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Elisabeth Lutyens: By All These... Op.120

For Soprano and Guitar.Published in 1977.Score.

James Weeks: Come Away (4 x Performing Score)

James Weeks ' Come Away for Soprano, Violin, Cello and Piano. 4 x performing score. Come Away was written for and first performed by Kürbis Ensemble (Juliet Fraser Soprano, Sophie Appleton Violin, Ken Ichinose Cello, James Weeks Piano) at Kettle’s Yard, Cambridge, on 10 February 2008.

Elisabeth Lutyens: Islands Op.80

For Soprano, Tenor, Male Narrator and Ensemble.Published in 1970.Soprano voice, Tenor voice, Narrator, Flute/Alto Flute/Piccolo, Clarinet/Bass Clarinet/Baritone Saxophone, French Horn, Piano/Cembalo, Violin, Viola, and 2 Percussionists.Score.

Philip Venables: Numbers 76-80 - Tristan Und Isolde (Score)

Sadie Harrison: Aurea Luce (2 x Performing Scores)

Aurea Luce was written at the request of Madeleine Mitchell and Geoff Poole by way ofcelebrating my 50th birthday at a concert in my home town of Shaftesbury, Dorset. The work is based on a plainsong melody sung as a hymn for the Feast of St. Peterʼs Chair in Rome, reflecting the dedication of the church in which the premiere took place. I started writing the work on International Womenʼs Day 2015 and it was serendipitous that thehymnʼs text is ascribed very unusually to a 5th century female author, Elpis (reputedly the first wife of the philosopher Boethius). The title translates as ʻ..with golden light..ʼ and in context within the verse it reads as: Aurea luce et decore roseo, lux lucis, omne perfudisti seculum, decoran caelos inclito martyrio hac sacra die, quae dat reis veniam (The Poissy Antiphonal, fol. 412v) (The beauteous light of Eternity hath flooded with blissful fires this golden day which crowns the Prince of the Apostles, and gives unto the guilty a free way to heaven). Duration: c. 9 minutes

James Weeks: Sacred Muses

James Weeks ' Sacred Muses for Trumpet and Organ. 2 x performing scores. Sacred Muses is a transcription of Byrd’s elegy for Tallis, Ye Sacred Muses, in which the original has undergone a process of erosion into a new form. It was written at the request of Alison Balsom.

Ed Hughes: When the Flame Dies (Score)

For Soprano, Mezzo, Countertenor, Tenor, Baritone, Ensemble and Electronics.Singers:Eurydice (Soprano)Princess (Mezzo)Loved One (Countertenor)Orpheus (Tenor)Poet (Baritone)Ensemble:Flute (doubling Piccolo/Alto Flute)Clarinet (doubling Bass Clarinet)HornTrumpetPercussion (1 player: Timpani, Bass Drum, 4 x Toms, Glockenspiel, Vibraphone)Typewriter (to be performed by a member of the ensemble)HarpPianoViolin 1Violin 2ViolaCelloDouble BassElectronics

Evis Sammoutis: Sculpting Air (Performing Score)

Evis Sammoutis ' Sculpting Air for five voices (Soprano, Mezzo, Tenor, Baritone, Bass). Dedicated in admiration to Neue Vocalsolisten. Duration: 13' This work features text from the Odyssey (Book 12, 173-184) in original and English translation; Ovid’s Metamorphoses (Book X Lines 243 – 297) in Latin and also in two translations by Brooks More (1922) and Arthur Golding (1567); and Shakespeare’s Othello (Act 5, Scene 2).

Sadie Harrison: Hidden Ceremonies II

11 fragments after paintings by Brian Graham12'; for violin duoI after 'Antiphon' (1999)II after 'Spine' (2005)III after 'Resting Icon' (2007)IV after 'Antler Music' (2006)V after 'Atapuerca: Song of Love's Sorrow: The Apparition' (2007)VI after 'The InterveniVII after 'Hidden Ceremony' (2004)VIII after 'Flint' (2003)IX after 'Star Carr, North Yorkshire, England' (2011)X after 'Scatter' from 'The Book of Boxgrove' (2005)XI after 'Atapuerca: Finale: the Bells of Morning' (2007)Published 2013