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RACCONTO NR.6 OP.49

RACCONTO NR.6 OP.49

KÆR EST DU, FØDELAND.. FSL 49

KÆR EST DU, FØDELAND.. FSL 49

Arcangelo Corelli: Adagio (Classiques No.49) (Saxophone-Alto & Piano)

Les Classiques du Saxophone No.49.

Felix Mendelssohn Bartholdy: Piano Trio Op. 49 (Additional Flute Part)

Felix Mendelssohn Bartholdy 's Piano Trio Op. 49 . Additional Flute part.

Jean Sibelius: Pohjola's Daughter Op.49 (Study Score)

The tone poem Pohjola?s Daughter Op.49 - a ?Symphonic Fantasy for Large Orchestra? - was written by Finnish composer Jean Sibelius in 1906. The story is a variation of Orpheus in the Underworld, depicting a hero (Väinämöinen) who spotted the beautiful ?daughter of the North? (Pohjola), seated on a rainbow. The hero asked her to join him, but she agreed with the condition that he should be able to perform a number of difficult tasks ? most notably, building a boat from fragments of her distaff. However the hero?s attempt was in vain, as he was thwarted by evil spirits and injured himself with an axe. He gave up the challenge and continued his journey alone.A study score for Prokofiev?s popular Kalevala-inspired symphonic poem Pohjola?s Daughter Op.49, which is ideal for study and perusal usage.

Missa Brevis In G Major K.49

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” havebeen added by two other unidentified, eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover, Mozart sketched the draft of the Gloria (measures 1 to 18) on apiece of paper, the reverse side of which his father had used, undoubtedly before that, for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composedbyWolfgang up to 1768, “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices, 2 violins, etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister.Although the obbligato viola is not mentioned there, this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score, performance material (BA4769) and vocal score (BA4769-90) available forsale.

Missa Brevis In G Major K.49

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” havebeen added by two other unidentified, eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover, Mozart sketched the draft of the Gloria (measures 1 to 18) on apiece of paper, the reverse side of which his father had used, undoubtedly before that, for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composedbyWolfgang up to 1768, “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices, 2 violins, etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister.Although the obbligato viola is not mentioned there, this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score, performance material (BA4769) and vocal score (BA4769-90) available forsale.

Missa Brevis In G Major K.49

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” havebeen added by two other unidentified, eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover, Mozart sketched the draft of the Gloria (measures 1 to 18) on apiece of paper, the reverse side of which his father had used, undoubtedly before that, for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composedbyWolfgang up to 1768, “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices, 2 violins, etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister.Although the obbligato viola is not mentioned there, this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score, performance material (BA4769) and vocal score (BA4769-90) available forsale.

Missa Brevis In G Major K.49

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” havebeen added by two other unidentified, eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover, Mozart sketched the draft of the Gloria (measures 1 to 18) on apiece of paper, the reverse side of which his father had used, undoubtedly before that, for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composedbyWolfgang up to 1768, “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices, 2 violins, etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister.Although the obbligato viola is not mentioned there, this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score, performance material (BA4769) and vocal score (BA4769-90) available forsale.

Missa Brevis In G Major K.49

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” havebeen added by two other unidentified, eighteenth-century hands. Mozart’s handwriting and the paper quality appear to verify this information. Moreover, Mozart sketched the draft of the Gloria (measures 1 to 18) on apiece of paper, the reverse side of which his father had used, undoubtedly before that, for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composedbyWolfgang up to 1768, “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices, 2 violins, etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister.Although the obbligato viola is not mentioned there, this comnposition is surely the Mass K.49. - Urtext of the New Mozart Edition - Full score, performance material (BA4769) and vocal score (BA4769-90) available forsale.

Missa Brevis In G Major K.49

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” havebeen added by two other unidentified, eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover, Mozart sketched the draft of the Gloria (measures 1 to 18) on apiece of paper, the reverse side of which his father had used, undoubtedly before that, for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composedbyWolfgang up to 1768, “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices, 2 violins, etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister.Although the obbligato viola is not mentioned there, this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score, performance material (BA4769) and vocal score (BA4769-90) available forsale.

Franz Joseph Haydn: Klaviersonate Es-Dur Hob.XVI:49

The Sonata in E flat major Hob. XVI:49 is one of the masterpieces among Joseph Haydn's sixty-or-so piano sonatas. It epitomizes the Haydn sonata-type par excellence, with inner serenity and clarity, measured sobriety and - havingregard to its large and richly structured and opening movement - perfect form. For all that, Haydn did not neglect his feeling for individual special touches, seen here in the last movement, a graceful minuet in rococo style. Thedistinguished Haydn researcher Georg Feder has edited this Urtext edition - the fingerings by piano pedagogue Hans-Martin Theopold make it particularly valuable.

Piano Sonatas Op.49 Nos.1 And 2

The opus number of Beethoven’s Easy Piano Sonatas op. 49 is misleading. The pieces were written not long after the Sonatas opp. 2, and most likely in part, at least before his Sonata op. 7. Sketches can be found in the “Kafka Miscellany” sketchbook, which Beethoven used for several years both in Bonn and subsequently in Vienna until the late 1790s. The second sonata seems to be the earlier of the two. The composer also reprised the theme of the second movement, Tempo di Menuetto, for the Menuet in the Septet op. 20. It is one of his best-known piano pieces, which just about every budding pianist encounters early in his lessons.

Beethoven: Two Short Sonatas Op.49 (Book/CD)

Designed for piano students and their teachers as well as professional pianists. Pedagogical in nature, these editions offer insightful interpretive suggestions, pertinent fingering, and historical and stylistic commentary. Prepared by renowned artists and teachers, these publications provide an accurate, well-informed score resource for pianists. Ludwig van Beethoven is renowned for his large-scale, innovative piano sonatas and concertos, and these works hold a prominent and lasting place in the concert repertoire. Presented in this volume are two short sonatas, Opus 49: Sonata in G minor (No. 1, 1798) and Sonata in G Major (No. 2, 1796). Favourites of many piano teachers, these sonatas are appropriate for intermediate level pianists and are edited and recorded by noted Beethoven scholar and concert pianist, Robert Taub.

Ludwig Van Beethoven: Sonata In G Minor Op.49 No.1 (Sonata Facile)

This edition of Op. 49 (Sonata facile) comes from the complete three-volume edition of Beethoven's 35 piano sonatas (Volume I) published by ABRSM. Edited by Professor Barry Cooper, renowned Beethoven specialist, this is the most comprehensive study of these extraordinary works yet undertaken.critical edition for today's performers, teachers and scholarsfaithful to the original notation, correcting long-standing errors found in other editionspresents new and important researchintroduction covering editorial method commentary to the sonata (as a separate insert), including history, full assessment of the sources and detailed notes on interpretation

Two Easy Piano Sonatas : Nos. 19 And 20 Op. 49

The two piano sonatas op. 49, described in their first publication as Sonates faciles, are often the first-ever Beethoven sonatas with which advanced piano pupils can demonstrate their ability. Their relatively high opus number ismisleading, however, for both these two-movement works were composed at roughly the same time as the piano sonatas op. 10, between 1796 and 1798. The fact that they were actually published seven years later is presumably thanks tothe business dealings of Beethoven's brother Carl, who initially offered them to several publishers without success. Finally, in 1805, a Viennese publisher relented and accepted them not yet aware of the treasures that had falleninto his lap. These little masterpieces, cast in an easily manageable format, soon became highly popular. This Henle Urtext edition continues our successful revised series of Beethoven's sonatas under the auspices of MurrayPerahia and Norbert Gertsch.

Fantaisie op. 49

Pierrette op. 49

Wiegenlied Opus 49/4

Sonaten(2) Op.49

Three Lullabies op. 49

3 beautiful and expressive Polish lullabies for SATB a cappella. This work was first performed on 2nd August 1991 at the Lerchenberg Festival in Denmark. Although the text is in Polish, there is an English translation.

Fantasie F Opus 49

Romance op. 49/1

Rondo Concertant op. 49

Piano Solos (WFS 49)

45 titles including Flight of the Bumblebee by Rimsky-Korsakoff, Hungarian Dance No. 3 by Brahms, Marche Militaire by Schubert, Valse Triste by Sibelius, Spring Song by Mendelssohn, and Scherzo in B flat by Schubert.