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Basic Blues Harmonica Method

Basic Blues Harmonica Method

Section 1 - Harmonica NotationHarmonica Note Spread and Note identification on the StaffSection 2 - Rhythm TrainingStaff Identification and Note Duration Identification - Track 4Section 3 - Holding the HarmonicaAcoustic Cup (Pictures A - F) - Track 5Amplified Cup (Pictures G - H) and Amplifier and Microphone ChoiceSection 4 - Embouchure - Track 7Section 5 - Getting StartedMovement exercises - Track 6Middle Octave C Major Scale - Track 7 and All Chords in a Major Key - Track 7Entire C Major Scale - Track 8 and 1st Position Playing examples -Track 9Section 6 - 2nd Position12 Bar Blues - Track 10 and Harmonica Note Spread Including BendsCross Harp Scale - Track 1112 Bar Jams (#1 - #4) - Track 12Articulations (GA and TA) - Track 13Articulation exercises - Track 1412 Bar Jams (#5 - #7) - Tracks -(15 - 17)Two Hole Shake - Track 18Two Hole Shake examples - Track 18The Dip Bend - Track 1912 Bar Jams (#8 - #9) - Tracks (20 - 21)High - end Playing - Track 2212 Bar Jams (#10 - #17) - Tracks (23 - 27)Section 7 - 3rd PositionDraw Harp Scale - Track 28The Laughing Vibrato - Track 2912 Bar Jams (#18 - #20) - Tracks (30 - 32)Section 8 -Tongue BlockingPull - Track 3312 Bar Jams (#21 - #23) - Tracks (34 - 37)Single Hole Tongue Block and Tongue Slap - Track 38Embouchure Switching - Track 3912 Bar Jams (#24 - #25) - Track 39The Pull (Tongue Block) - Track 4012 Bar Jam #26 -Track 41Four Hole Octaves - Track 4212 Bar Jams (#27 - #28) - Tracks (43 - 44)Articulation Within the Octave12 Bar Jam #29 - Track 45The Most Common Natural Scales and Note Spread Review - Track 46Recommended Artists to Study - Track 4712 Bar Jam #30 (A Harmonica, 2nd Position) - Track 48

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