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John Miller: Expanding Chordal Horizons

John Miller: Expanding Chordal Horizons

In Expanding Chordal Horizons, master guitarist/instructor John Miller returns to the topic of chord theory. Building on the foundation established in his previous set, Intro to Chord Theory and Chord Voicing, John starts from the assumption that the student has a working familiarity with voicing 7th and 6th chords up and down the neck in a variety of shapes. From there, it is a short step to hybrid 7th chords, 9th and 6 9 chords, 13th chords and chordal inversions, all of which are dealt with in disc one of the lesson. In the course of learning how to voice these different chord types, you?ll also learn their sounds, and how to use them in the context of a song. Along the way, John introduces a Bossa Nova picking pattern to expand your ability to provide rhythmic accompaniment.In the PDF study guide that accompanies the lesson, you will be provided with templates to create your own chordal diagrams for the new voicings you have been learning, and by diagramming the chords yourself, you?ll engage with the material and absorb and understand it in a way that never happens when simply taking chords from a chord dictionary or finding them on the Internet. Disc two builds on the lessons taught in disc one and further solidifies your command of the material. The songs that John has chosen as teaching vehicles have been selected for their qualities as teaching pieces, as well as their musical appeal.If you are interested in understanding how to get around on the guitar and voice chords up and down the neck, Expanding Chordal Horizons will get you well on your way. And the understanding that you build will equip you to problem solve and create your own voicings in the future as you encounter new songs or to utilize your new knowledge in your own songs and compositions. It?s exciting to venture into these new areas!

SEK 382.00
1

The Guitar Style Of Wes Montgomery

Martin Taylor: Fingerstyle Jazz Guitar

Tom Feldmann: The Guitar Of Son House

Tom Feldmann: The Guitar Of Son House

"It is difficult to describe the transformation that took place as this smiling, friendly man hunched over his guitar and launched himself, bodily it seemed, into his music. The blues possessed him like a 'lowdown shaking chill' and the spellbound audience saw the very incarnation of the blues as, head thrown back, he hollered and groaned the disturbing lyrics and flailed the guitar, snapping the strings back against the fingerboard to accentuate the agonized rhythm. Son's music is the centre of the blues experience and when he performs it is a corporeal thing, audience and singer become as one." ? Bob Groom/Blues World"In the years before World War II, Son House created some of the purest, most powerful Mississippi Delta blues on record. Playing with partners Charley Patton and Willie Brown, he exerted a profound influence on Robert Johnson and Muddy Waters, both of whom copied his music and carried it to new generations. House's influence still echoes through the Rolling Stones, Eric Clapton, and many other musicians, and in many respects, he is the true father of what's known today as deep blues."? Jas ObrechtIn this lesson Tom Feldmann takes you step by step through 15 classic Son House tunes that span every phase of Son's recorded career. This 4 hour lesson is undoubtedly the most extensive look into the music of Son House and the techniques he developed. DISC ONE highlights 8 songs in Spanish tuning. While DISC TWO focuses on 7 songs using the Vestapol tuning (Open D), Standard, and most surprising to students of House's playing, Cross-Note tuning with Clarksdale Moan. Also included on DISC TWO is a bonus interview with Stefan Grossman where he talks extensively about meeting Son House and recording with him. Rare performances of Son House following his rediscovery are used throughout the lesson. The original audio tracks are included where footage is not used.Titles Include: OPEN G TUNING: Death Letter Blues, My Black Mama, Low Down Dirty Dog Blues, The Jinx Blues, Special Rider Blues, Walkin' Blues (from 1930), Dry Spell Blues, County Farm Blues OPEN D TUNING: Shetland Pony Blues, Preachin' The Blues, This Little Light of Mine, CROSS-NOTE TUNING: Clarksdale Moan, STANDARD TUNING: Depot Blues, Am I Right Or Am I Wrong, Walkin' Blues (from 1940's)240 minutes ? Level 2/3 ? Detailed tab/music PDF file on the DVD

SEK 382.00
1

Jazz Chord Solos For Beginners

Country Blues Guitar in Spanish & Vestapol Tunings

Country Blues Guitar in Spanish & Vestapol Tunings

The use of open tunings on the guitar to accompany singing is one of the hallmark sounds of the Country Blues. Unquestionably, the two open tunings that have been used most commonly in the Country Blues have been Spanish tuning, often called Open G tuning and Vestapol tuning, quite often called Open D tuning. For this 2-DVD lesson, we've chosen the names Spanish and Vestapol to designate these tunings, because in practice, Spanish tuning was not always tuned exactly to an open G chord and Vestapol tuning was not always tuned to an open D chord.Each one of these tunings represents its own sort of sound universe, but what is really interesting to hear is the different approaches that different players took to the same tunings, and the different sounds that resulted. In each of these tunings, you'll encounter players whose approach was so melody-driven that it ends up sounding almost like slide guitar played without a slide, and at the opposite end of the spectrum, high concept, chordally sophisticated arrangements. We've purposely chosen the songs that are taught on the lesson to encompass as much of that sound spectrum as possible.On Disc 1, the Spanish tuning lesson, we start by presenting an overview to the tuning, how it is set up, and where the foundational chord positions needed to play Country Blues in that tuning are located. Then we launch into the repertoire: Elizabeth Cotten's serene rendition of the hymn When I Get Home, Mississippi John Hurt's danceable Boys, You're Welcome, Teddy Darby's hypnotic Built Right On The Ground, Clifford Gibson's uptown Bad Luck Dice, Mance Lipscomb's ancient-sounding Willie Poor Boy and Kenny Baker's haunting Legend of the Whistling Brakeman.On Disc 2, the Vestapol tuning lesson, we begin with the an overview that provides the sound of the tuning, the approach that is best suited to it, and the chordal positions needed to play Country Blues in it. Then we go to the songs: Tarheel Slim's instrumental No Time At All, Jimmy Lee Williams' churning locomotive Have You Ever Seen Peaches?, John Byrd's Old Timbrook Blues, Memphis Willie B.'s eerie Brownsville Blues, Blind Boy Fuller's driving Little Woman You're So Sweet, and Jesse Thomas' mind-bender Another Friend Like Me.Instruction is offered with the kind of patient attention to detail for which John Miller's lessons have been acclaimed, and all of the original performances of the songs are included on the discs, as well as tab and standard notation and the lyrics to the songs. Learn the songs on these lessons and you'll be equipped not only to continue learning more songs in these tunings on your own, but perhaps even to create your own arrangements and songs in the tunings.

SEK 382.00
1

Tom Feldman: The Guitar Of Fred McDowell

Tom Feldman: The Guitar Of Fred McDowell

Who hasn't been influenced by Mississippi Fred McDowell? Imitated by just about everyone that has picked up a slide, his impact has spread the world over. With so many trying to figure out exactly how he played, we are so fortunate to have a lesson like this one where we get to learn from the man himself. The footage of Fred McDowell seen in this lesson is a treasure because it's as if it was filmed with us, the students of McDowell's style, in mind. With clear shots of his left and right hands, it's like your own private lesson with the master himself.DISC ONE is devoted to footage of Fred McDowell performing many of his classic tunes in Open E tuning. After each performance, Tom Feldmann breaks down Fred's techniques and then goes to the split screen, playing the song slowly as you play along.DISC TWO is devoted to the recordings of McDowell in Open A tuning. Tom performs this time around as none of the available footage has McDowell performing in Open A.A detailed tab/music booklet is included as a PDF file on each DVD. In addition the original recordings of all the tunes in lesson two are included. On Disc Two there is 51 minute interview with Tom Feldmann where he talks about his influences as well as performing a wide variety of tunes.Titles Include: OPEN E TUNING: When I Lay My Burden Down, Keep Your Lamp TrimmedAnd Burning, John Henry, Break 'Em On Down, Louise, Mojo Hand, I Heard Somebody Call OPEN A TUNING: Write Me A Few Lines, Been Drinking Out of A Hollow Log, Fred's Worried Life Blues, The Train I Ride, Kokomo Blues

SEK 382.00
1

John Miller: Improving Your Ear For The Country Blues Guitarist

John Miller: Improving Your Ear For The Country Blues Guitarist

In this lesson John Miller will provide you with the tools you need to develop your ability to tell what position or tuning a Country Blues performance was played out of simply by listening to the recording. Believe it or not, this is a learnable skill and John, who has taught it for many years, will show you what to listen for and help you get started hearing the various auditory clues that identify the distinctive sound of the different playing positions and tunings most commonly used in Country Blues guitar playing. Developing your ability to do this kind of informed listening, or listening with knowledge will reap significant rewards for your playing, most especially improving your ability to learn by ear and increasing the speed with which you're able to pick up new material.One of the real advantages of having this material presented in this 2DVD format is that it allows John to go over the material in real detail, presenting the sound characteristics of the different playing positions and tunings at length, and providing you with memory devices to help you remember the sound of alternating bass for the different positions and tunings. The material is not presented in the abstract, either - as John goes along, he plays a host of examples drawn from Country Blues performances that help illustrate and exemplify the characteristic sound of each playing position. The PDF study guide that accompanies the lesson includes a summary of the sound characteristics that identify each of the playing positions/tunings presented in the lesson, as well as the memory devices that will help you remember the sound of the bass in the different positions. Also included on the DVD is a test to take when you have completed the lesson, with a selection of recordings of Country Blues played out of different positions and tunings for you to identify using your new skills. Disc One: E position, standard tuning ? C position, standard tuning ? D position, standard tuning ? A position, Standard tuningDisc Two: G position, standard tuning ? F position, standard tuning ? Dropped-D tuning ? Vestapol tuning ? Spanish tuning230 minutes ? Level 1 ? Detailed PDF booklet file on the DVD

SEK 301.00
1