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Spiced Up Fingerstyle Arrangements : Taught by Cory Seznec

Spiced Up Fingerstyle Arrangements : Taught by Cory Seznec

This lesson features a mixed bag of six songs arranged in a variety of ways with the idea of adding some spicy seasoning to the fingerpicker’s cookbook. The lesson employs tricks and licks that Cory has picked up over the years in his quest to find his own “style”. In this almost four hour lesson each song has it’s own built-in exercises for fingerpicker’s looking to head in new directions. The old standard A Sin To Tell A Lie becomes a highly arpeggiated waltz with some fun licks up the neck. Somebody Stole My Gal incorporates counterpoint, chord inversions, and nice bass movement. The old jug band tune Sadie Green (The Vamp of New Orleans) gets revamped with a feel that bounces from down low New Orleans rumba to punchy ragtime picking and back again. A highly unorthodox treatment of Blind Willie McTell’s East St Louis Blues gets deep into Cooder-esque syncopation, and a chorus was added to make it a little less repetitive. The instrumental “showpiece” No Hiding Place was influenced by Cool John Ferguson’s virtuosic zinger off of a Music Maker Relief Foundation music compilation (likely Ferguson’s take on the old gospel number No Hiding Place Down Here), and then taken on a bunch of detours. Those looking to “Africanize” their playing will enjoy Cory’s take on The Parting Glass which takes this old Celtic drinking ballad on a trip to east Africa, featuring funky polyrhythms and muted strings in 12/8. Titles include: Somebody Stole My Gal, A Sin To Tell A Lie, East St Louis Blues, Sadie Green (The Vamp of New Orleans), No Hiding Place, The Parting Glass

SEK 377.00
1

Buster B. Jones: Fingerstyle Guitar From The Ground Up Volume 2

Fred Sokolow: Complete Intermediate Ukulele Guide

Fred Sokolow: Fingerpicking Guitar Solos

Martin Carthy: British Fingerstyle Guitar

A Guitar Lesson With David Bromberg

Fred Sokolow: Flatpicking Country Classics

Buster B. Jones: Fingerstyle Guitar From The Ground Up Volume 1

Tom Feldmann: The Guitar Of Blind Willie Johnson

Rolly Brown: A Nuts & Bolts Approach To Melody

Fred Sokolow: The Music Of Johnny Cash For Fingerpicking Guitar (DVD)

Rolly Brown: A Nuts & Bolts Approach To Chords

Spirituals For Fingerstyle Guitar : Taught by Cory Seznec

East Coast Fingerstyle Blues Guitar

East Coast Fingerstyle Blues Guitar

The East Coast, from Florida up to Virginia, gave birth to a vibrant fingerstyle blues tradition, documented on recordings from the mid-1920s up into the 1970s and 1980s. In East Coast Fingerstyle Blues Guitar, author John Miller has selected some of the most interesting and exciting recorded performances from that period to present to you, with transcriptions of the performances in TAB and standard notation, lyrics to the songs provided, playing tips that will help you get the songs up and running as soon as possible, and links to the original recorded performances, so that your own playing can be informed by the playing of the masters. A particular focus of the book is therepertoire of three of the strongest practitioners of East Coast Blues—Buddy Moss, Blind Willie McTell and Blind Boy Fuller. You'll also find two songs each by Luke Jordan and William Moore, a Blind Blake tune and a host of songs from artists who qualify for the designation talent deserving of wider recognition: Peg Leg Howell, Carl Martin, Floyd Council, Virgil Childers, Sonny Jones, Gabriel Brown, Ralph Willis, Willie Trice and Henry Johnson, many of whose songs are being made available for the first time. If you're looking for fingerstyle guitar pieces with a great range of feeling, musical variety and depth of expression, you need look no further than East Coast Fingertyle Blues Guitar. It will give you the information and background you need for a total immersion in this exciting music. Includes access to online audio. The East Coast, from Florida up to Virginia, gave birth to a vibrant fingerstyle blues tradition, documented on recordings from the mid-1920s up into the 1970s and 1980s. In East Coast Fingerstyle Blues Guitar, author John Miller has selected some of the most interesting and exciting recorded performances from that period to present to you, with transcriptions of the performances in TAB and standard notation, lyrics to the songs provided, playing tips that will help you get the songs up and running as soon as possible, and links to the original recorded performances, so that your own playing can be informed by the playing of the masters.A particular focus of the book is the repertoire of three of the strongest practitioners of East Coast Blues—Buddy Moss, Blind Willie McTell and Blind Boy Fuller. You’ll also find two songs each by Luke Jordan and William Moore, a Blind Blake tune and a host of songs from artists who qualify for the designation talent deserving of wider recognition: Peg Leg Howell, Carl Martin, Floyd Council, Virgil Childers, Sonny Jones, Gabriel Brown, Ralph Willis, Willie Trice and Henry Johnson, many of whose songs are being made available for the first time.If you’re looking for fingerstyle guitar pieces with a great range of feeling, musical variety and depth of expression, you need look no further than East Coast Fingertyle Blues Guitar. It will give you the information and background you need for a total immersion in this exciting music. Includes access to online audio.

SEK 314.00
1

Fred Sokolow: Electric Blues Guitar

Introduction To Thumbstyle Guitar

Celtic Melodies And Open Tunings

Hot Licks : Exercises and Creative Tips for the Acoustic Guitarist

Hot Licks : Exercises and Creative Tips for the Acoustic Guitarist

In this double DVD lesson Alberto Lombardi explores his approach to lick techniques on the acoustic guitar. Alberto has been an electric guitarist for most of his life. He had to adapt the things he does on electric to the acoustic guitar. He had to learn how to incorporate these techniques to his thumb picking arrangements. Obviously the biggest challenge was doing alternate picking with a thumbpick and not a flatpick. Alberto also found that hammer-ons and pull-offs needed a bit more strength, as the strings on his acoustic were heavier than his electric guitar. His approach and method has been almost exclusively the “rock approach” that uses repetitive patterns and then combines them, as opposed to the jazz way that studies entire phrases over changes. The aim of this lesson is to build a collection of patterns and ideas to develop a basis for further expansion and personal adaptation. You will study: • Legatos, • Alternate picking with the thumbpick • Hybrid picking • Harmonics - natural and artificial • Finger strengthening exercises • Lots of Hot Licks In this double DVD lesson Alberto Lombardi explores his approach to lick techniques on the acoustic guitar. Alberto has been an electric guitarist for most of his life. He had to adapt the things he does on electric to the acoustic guitar. He had to learn how to incorporate these techniques to his thumb picking arrangements. Obviously the biggest challenge was doing alternate picking with a thumbpick and not a flatpick. Alberto also found that hammer-ons and pull-offs needed a bit more strength, as the strings on his acoustic were heavier than his electric guitar. His approach and method has been almost exclusively the “rock approach” that uses repetitive patterns and then combines them, as opposed to the jazz way that studies entire phrases over changes. The aim of this lesson is to build a collection of patterns and ideas to develop a basis for further expansion and personal adaptation. You will study: • Legatos, • Alternate picking with the thumbpick • Hybrid picking • Harmonics - natural and artificial • Finger strengthening exercises • Lots of Hot Licks

SEK 377.00
1

Bottleneck Slide Guitar

Fred Sokolow: Jamming The Blues

Duck Baker: Guitar Aerobics (DVD)

Fred Solokow: Rockabilly Guitar

David Laibman: Classic Ragtime Guitar

Cory Seznec: New Orleans Fingerstyle Blues Guitar (DVD)