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Henry Purcell: From Silent Shades

Henry Purcell's  From silent shades (1680). From Purcell Society Edition Vol. 25 (Secular songs for solo voice). Edited by Margaret Laurie (1985) for Solo Voice, Continuo and Harpsichord accompaniment.

Great Choruses From Great Oratorios

Brought together for the first time, a comprehensive collection of choruses from the best loved sacred musical works newly engraved in recent editions from the historic Novello series of vocal scores. Includes Dona Nobis Pacem (Haydn), Lauda Jerusalem (Monterverdi) and In Paradisum (Faure). Selected with introductory notes by Brian Kay.

Musgrave: From Spring To Spring for Solo Marimba

Musgrave from Spring to Spring for solo Marimba.

W.A. Mozart: Songs From Figaro Book 2 (Soprano)

Songs from Figaro, for Soprano. Edited by Alberto Randegger.

Peter Dickinson: Lullaby From 'The Unicorns'

The Unicorns is a suite for brass band and soprano voice completed in 1982 to a commission from Solna Brass of Sweden. The story called the Unicorns is by the poet John Heath Stubbs. This is the lullaby from The Unicorns, now arranged for both Oboe and Clarinet.

Henry Purcell: From Hardy Climes (A Royal Welcome Song)

Henry Purcell's From Hardy Climes (A Royal Welcome Song)  From the Purcell Society Edition Volume 15: Royal Welcome Songs Part I. Edited by Bruce Wood (2000).

Henry Purcell: From Hardy Climes (Full Score)

Purcell 'From Hardy Climes' arranged for SATB soli, SATB chorus, Strings, Harpsichord, and Continuo.

Gustav Holst: Tears, Idle Tears From 'Songs From The Princess' for SSAA

The intertwining of women’s voices in Gustav Holst ’s Tears, Idle Tears will lend an elevated atmosphere to any performance, giving this secular piece an almost sacred character. It was written for a cappella female chorus (SSAA) in 1905 as the 3rd movement of the 5-movement suite ‘Songs From The Princess’, which was based on 5 thematic short poem’s from the British poet Tennyson’s long narrative poem, ‘The Princess’ (1847). Performance time is approximately 2 minutes. As an experienced instrumentalist and orchestra member, English composer, arranger and teacher Gustav Holst understood music from the standpoint of his players and made sure that, however challenging, their parts were always practicable – a compositional characteristic still well received and appreciated by performers and audiences today.

Henry Purcell: From Hardy Climes (A Royal Welcome Song) - Parts

Henry Purcell's From Hardy Climes (A Royal Welcome Song)  From the Purcell Society Edition Volume 15: Royal Welcome Songs Part I. Edited by Bruce Wood (2000).

Little Voices - Songs From Movies (Book/Media)

Little Voices Songs from the Movies presents favourite songs from five major animated movie hits. Specially arranged in two parts for young groups and choirs these much-loved songs make a popular introduction to part-singing for young beginner groups. This book includes piano backing tracks and demonstration audio with children’s voices, available to stream and download online – plus lyric presentations that can be projected on-screen, making it perfect for the classroom. Add to this teaching tips and hints, and Songs from the Movies is the complete teaching package. Most of all, these are the songs that children really want to sing!

Henry Purcell: From Those Serene Rapturous Joys (Parts)

Henry Purcell's From Those Serene Rapturous Joys for SSCtTB soli, SATB chorus, Continuo and Strings. Duration: Approximately 23 minutes.

Joubert: All Wisdom Cometh From The Lord for SA Chorus

John Joubert (b. 1927) is a British composer. Born in Cape Town, he studied at the Royal Academy of Music and has lived and worked in the UK ever since. His compositions span a wide range of genres, from large scale symphonic and operatic works to chamber music and choral miniatures. All Wisdom Cometh From The Lord (Op. 62) was composed in 1969, having been commissioned by Michele Clement for the choir of Queenswood School in Hatfield. It is scored for SA two-part Female Voice Choir with Organ accompaniment. It takes its text from extracts from the first chapter of Ecclesiastes.

English Organ Music Volume Two: From The Reformation To The Restoration: 2

An anthology from four centuries in ten volumes. Edited by Robin Langley.

Henry Purcell: From Those Serene And Rapturous Joys (Full Score)

Henry Purcell's From Those Serene And Rapturous Joys for SSCtTB soli, SATB chorus, Continuo and Strings. Duration: Approximately 23 minutes.

Tarik O'Regan: From Heaven Distilled A Clemency (Triptych)

From Heaven Distilled a Clemency is the third movement of Triptych, a cantata for choir and string orchestra. The aspirational text is underpinned by rhythmically-driving strings, allowing the voices to soar excitedly overheard.

Elgar: Five Unaccompanied Part-songs For TTBB Op.45 From The Greek Anthology

Part-Song for Men's voices. The words from the Greek Anthology translated by Alma Strettell. Includes piano part for rehearsal purposes.

One Hundred Tunes For Harmonisation From The Great Masters

Paul Steinitz. Melodies for harmonisation selected from the works of reputable composers. By studying music critically and by comparing answers with the originals, students will soon learn some of the characteristics that distinguish the harmonic languages of say, Bach and Schubert.

Gustav Holst: Three Movements From The Planets

Gustav Holst (1874-1934) is widely regarded as one of the most original of 20th century composers, and The Planets, composed in 1914-16, established him as a really popular composer. The work, with its vivid sense of invention and use of driving rhythm, is a masterpiece of the 20th century orchestral repertoire. Arthur Wills has transcribed these three movements from The Planets for organ to make a superb set of recital pieces or voluntaries.

John Joubert: Lines From 'the Youth Of Man' for SATB Chorus

The Lines from 'The Youth of Man' is dedicated to the University of Birmingham Motet Choir. Crafted with the composer's usual skill in choral writing, it uses the technique whereby two voice parts often double each other an octave apart. In three continuous sections, it rises to three climaxes, the third of them, which is the biggest, has much subdivision at the words 'Depths of thyself'. These are then repeated as the quietening peroration.

Elgar: Scenes From The Saga Of King Olaf

The plot of Elgar’s King Olaf cantata has been criticized for it lack of cohesion, but the musical settings contain power, majesty, stirring melodies, joyous lyricism and a finale of immense proportion and emotional effect. As a lesser work of a great composer, it certainly bears study. As a work on its own, King Olaf rewards performers and listeners with superb moments. A final a capella Chorus, As Torrents In Summer, is frequently performed on its own.Scenes from the Saga of King Olaf is widely considered to be the best of Elgar’s pre-Enigma compositions. He was commissioned to write this work for the North Staffordshire Music Festival in 1896, and he chose to adapt sections of Longfellow’s Tales of a Wayside Inn with the assistance of his neighbour, the translator H A Acworth. Acworth reduced the length of Longfellow’s twenty-two sections to just eight with added material.

Musgrave: Voices From The Ancient World 3 Flt/Perc (Score and Parts)

1. EOS: The Goddess of the Dawn, who travelled on the winds and sprinkled down dew upon the earth2. PAN: The God of the countryside, of flocks, shepherds and animals, a famous player of the syrinx, or pan pipes, - the shepherd?s pipe.3. BOREAS: The God of the North Wind who had two faces - one facing where he was going, the other from whence he came. He was the male counterpart to Eos. 4. CIRCE: The Enchantress who changed men into beasts. Ulysses was given a sprig from a certain plant by Hermes which allowed him to resist her charms.5. PANDORA: When Pandora was created by Zeus, he ordered all the Gods to endow her with some of their attributes. She was also given a box, but forbidden to open it. Her curiosity about its contents overwhelmed her - she opened it and all the evils of the world flew out. Too late she closed it, but she managed to prevent the escape of Hope.6. SELENE: The Goddess of the Moon who drives across the night sky in her chariot to visit the sleeping Endymion. She was once seduced by Pan.

Granville Bantock: Swing Low, Sweet Chariot (No.2 From 'Ten Negro Spirituals')

Swing Low, Sweet Chariot is arguably the best known Negro spiritual in the world; famous as a worship song, a sports anthem, and a popular melody. It was arranged for unaccompanied Male Voice Choir (TTBB) and Baritone solo, with Piano reduction for rehearsal purposes, in 1932. Sir Granville Bantock (1868-1946) was a British composer, conductor and educator. He channelled his energetic and creative personality into many musical projects, championing the works of Jean Sibelius, founding the City of Birmingham Symphony Orchestra, and composing many splendid classical pieces. Viewed by his contemporaries as out-of-date, his music is now being appreciated as one of the last great contributions from the English Romantic movement.

Gustav Holst: O Swallow Swallow From 'Songs From The Princess' for SSAA

G.F. Handel: March From 'Scipio' (Organ)

In the key of E Flat.

Mozart: From The London Notebook (Score)