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GILBERT NORMAN GET UP AND BAR THE DOOR SOPRANO BARITONE & PIANO CHORAL

GILBERT NORMAN GET UP AND BAR THE DOOR SOPRANO BARITONE & PIANO CHORAL

Mccabe, J From Cartography A/A/T/Bar/Bar/B

Iliffe: Analysis Of Bach's 48 Preludes & Fugues Book 1

A detailed analysis of the first 24 of Bach's 48 preludes and fugues. Each prelude is reduced to show the structure and each fugue is analysed bar by bar. Both are followed by summaries and remarks.

Joseph Barnby: Crossing The Bar

A poem by Lord Tennyson set to music by Joseph Barnby, for SATB chorus.

Peter Aston: From The Book Of Thel

Threnody for Five Solo Voices or Small Chorus of Mixed Voices (SATT(Bar)B Choir). Text: William Blake

W.A. Mozart: Thou Soul Of The Universe K.429

Thou Soul Of The Universe by W.A. Mozart arranged for TT(Bar)B and piano by Basil Ramsey.

Orr John Gay Suite Wind Band Bar Sax

Rev. H.H. Woodward: Crossing The Bar Satb/Organ

Oliver King: The Star That Now Is Shining Bar/Satb/Organ

Lang This Joyous Day Sop+bar Solo/Satb/Organ Opus 24

Handel, Gf Minuet & Trio From Fireworks Music Lw5 Bc Bar/Tbn 1

Handel, Gf Minuet & Trio From Fireworks Music Lw5 Tc Tbn/Bar 1

George Frideric Handel: Bourree From The Fireworks Music (Bc Tbn/Bar 2)

George Frideric Handel: Bourree From The Fireworks Music (Bc Tbn/Bar 1)

George Frideric Handel: Bourree From The Fireworks Music (Tc Tbn/Bar 1)

George Frideric Handel: Bourree From The Fireworks Music (Tc Tbn/Bar 2)

Dyson The Wassail T/Bar/B/Piano No 1 From Three Rustic Songs

Dyson The Hock-cart T/Bar/B+piano No3 From Three Rustic Songs

Frederick Iliffe: Analysis Of Bach's 48 Preludes & Fugues Book 2

A detailed analysis of Bach's 48 Preludes and Fugues. The object of the present Analysis is to place in the hands of students a detailed and exhaustive scheme of every Prelude and Fugue. In the Preludes the mode of procedure has been: 1) To give the Figure upon which each Prelude is built; 2) To give the Prelude itself in full and copiously marked, or in a reduced form showing the structure; 3) a 'Summary' of the piece; and lastly, general 'remarks' upon the structure and treatment of the materials. For the Fugues a Tabulated Analysis-bar by bar- is first given, then a 'summary' and 'remarks' as before.

Arthur Bliss: Stand Up And Bless The Lord

Stand Up And Bless The Lord by Arthur Bliss for SATB choir with Organ accompaniment.

Arr. Russell Pascoe: Going Up Camborne Hill

The Cornish folksong Going Up Camborne Hill arranged by Russell Pascoe for SATB choir . This piece is dedicated to Julia Carter.

Folk Tunes to Accompany Book 4: Music For Christmas 30 Folk Carols

Robert Noble. This series of books provides a guide to simple accompaniment for beginners of all ages using only a few chords. The chords are intended to serve as a first introduction to harmony. Each collection is suitable for voices, recorders and violins, accompanied by chime bar chords, guitar, accordion, auto-harp, melodeon and rhythm instruments. Any combination of these instruments can be used.

Folk Tunes To Accompany Book 1: 60 European Folk Tunes using 2 chords in keys G, D, C and F.

Robert Noble. This series of books provides a guide to simple accompaniment for beginners of all ages using only a few chords. The chords are intended to serve as a first introduction to harmony. Each collection is suitable for voices, recorders and violins, accompanied by chime bar chords, guitar, accordion, auto-harp, melodeon and rhythm instruments. Any combination of these instruments can be used.

Folk Tunes To Accompany Book 3: Modes And Minors

Robert Noble. This series of books provides a guide to simple accompaniment for beginners of all ages using only a few chords. The chords are intended to serve as a first introduction to harmony. Each collection is suitable for voices, recorders and violins, accompanied by chime bar chords, guitar, accordion, auto-harp, melodeon and rhythm instruments. Any combination of these instruments can be used.

Angela Morley: Valse Bleue For Flute And Piano

A fragment of the main theme came to me one day during a visit to Switzerland in August 2004. I filed it away in my memory and developed it into a piece when I got home. The 'bluesy' harmony in the fourth bar of the theme suggested that the piece should be called Valse Bleue. Angela Morley was born in Leeds, Yorkshire, England in 1924. She was a professional woodwind player in her teens and twenties and, at twenty-six, after studying harmony, counterpoint and composition with Matyas Seiber and conducting with Walter Goehr, gave up playing and embarked on a career as an arranger and composer.