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160g

160g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

SEK 284.00
1

80g

80g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

SEK 899.00
1

1/2 pan

1/2 pan

L'Aquarelle Sennelier has been produced the same way for more than a century using the best pigments and the highest quality Kordofan gum Arabic as a binder. This blend of natural ingredients produces colors that have a smooth, light texture and offer vibrant, colorful hues. The combination of Arabic gum and honey offers an exceptional application quality that produces excellent wash. This base is then mixed with pigments and carefully milled. Sennelier makes sure to wet the pigments in purified water (without mineral salts) for 24 hours before mixing with the binder. This improves the way the colours and the adhesive fuse together, which in turn enhances the full beauty of the colours.

SEK 105.00
1

35g

35g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

SEK 130.00
1

100g

100g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

SEK 419.00
1

100g

100g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

SEK 421.00
1

120ml

120ml

Imagine a whole new way to paint! A paint that comes in a package that is innovative, elegant, handy and feels right. Sennelier has been known by word of mouth for its quality since 1887, the year Gustave Sennelier opened his first shop as a paint merchant. He developed extra large tubes of paint for artist Nicolas de Staël and created the oil pastel for Pablo Picasso. 128 years later, Sennelier is still innovating their products with the launch of the first range of acrylic paints for artists in a brand new packaging. Innovative acrylics made in France. Abstract by Sennelier is a high quality paint made in France and packaged in a flexible bag that has a lot of advantages: as it sits well in the hand, it is also much easier to use. The bag is so strong that you can take it with you wherever you go, and unlike a paint tube, it can withstand even if you accidentally step on it! The paint lasts better as air can't get in, you can use every drop of paint without air bubbles that would cause the paint to squirt out of the container. With Abstract there are no surprises when choosing a colour, there is no difference from the colour you see on the outside to the one inside. The Abstract range contains 34 single pigmented colours in the range of a total of 60 different colours. 36 pcs satin gloss colours 12 full gloss colours 6 iridescent colours 6 Fluorescent colours

SEK 81.00
1

Dammar Gum

Dammar Gum

Fossil resin collected from trees along the Philippine islands. Dammar comes in irregular, walnut sizes, and has a light yellow color. It has been used frequently since the 18th century, for the manufacture of varnishes and mediums. Dammar dissolves by gentle stirring in solvents such as turpentine or mineral turpentine. It produces a rich, glossy, reversible film. The concentration of dammar varies between 15 and 30%, depending on the solution produced (medium or varnish). It is recommended to add a plasticizer, such as Venice turpentine, maximum 5%. Dammar contains a small percentage of insoluble wax, which is slightly cloudy in the solution. You can remove this cloudiness by leaving the solution undisturbed for a few days, then draining it once or twice through a piece of cheesecloth or paper filter.

SEK 120.00
1

Fluorescent Yellow

Fluorescent Yellow

Sennelier Oil Stick is oil paint in solid form. Some of the oil color is replaced with a neutral mineral wax, which allows it to be shaped like a stick. The oil paints are of high quality and have a high concentration of pigments that do not fade when exposed to daylight, and on binders that yellow minimally over time. The colors can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers specially made for oil paints can also be used.

SEK 129.00
1

Perylene Black

Perylene Black

Sennelier Oil Stick is oil paint in solid form. Some of the oil color is replaced with a neutral mineral wax, which allows it to be shaped like a stick. The oil paints are of high quality and have a high concentration of pigments that do not fade when exposed to daylight, and on binders that yellow minimally over time. The colors can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers specially made for oil paints can also be used.

SEK 89.00
1

Golden Brown

Golden Brown

Sennelier Oil Stick is oil paint in solid form. Some of the oil color is replaced with a neutral mineral wax, which allows it to be shaped like a stick. The oil paints are of high quality and have a high concentration of pigments that do not fade when exposed to daylight, and on binders that yellow minimally over time. The colors can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers specially made for oil paints can also be used.

SEK 89.00
1

Bismuth Yellow

Bismuth Yellow

Sennelier Oil Stick is oil paint in solid form. Some of the oil color is replaced with a neutral mineral wax, which allows it to be shaped like a stick. The oil paints are of high quality and have a high concentration of pigments that do not fade when exposed to daylight, and on binders that yellow minimally over time. The colors can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers specially made for oil paints can also be used.

SEK 90.00
1

Chinese Orange

Chinese Orange

Sennelier Oil Stick is oil paint in solid form. Some of the oil color is replaced with a neutral mineral wax, which allows it to be shaped like a stick. The oil paints are of high quality and have a high concentration of pigments that do not fade when exposed to daylight, and on binders that yellow minimally over time. The colors can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers specially made for oil paints can also be used.

SEK 129.00
1

Light Ferylene Bordeaux

Light Ferylene Bordeaux

Sennelier Oil Stick is oil paint in solid form. Some of the oil color is replaced with a neutral mineral wax, which allows it to be shaped like a stick. The oil paints are of high quality and have a high concentration of pigments that do not fade when exposed to daylight, and on binders that yellow minimally over time. The colors can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers specially made for oil paints can also be used.

SEK 89.00
1

Van Dyec Brown

Van Dyec Brown

Sennelier Oil Stick is oil paint in solid form. Some of the oil color is replaced with a neutral mineral wax, which allows it to be shaped like a stick. The oil paints are of high quality and have a high concentration of pigments that do not fade when exposed to daylight, and on binders that yellow minimally over time. The colors can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers specially made for oil paints can also be used.

SEK 89.00
1

Bronze

Bronze

Sennelier Oil Stick is oil paint in solid form. Some of the oil color is replaced with a neutral mineral wax, which allows it to be shaped like a stick. The oil paints are of high quality and have a high concentration of pigments that do not fade when exposed to daylight, and on binders that yellow minimally over time. The colors can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers specially made for oil paints can also be used.

SEK 101.00
1

Light Grey

Light Grey

Sennelier Oil Stick is oil paint in solid form. Some of the oil color is replaced with a neutral mineral wax, which allows it to be shaped like a stick. The oil paints are of high quality and have a high concentration of pigments that do not fade when exposed to daylight, and on binders that yellow minimally over time. The colors can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers specially made for oil paints can also be used.

SEK 90.00
1

Helios Purple

Helios Purple

Sennelier Oil Stick is oil paint in solid form. Some of the oil color is replaced with a neutral mineral wax, which allows it to be shaped like a stick. The oil paints are of high quality and have a high concentration of pigments that do not fade when exposed to daylight, and on binders that yellow minimally over time. The colors can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers specially made for oil paints can also be used.

SEK 129.00
1

Iridescent White

Iridescent White

Sennelier Oil Stick is oil paint in solid form. Some of the oil color is replaced with a neutral mineral wax, which allows it to be shaped like a stick. The oil paints are of high quality and have a high concentration of pigments that do not fade when exposed to daylight, and on binders that yellow minimally over time. The colors can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers specially made for oil paints can also be used.

SEK 101.00
1

Light Quinacridone Magenta

Light Quinacridone Magenta

Sennelier Oil Stick is oil paint in solid form. Some of the oil color is replaced with a neutral mineral wax, which allows it to be shaped like a stick. The oil paints are of high quality and have a high concentration of pigments that do not fade when exposed to daylight, and on binders that yellow minimally over time. The colors can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers specially made for oil paints can also be used.

SEK 89.00
1

Chinese Blue

Chinese Blue

Sennelier Oil Stick is oil paint in solid form. Some of the oil color is replaced with a neutral mineral wax, which allows it to be shaped like a stick. The oil paints are of high quality and have a high concentration of pigments that do not fade when exposed to daylight, and on binders that yellow minimally over time. The colors can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers specially made for oil paints can also be used.

SEK 89.00
1

Vermilion

Vermilion

Sennelier artist oil pastels have an extraordinarily high pigment content. Their texture is soft and creamy, almost like a lipstick. All 120 colours in the range are 100% lightfast, making Sennelier Oil Pastel a true artist quality. All shades can be mixed together.Oil pastel can be diluted with turpentine and worked with a brush. They are acid-free and can be used on paper, canvas, wood or metal etc. Sennelier oil pastels contain no drying agent. The colours therefore never dry completely. However, they can be fixed with Sennelier fixative for oil pastels 8 to 10 days after the work has been completed.

SEK 31.00
1

Brown Pink

Brown Pink

Sennelier artist oil pastels have an extraordinarily high pigment content. Their texture is soft and creamy, almost like a lipstick. All 120 colours in the range are 100% lightfast, making Sennelier Oil Pastel a true artist quality. All shades can be mixed together.Oil pastel can be diluted with turpentine and worked with a brush. They are acid-free and can be used on paper, canvas, wood or metal etc. Sennelier oil pastels contain no drying agent. The colours therefore never dry completely. However, they can be fixed with Sennelier fixative for oil pastels 8 to 10 days after the work has been completed.

SEK 30.00
1