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Turina Rapsodia Sinfonica F/s

Turina Rapsodia Sinfonica F/s

Rapsodia Sinfonica (Op.66) was written in 1931 for Piano and String Orchestra. It is perhaps a little understated as a symphonic rhapsody, with the focus very much on vibrant Iberian flourishes and individual melodies than on forming a thick harmonic texture, making it a light and rather enjoyable work. Joaquin Turina (1882-1949) was a Spanish classical composer. Unlike his contemporaries, such as Granados and Falla, he wrote several chamber pieces, many of which are still performed today. He studied in Paris with Ravel and Debussy, whose influences can be heard throughout his works, as well as influences from traditional Andalusian music.

SEK 206.00
1

Isaac Albeniz: Pavana - Capricho Op.12 (Violin/Piano)

Isaac Albeniz: Pavana - Capricho Op.12 (Violin/Piano)

Pavana – Capricho is one of the last pieces from Isaac Albeniz ’s early period, before he turned to Spanish influences – a style that would characterise the rest of his compositions. In this earlier period Albeniz , who was a child prodigy on the Piano, composed ‘salon style’ music and experimented with traditional styles in the manner of Rameau, Bach, Beethoven, Chopin and Liszt. His shift towards Spanish music occurred after meeting the teacher and composer Felipe Pedrell, a leading figure in the development of nationalist Spanish music. Pavana-Capricho is graceful and light-hearted at the same time. The playfulness that arises from the alternating moods is best achieved when the proper technique and articulation is applied. Arranged for Violin and Piano, and with a performance time of ca. 3:30, this piece of Romantic chamber-music is a perfect addition to any concert programme.

SEK 216.00
1

Albeniz Pavana Capricho Op.12 Piano

Albeniz Pavana Capricho Op.12 Piano

Pavana – Capricho is one of the last pieces from Isaac Albeniz ’s early period, before he turned to Spanish influences – a style that would characterise the rest of his compositions. In this earlier period Albeniz , who was a child prodigy on the Piano, composed ‘salon style’ music and experimented with traditional styles in the manner of Rameau, Bach, Beethoven, Chopin and Liszt. His shift towards Spanish music occurred after meeting the teacher and composer Felipe Pedrell, a leading figure in the development of nationalist Spanish music. Pavana-Capricho is graceful and light-hearted at the same time. The playfulness that arises from the alternating moods is best achieved when the proper technique and articulation is applied. Arranged for the solo Piano, and with a performance time of ca. 3:30, this piece of Romantic solo music is a perfect addition to any concert programme.

SEK 127.00
1

Gimenez: La Boda De Luis Alonso No.4 Intermedio for Piano

Gimenez: La Boda De Luis Alonso No.4 Intermedio for Piano

Gerónimo Giménez was a Spanish conductor and composer, who dedicated his career to writing zarzuelas, such as La tempranica and La boda de Luis Alonso . Zarzuela is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular song, as well as dance. In 1896, Giménez wrote ‘El baile de Luis Alonso’, based on a text by Javier de Burgos. Following the success of this piece, he set to music another sainete by Burgos with the same characters, which became one of his most famous works: Las bodas de Luis Alonso (1897). This energetic work is full of sweeping melodic lines and light, fast-moving bass lines. True to form, the piece has plenty of dramatic and comedic flair. The 4th movement of the late nineteenth century composer’s prime work, written originally for orchestra, is presented here in a whimsical and virtuoso Piano transcription. Performance time is approximately 6 minutes.

SEK 102.00
1