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Fun on The Frets

Fun on The Frets

The more you play the guitar the better you'll become and the more fun and enjoyment you'll have. When I asked Rev. Gary Davis when and how I should practice on my guitar his answer was clear. He told me to play first thing in the morning and then last thing at night. He said I should keep my guitar out of its case so that I could play it whenever I wanted. The message was to play and enjoy yourself. This collection of blues, jug band tunes, rags and novelty songs should present you with hours, weeks, months and even years of enjoyment and challenges. The arrangements vary from easy to difficult. Includes access to online audio. The tunes presented include: Going To Germany,Walk Right In, My Money Never Runs Out, Cocaine Habit Blues, KC Moan, Stealin', Stealin', You May Leave, Mississippi River Waltz, He's In The Jailhouse Now, Show Me The Way To Go Home, Guitar Stomp, Mississippi Blues, Blues For The Mann, Shine On Harvest Moon, Creole Belles - March & Two Step, The Teddy Bears' Picnic, Nola, Dallas Rag, At A Georgia Camp Meeting, St. Louis Tickle, Mabel's Dream, Powder Rag and Silver Swan The more you play the guitar the better you’ll become and the more fun and enjoyment you’ll have. When I asked Rev. Gary Davis when and how I should practice on my guitar his answer was clear. He told me to play first thing in the morning and then last thing at night. He said I should keep my guitar out of its case so that I could play it whenever I wanted. The message was to play and enjoy yourself.This collection of blues, jug band tunes, rags and novelty songs should present you with hours, weeks, months and even years of enjoyment and challenges. The arrangements vary from easy to difficult. Includes access to online audio.

SEK 314.00
1

Duck Baker: Kid On The Mountain

Hot Tuna: 25 Years And Runnin' On

John Low: African Fingerstyle Guitar

John Miller: Hillbilly Blues Guitar

John Miller: Hillbilly Blues Guitar

As the Country Blues began to be recorded, in the mid-1920s, it soon became apparent that the music was being played and appreciated not only by African-American musicians and audiences, but by white musicians and audiences as well. Many of these white musicians played with and learned from black musicians, for even in the Jim Crow Era there was always a good deal of musical interaction and exchange. So it is that the term "Hillbilly Blues" can be used to describe the music made by white musicians of that era in the Country Blues style. Included on this DVD are songs from Clarence Greene, known mostly as a fiddler, but an ace guitarist, Dick Justice, who in his one day in the recording studio waxed ten masterful performances, Frank Hutchison who excelled at lap slide, harmonica on a rack and conventional blues picking, Sam McGee, a banjo and guitar master who went on to star on the Grand Ole Opry, Hobart Smith, a musical powerhouse, Maybelle Carter, a rocksteady and beautifully lyrical player who may have been the most influential of the bunch and Emry Arthur, a soulful singer and player who recorded one of the earliest versions of Man Of Constant Sorrow.The songs selected for inclusion on the DVD have been chosen to introduce you to a variety of different keys and playing positions, as well as a host of different right hand techniques.A PDF included on the DVD offers not only detailed transcriptions of the songs, but the songs' lyrics, too. All of the original performances by the musicians are included on the DVD as bonus tracks, both as references and for your listening enjoyment.

SEK 301.00
1

Jody Stecher: Celtic Melodies For Flatpicking Guitar DVD

John Renbourn/Stefan Grossman: The Three Kingdoms

John Renbourn/Stefan Grossman: The Three Kingdoms

This is the fourth recorded collaboration between acoustic guitarists John Renbourn and Stefan Grossman, recorded in 1987 and produced by Led Zeppelin's John Paul Jones. As on its three predecessors, the appeal lies in the contrast between Renbourn's traditional British folk style and Grossman's jazz and folk-blues leanings. Ideally, as on 'Rites of Passage' and 'Keeper of the Vine,' Renbourn concentrates on an intricate, folk-based pattern that Grossman decorates with bluesy embellishments. The two have a previously expressed interest in adapting jazz classics to their two-guitar approach, and they do so here on the standard 'Round About Midnight,' then recall their earlier work on tunes by the late Charles Mingus with the mournful 'Farewell to Mr. Mingus.' Since they play differently, their guitar lines can be identified and appreciated separately even when they are intermingling. ? All Music GuideMany acoustic guitarists probably have some degree of acquaintance with the work of John Renbourn and Stefan Grossman, but for the unfamiliar, here's a short history: In the 1970s Stefan toured regularly, sometimes on double-bills with Renbourn. Fate stepped in when, through a promoter's error, it was advertised that these two legends-in-the-making would be performing guitar duets. Though they hadn't worked as a duo before, the guitarists decided to give it a go, and the seeds were planted for a series of fantastic duet albums. The playing on this album as well as Under The Volcano and their eponymous debut, is a fascinating melting pot of European and American musical styles, and the pair achieves a sound as elegant as it is expansive. Though their individual contributions to the world of guitar playing had been weighty before their partnership, these duet albums serve to take both guitarists' playing to new heights, and their enduring compositions still sound fresh today.

SEK 153.00
1

The Guitar of Robert Johnson

Fiddle Tunes For Fingerstyle Guitar

See What The Lord Has Done For Me : Rare & Unreleased Recordings

Country Blues Guitar (CD)

The Guitar Of Blind Boy Fuller

Stefan Grossman: My Creole Belle

John Renbourn And Stefan Grossman In Concert

Scott Nygaard: Bluegrass Lead Guitar - Fiddle Tunes, Crosspicking And Blues

Stefan Grossman: Bottleneck Blues Guitar - Revised And Expanded Edition