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Why Not?

Why Not?

“Why Not?” is the most well-known piece by Dominican Republic pianist/composer Michel Camilo. It appeared for the fist time on his 1984 album record “French Toast”. He re-recorded it in 1985 for the “Why Not?”-album whoich is among his best-selling to date. The song has also been recorded by other artist like the vocal group The Manhattan Transfer. “Why Not?” ia a modern latin-jazz classic and this demaning arrangement for Concert Band captures the featureless and musical challenges of the original piece.

SEK 2026.00
1

Why Not?

Why Not?

“Why Not?” is the most well-known piece by Dominican Republic pianist/composer Michel Camilo. It appeared for the fist time on his 1984 album record “French Toast”. He re-recorded it in 1985 for the “Why Not?”-album whoich is among his best-selling to date. The song has also been recorded by other artist like the vocal group The Manhattan Transfer. “Why Not?” ia a modern latin-jazz classic and this demaning arrangement for Brass Band captures the featureless and musical challenges of the original piece.

SEK 1610.00
1

Me and Mrs. Jones

Me and Mrs. Jones

Me and Mrs. Jones was written by Kenny Gamble, Leon Huff and Cary Gilbert in 1972, and was first recorded by Billy Paul on the album 360 Degrees of Billy Paul. The song is about a man who has an affair with Mrs. Jones, and how the two secretly meet every day in the same cafe, even though they may know it's not quite right: "We got a thing going on/we both know that it's wrong/but it's much too strong/to let it go now." Paul has stated that he was sure the song was going to be a hit even before it was released, as "it's a song everyone can relate to", but already from the start the lyrics were considered somewhat controversial and the song were banned from several radio stations. Nevertheless, it became one of the best-selling singles of 1972 and Paul received a Grammy for Best Male R&B Vocal Performance. Well known is also Michael Bublé's version of the song, released on the album Call Me Irresponsible in 2007. It is his version that has been the inspiration for this arrangement, which brings out even more of the jazz elements Bublé has found in the song. The arrangement is quite demanding for the ensemble, and requires great rhythmic precision in particular.

SEK 1625.00
1

Eggum

Eggum

The Norwegian vocalist, guitarist and songwriter Jan Eggum is regarded as one of our most important musicians in the Norwegian folk art and popular music. He recorded his debut album "Jan Eggum" in 1975 and is since then recognized as a "cheerful melancholic". This medley include three of his best and most famous songs: «De skulle begrave en konge stor» (1979), «Mor jeg vil tilbake» (1990) and «På’an igjen» (1997). This arrangement was commissioned by Jernbanens Musikkorps in Oslo with support from NOPA (Norwegian Society of Composers and Lyricists). The durata of this arrangement is approx. 8 minutes. For a shorter version, it's facilliated to omit one orseveral repeats.

SEK 2130.00
1

Quando, Quando, Quando

Quando, Quando, Quando

The song was originally with Italian lyrics, recorded by Tony Renis and Emilio Pericoli in 1962. American entertainer Pat Boone recorded the song the same year, with English lyrics; “Tell Me When Will You Be Mine”. The song is one of the best-selling singles of all time. It has been used by many artists and in many different arrangements, including Engelbert Humperdinck in 1968, Connie Francis in 1963, Michael Bublé in 2005. "Quando, Quando, Quando" is arranged in a samba rhythm style, and gives an opportunity to add some Latin hand percussion to the group, such as Chocalho (shaker), Cabasa, Tamborim (Hand Drum), Agogo bells, etc.

SEK 972.00
1

Eggum

Eggum

The Norwegian vocalist, guitarist and songwriter Jan Eggum is regarded as one of our most important musicians in the Norwegian folk art and popular music. He recorded his debut album "Jan Eggum" in 1975 and is since then recognized as a "cheerful melancholic". This medley include three of his best and most famous songs: «De skulle begrave en konge stor» (1979), «Mor jeg vil tilbake» (1990) and «På’an igjen» (1997). This arrangement was commissioned by Jernbanens Musikkorps in Oslo with support from NOPA (Norwegian Society of Composers and Lyricists). The durata of this arrangement is approx. 8 minutes. For a shorter version, it's facilliated to omit one orseveral repeats.

SEK 1803.00
1

Flåklypa åpningstema : Pinchcliffe Opening Theme

Flåklypa åpningstema : Pinchcliffe Opening Theme

With music to both the “Olsenbanden” movies and “Pinchcliffe Grand Prix”, one would almost believe that Bent Fabricius-Bjerre was a Norwegian. But the Danish film and TV composer has a very large production and won a Grammy with “Alley Cat” in 1962. Other well-known series he has written music for are the “Matador”, “The Clown” and “The House at Christianshavn”. This arrangement is built on the recording of “Pinchcliffe Grand Prix”, but expanded with a short solo section. This may well be improvised. Please be free to choose and instrumentation that sounds the best for your ensemble. Saxophones can often strengthen the voices you need to bring forth.

SEK 972.00
1

California Dreamin'

California Dreamin'

This is really one of the great evergreens and of course on the "Rolling Stones" list of the 100 best songs of all time. But it would take over 50 years before it reached the top of Billboard's list with a "dance" version made by Freischwimmer (2016). In 1965, it was recorded by Barry McGuire and with "The Mamas and The Papas" members as a backing group, but it was only when they recorded it themselves that the first success came through. It has since lived in a number of recordings ranging from Jazz to Country and has also been song tracks in a lot of movies. Use your imagination and utilize the instruments you have, to make a varied performance.

SEK 972.00
1

I Remember Clifford

I Remember Clifford

Clifford Brown was a very promising trumpeter who played with the best ones when he was killed in a car accident only 25 years old. Benny Golson (tenor saxophone) played with him in Lionel Hampton's band, and wrote this melody as a tribute to his colleague. The original was recorded by Donald Byrd in 1957. The melody was quickly picked up and recorded by a myriad of musicians and eventually lyrics was added. This varies a bit from recording to recording. This arrangement is based on the ability to use both vocal and instrumentalists as soloists. There are two different graded written solos for instrumentalists, or they can play the melody and improvise on therepetition. It is important that the conductor make the shure that the balance in the accompaniment is good. Stylistically, eighths are initially played even, while there is a slight swing feeling in drums. Solo Options: Vokal Eb-Instruments grade 3 Eb-Instruments grade 4 Bb-Instruments grade 3 Bb-Instruments grade 4

SEK 1492.00
1