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Edward Elgar: The Snow Op.26 No.1 (Violin 2)

The 2nd Violin part for Sir Edward Elgar's setting of The Snow Op.26 No.1 for Chorus, Violins and Piano.

Edward Elgar: The Snow Op.26 No.1 (Violin 1)

The 1st Violin part for Sir Edward Elgar's setting of The Snow Op.26 No.1 for Chorus, Violins and Piano.

Edward Elgar: Fly, Singing Bird, Fly Op.26 No.2 (Violin 1)

The 1st Violin part for Sir Edward Elgar's setting of Fly, Singing Bird, Fly Op.26 No.2 for Chorus, Violins and Piano.

Edward Elgar: Fly, Singing Bird, Fly Op.26 No.2 (Violin 2)

The 2nd Violin part for Sir Edward Elgar's setting of Fly, Singing Bird, Fly Op.26 No.2 for Chorus, Violins and Piano.

Purcell Society Volume 26 - King Arthur (Arr. Laurie)

King Arthur was the only one of Purcell's professionally produced operas to have been designed as a semi-opera; the others were all adaptations of earlier plays. Dryden made a real attempt to integrate the music into the drama, but since he ascribed to the dramatic conventions of the period which virtually confined music to allegorical or supernatural beings and thier worshippers, or servants, shepherds and similar characters, the main action mostly occurs in the spoken sections, and even the two singing characters, Philidel and Grimbald speak more than they sing.

Kenneth Leighton: Veni Creator Spiritus And Veni Redemptor For Organ

Veni Creator Spiritus-Prelude was commissioned by the Dunfermline Abbey Festival and first performed on 21 June 1987. Veni Redemptor-A Celebration was commissioned by the North Wales Music Festival and first performed on 26 September 1985 at St Asaphn Cathedral by John Scott.

Joubert: Two Invocations Op.26 for solo Tenor and Piano

Joseph Horovitz: Captain Noah And His Floating Zoo (Unison Version)

Michael Flanders and Joseph Horovitz. This popular work for unison or two-part voices and piano with optional bass and drums opens with a splendid storm, above which God can be heard muttering about the irritations he finds with mankind. Following the Old Testament story God then instructs Noah how to build the ark and select animals. In a profusion of fine solos and lively choruses we learn about the difficulty of living under hatches and the eventual drying-out of the world. Suggestions for vocal solos given in the score. Ideas for semi-dramatic effects or stagings suggest themselves. 26 mins.