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Eric H. Thiman: Crossing The Bar

Vocal score for Eric H. Thiman's   Crossing The Bar.   Short anthem for SATB choir with Organ accompaniment.

Harold T. Scull: Rise Up, O Men Of God

Rise Up, O Men Of God is a composition by Harold T. Scull for Unison Voices with Organ Accompaniment. It is a setting of words by W.P. Merrill.

C. Hubert Parry: Crossing The Bar

For Mixed Chorus.

Ernest Walker: I Will Lift Up Mine Eyes (ATB And Organ)

Twentieth century musician Ernest Walker was more widely known as a writer on music, educator, pianist and accompanist than as a composer, though his, mainly Choral, output is respected. Walker eschewed sentimentality or theatrical show in his compositions. His conservative style had room for chromatic harmony, as in I Will Lift Up Mine Eyes.

Musgrave: Four Portraits Bar for Clarinet and Piano

Tim Minchin: When I Grow Up (Matilda The Musical) - SATB/Piano

When I Grow Up comes from Matilda he Musical, the award-winning stage version of Roald Dahl?s classic children?s novel from the Royal Shakespeare Company. The song is a wish list of the kind of pleasures adulthood is imagined to bring. Of course it is a poignant list because in this case all it contains is freedom from the trials of childhood.Tim Minchin?s song is performed by the company led by Matilda. This choral version for SATB and piano accompaniment is arranged by Simon Foxley.

Giuseppe Verdi: Grand March From 'Aida' (Bc Tbn/Bar 2)

Giuseppe Verdi: Grand March From 'Aida' (Tc Tbn/Bar 1)

Giuseppe Verdi: Grand March From 'Aida' (Tc Tbn/Bar 2)

Giuseppe Verdi: Grand March From 'Aida' (Bc Tbn/Bar 1)

Herbert Howells: King Of Glory

'King Of Glory', for mixed voice choir SATB with organ accompaniment, with 'The House of Mind' and 'God is gone up' make up the Three Motets.

Up Bow, Down Bow For Violin

Richard Rodney Bennett. First position pieces for viola and piano, suitable for students of grades I and II.

Edward Elgar: There Are Seven That Pull The Thread (Score)

Work for Medium Voice and Ensemble.

Joseph Barnby: I Will Lift Up Mine Eyes

Anthem for SATB Choir and Organ.

Henry Purcell: Blow Up The Trumpet In Sion

For SSSAATTTBB Choir and Organ.

Darke: Lift Up Your Heads for Double Choir

Malcolm Arnold: The Sound Barrier Rhapsody Op.38 (Score)

The Sound Barrier Rhapsody was composed in 1952. It is made up of five sections.

Kenneth Leighton: Lift Up Your Heads, O Ye Gates

Anthem for SATB (unaccompanied), commissioned by Christ's Hospital, Horsham, for a service of thanksgiving in Westminster Abbey on October 7, 1966.

Herbert Howells: God Is Gone Up With A Merry Noise

From Three Motets (which also include King of Glory and House of Mind) in the Organ and Choir version.

Peter Jenkyns: The Little Spanish Town

Peter Jenkyns' The Little Spanish Town is an up-tempo piece for Unison Voices with Piano accompaniment, and is ideal for School Choirs and assembly use.

Henry Purcell: Evening Hymn On A Ground (Voice/Piano)

This hymn of Purcell’s sets words by Dr William Fuller, Lord Bishop of Lincoln, and was the opening work of Henry Playford’s 1688 Harmonia Sacra. It is unclear how or when the piece would have been performed, as it does not fit any liturgical function.However, the hymn is untainted Purcell in style and quality. Purcell laid out the five-bar ground bass at the start of the work and shifts it only slightly and effectively for emphasis in the middle of the song.

Walford Davies: Lift Up Your Hearts A Sacred Symphony Psalm 121 (Vocal Score)

Tarik O?Regan: Alice Changes

Alice Changes , by Tarik O'Regan , is a short piece for solo Violin, composed for Thomas Gould. The work progresses through a series of increasingly intricate figurations, which sit on top of the same underlying chord progression found in Charlie Parker?s Blues for Alice (1951). A variation of the twelve-bar blues, this harmonic sequence goes by several names, such as: ?Bird blues?, ?Bird changes?, or ?Alice changes? . Thomas Gould premiered Alice Changes at Ronnie Scott?s Jazz Club in London on 30 March, 2014.

Colin Evans: Cello Time

Cello Time is a sequel to Colin Evans' Take a Cello, and Basic Bass. Cellists who have moved on from the open string writing can now take up the challenge of these seven new pieces written for the first position.

Principles Of Piano Technique And Interpretation

This book is essentially a practical guide, designed to stimulate and encourage the young performer and those embarking on a teaching career to give systematic and constructive thought to all the processes of learning, from the preliminary stages through to the building-up of an imaginative and mature interpretation.