and more 8ths are used. Time signature of 6/8 and 9/8 are added.

Ragtime Preludes P.

This collection of pieces contains some impressions from the Ragtime era at the turn of the twentieth century, offerering a musical portrayal of city life: the streets, bars, saloons and people. Although this suite of pieces ismeant to be played as a whole, the pieces can also stand alone.

David Karp: Old Man of the Mountain, The

An exciting duet with just a taste of the atonal, Old Man of the Mountain spans keyboard peaks with repeating scales, arpeggios, parallel chords, octaves and tremelos. Trek through ever-changing rhythmic passages and clusters that echo and fade in the finale. A perfect festival piece!

Fingerpower: Level 5

Strong fingers are an important requirement for all pianists, amateur and professional. Schaum Fingerpower exercises are designed to strengthen all five fingers of both hands. Equal hand development is assured through the performance of the same patterns in each hand, either in parallel motion or with alternating hands.

Fingerpower: Level Six

Strong fingers are an important requirement for all pianists, amateur and professional. Schaum Fingerpower exercises are designed to strengthen all five fingers of both hands. Equal hand development is assured through the performance of the same patterns in each hand, either in parallel motion or with alternating hands.

Judith Weir: Sundew

Judith Weir 's Sundew for Violin and Cello. Score. ’ The bog-based Sundew Plant isn’t as pleasant as the name suggests. It produces beads of fluid, resembling dew, but in fact a sticky deposit in which visiting insects become trapped. The plant closes in on the insect and digests it for the extra nutrition it needs in an acidic habitat. Each of the 36 bars can be understood as a time-lapse study of parts of this process. Often one instrument encloses and digests the music of the other. Occasionally one player tries to struggle free; at other times both exist motionless, stuck to each other. In the final bars, a lucky insect (the Violin) escapes from the goo and flies off into the ether. ’ Judith Weir

Habits of a Successful Beginner Band Musician-BarS : A Comprehensive Method Book for Year One and Beyond

Mozart: Sonata In G K.283 (Piano)

This piece has too often been dismissed as placid, with the exception of the more fiery finale. But can it really be described as placid? In the first ten bars the piece arguably moves from tenderness to pure brilliance. If you've written off this piece in the past, this edition is sure to change your mind.