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El Sistema: Music For Social Change

El Sistema: Music For Social Change

El Sistema means "The System", and since its inception 40 years ago, it has revolutionised music education in communities of different socio-economic backgrounds internationally. This collection of essays, edited by Christine Witkowski, illustrates its mission of Music For Social Change , offering practical information for anyone seeking knowledge, inspiration or guidance for adapting El Sistema to any community. Founded in 1975 by Venezuelan educator, musician and activist José Antonio Abreu, El Sistema  began with just eleven children in attendance at the first orchestra rehearsal, and has since grown to 500,000 children in choirs and youth orchestras around Venezuela. The power of such an inspiring community and social project as this one has been the catalyst for a global movement, its philosophies of involvement, belonging and, most of all, music, spreading to over 55 countries across multiple continents. The essays in this book reveal the voices and experiences of teachers, leaders, parents and experts on subjects like the history of El Sistema , the different adaptations made to the system in different communities, as well as practical articles on teaching and using El Sistema  in classroom situations. The fascinating essence of this 'system' is that it is a non-system, featuring flexible guidelines and malleable rules, allowing it to adapt to cultures and communities.  This book aims to make El Sistema accessible to a wide audience, prompting further social change through musical art in a way that Sir Simon Rattle has called "the most important thing happening in the world in classical music." El Sistema  is proof that music can and indeed has been a force for social change. A medium which brings people together as part of an empowered community can only be a good thing, and it's the universality of music which allows this 'system' to be a success. The essays in  El Sistema: Music For Social Change are fascinating, touching, shocking and awe-inspiring, describing a project that is truly revolutionary.

SEK 371.00
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Fingerstyle Guitar New Dimensions & Explorations - Volume Two

Fingerstyle Guitar New Dimensions & Explorations - Volume Two

The performances in this DVD series present two generations of artists who have advanced the acoustic guitar?s cause with formidable boldness. We clearly hear their folk, blues and country roots even as they develop other distinctly personal harmonic and melodic pathways. Thinking, coupled with the 90% perspiration, 10% inspiration formula, is evident in the performances here, no less than in the artful arrangements in the original compositions. There are English guitarist playing original music tinged by American blues, and American guitarists picking with English accents. There are guitarists from everywhere bringing music from the keyboard and other sources to the guitar. There is an apparent user-friendly adaptability happening around the instrument: the example of these players encourages the rest of us to tinker with arrangements, explore open tunings, try varied techniques of picking. The means, they demonstrate, are flexible. And the ends? Endless. As the redoubtable Claw, Jerry Reed once remarked, I don?t go to see a man pick. I go to see a man think. Dave Evans Stagefright John Renbourn Rosslyn Stefan Grossman Tightrope John Knowles Coastin' Pat Donohue The Mooch Marcel Dadi Saturday Night Shuffle Duck Baker Blood Of The Lamb Chris Proctor Interstate John Renbourn Little Niles Stefan Grossman Bermuda Triangle Exit El McMeen My Mary Of The Curling Hair Joe Miller Ivory Coast John Knowles Waltz Forever Pat Donohue High Society Duck Baker 'Round Midnight Chris Proctor Morning Thunder El McMeen Angels We Have Heard On High Marcel Dadi Je Te Veux Bonus Instructional Tracks: Stefan Grossman Diddie Wa Diddie, and Pat Donohue High Society

SEK 267.00
1