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Nico Muhly: Bright Mass With Canons

Nico Muhly: Bright Mass With Canons

In Bright Mass With Canons , the canonical motifs are present right from the beginning and carry through almost every bar of the work. There are echoes of early English Choral writing and abstracted sections with flurries of sound interspersed with more Choral writing, all in the most modern idioms. Contemporary American composer Nico Muhly is a prolific writer and arranger who, at 32, is the youngest composer ever to have been commissioned by the Metropolitan Opera in New York. His oeuvre includes two operas, and many solo pieces and works for small ensemble, Orchestra, and Chorus, and he has collaborated with artists such as Philip Glass, Björk and Sigur Rós.

SEK 137.00
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Nico Muhly: Four Studies

Nico Muhly: Four Studies

Nico Muhly 's Four Studies for two Violins and Drone. ' Four Studies was written for Angela and Jennifer Chun in 2014. Each movement has a drone which lasts for the duration of the movement. The first bar of movements 1 and 4 can be quite long. The drone should remain loosely indifferent to the other part, avoiding any overly-dramatic commentary. That having been said, the droning player should feel free to subtly and constantly change the nature of the sound. Rests are meant to be played freely, expanding and contracting as the spirit moves the soloists, but the notes should be played in relatively even time. The space between the movements can work either with very short pauses or with no pauses at all; this is left up to the discretion of the performers .' - Nico Muhly Duration: approx. 12 minutes.

SEK 385.00
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Nico Muhly: Patterns

Nico Muhly: Patterns

Nico Muhly 's Patterns is a work in four sections for solo Organ. Patterns was commissioned by the American Guild of Organists for the 2014 Biennial National Convention in Boston, Massachusetts, U.S.A. ' Patterns is composed in four sections, each of which is sort of a rhythmic étude. The first (“Move Along”) is a perpetual motion machine with staggered and angular rhythms thrown between the pedals and the left hand. The second movement (“Palindromes”) is calmer and is centered around an idée fixe in the left hand while the right hand interjects and ornaments. The pedals, here, are a clumsy cousin, constantly upturning the sense of rhythmic stability. The third movement (“Similar”) is all to do with ways to divide up the bar: seven, eight, six, five, four — it’s all there. Then the finale (“Very Fast Music”) is a perpetual motion machine on its highest setting — manic and hyper, with hiccoughs offsetting the regularity of some of the rhythms. ' - Nico Muhly

SEK 236.00
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