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The Guitar Of John Lee Hooker

The Guitar Of John Lee Hooker

John Lee Hooker recorded hundreds of songs throughout his career that spanned from the late 1940's until his death in 2001. Very few blues musicians reached the heights that Hooker achieved, among his many awards Hooker was inducted into the Blues Hall of Fame, the Rock and Roll Hall of Fame, awarded the Grammy Lifetime Achievement Award, and has a star on the Hollywood Walk of Fame. John Lee Hookers trademark one chord blues style can be traced back to his Mississippi roots where he first learned to play guitar and although often described as a simple technique, the rhythm found in his playing is the bedrock by which all things blues, fingerstyle, rock, etc., is based upon. John Lee Hooker played out of standard tuning, E position, and Spanish tuning, typically Open A, and nearly all his recorded works fall into either category. Breaking this collection into two parts Feldmann walks you through every aspect of Hookers playing style in both Standard and Spanish tuning. You'll even be treated to live video footage of Hooker performing the tunes taught out of Standard tuning on electric, and more rare, acoustic guitar. Whether your looking to learn Hookers songs, licks, or playing style you'll find those elements in spades, plus most importantly you'll improve your rhythmic technique which will benefit your own playing regardless of genre. Tunes include: 'Maudie', 'Tupelo, MS', 'I'll Never Get Out of These Blues Alive', 'Boom Boom', 'Boogie Chillen', 'Hobo Blues', 'I'm A Crawling King Snake', 'Bundle Up and Go'.

SEK 327.00
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John Miller: Atlanta Blues Guitar

John Miller: Atlanta Blues Guitar

Atlanta, in the period 1920-1940, rivaled Memphis, St. Louis, Jackson and Chicago in the strength and vitality of its blues scene. It was home to a unique school of 12-string guitarists that included Blind Willie McTell, Barbecue Bob, Charlie Lincoln, Willie Baker and George Carter.Also on hand were the slick slide guitarist Fred McMullen, the accompaniment king, Curley Weaver and the spectacular up-and-comer, Buddy Moss. The scene was rounded out by an earlier generation of players, Peg Leg Howell foremost among them, who kept alive musical traditions that were in the eclipse.Included on this DVD are transcriptions and teaching of recorded performances from the youthful Buddy Moss, a player who influenced generations of East Coast players that followed him, George Carter, a mysterious 12-string guitarist who recorded only four titles, Curley Weaver, a player's player, widely acknowledged to be among the finest accompanists in the blues, Julius Daniels, who came down from North Carolina to Atlanta to record early on and Peg Leg Howell, a bootlegger-turned musician who busked in the streets of Atlanta both as a soloist and in a trio with the fiddler Eddie Anthony and guitarist Henry Williams.The songs presented in the lesson will expand both your right hand techniques and your knowledge of the neck, with one song employing the almost never encountered Open B flat tuning.A detailed tab/music booklet is included as a PDF file on the DVD, and contains all of the songs' lyrics as well as transcriptions of the Guitar parts. Also included are the original source recordings from which the transcriptions taught in the lesson were taken.Titles include Curley Weaver: Ticket Agent | George Carter: Rising River Blues | Buddy Moss: New Lovin? Blues and Oh Lordy Mama | Julius Daniels: 99 Year Blues | Peg Leg Howell: Turtle Dove Blues and Low-Down Rounder Blues

SEK 301.00
1

Lasse Johansson: Early Jazz for Fingerstyle Guitar (DVD)

Lasse Johansson: Early Jazz for Fingerstyle Guitar (DVD)

The ragtime and early jazz music pioneers during the first decades of the last century didn?t know that the sounds they created would echo in the music that people loved for years to come. They started an American music tradition that is alive to this day. I was born and raised in Sweden and I have always enjoyed the music from that era but being a Guitarist, I never thought that playing back-up in a jazz band was for me. I?d rather do something with these songs so that they would fit my approach playing fingerstyle Guitar.Many of the early jazz songs and of course classical ragtime often is played as Piano music, with a steady left hand playing bass notes and chords together with the right hand playing a syncopated melody on top. This style of playing is very similar to the alternating bass style on the Guitar. So these tunes easily lend themselves to a fingerstyle arrangement.With classical ragtime I approach arranging by transcribing the original Piano sheet-music. The important thing is to find keys that suit the Guitar and then decide what notes not to play since it is not technically possible to play all the notes in a Piano score on the Guitar. I like to play in keys that will give me the opportunity to use open strings in the bass while the melody moves up and down the neck. This is especially important since my aim is to make my arrangements not too difficult to play, so that the player can concentrate on the music instead of being too concerned with the technical aspects of his/her playing. The most important challenge though, is to make the tune sound like Guitar music, not Piano music played on the Guitar.

SEK 301.00
1

Guy Davis: Guitar Artistry - Teller Of Tales

Guy Davis: Guitar Artistry - Teller Of Tales

Whether Guy Davis is appearing on Late Night TV programs or nationally syndicated radio shows, in front of 25,000 people at Madison Square Garden, or an intimate gathering of students at a Music Camp, Guy feels the instinctive desire to give each listener his 'all'. His 'all' is the Blues.Guy can tell you stories of his great-grandparents and his grandparents, their days as track linemen, and of their interactions with the KKK. He can also tell you that as a child raised in middle-class New York suburbs, the only cotton he's personally picked is his 'BVDs' up off the floor. He's a musician, composer, actor, director, and writer. But most importantly, Guy Davis is a bluesman. The blues permeates every corner of Davis' creativity.Throughout his career, he has dedicated himself to reviving the traditions of acoustic blues and bringing them to as many ears as possible through the material of the great blues masters, African American stories, and his own original songs, stories and performance pieces. In 1993 he performed Off-Broadway as legendary blues player Robert Johnson in Robert Johnson: Trick the Devil. He received rave reviews and became the 1993 winner of the Blues Foundation's ?Keeping the Blues Alive Award?. Looking for more ways to combine his love of blues, music, and acting, Davis created material for himself. He wrote In Bed with the Blues: The Adventures of Fishy Waters -- an engaging and moving one-man show. The Off-Broadway debut in 1994 received critical praise from the New York Times and the Village Voice. Of Davis' live performance, one reviewer observed that his style and writing ?sound so deeply drenched in lost black traditions that you feel that they must predate him. But no, they don't. He created them.?These days, Davis concentrates much of his efforts on writing and performing his Blues music. He has released nine albums for Red House Records, all of which have garnered rave reviews and praise, as well as earning awards and other special nods. Perhaps Charles M. Young summed up Davis' own take on the blues best when he wrote his review in Playboy, ?Davis reminds you that the blues started as dance music. This is blues made for humming along, stomping your foot, feeling righteous in the face of oppression and expressing gratitude to your baby for greasing your skillet.?

SEK 267.00
1