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The Ultimate Heavy Metal Bass Book

Foundations Of Rock - Guitar Riffs In The Style Of The 80s And 90s

Extreme Drumset Solos for Recitals, Contests and Fun

Bass Styles Made Easy

Kelly Simonz: Transcendental Guitar Shredding (Book/Online Audio)

Stacy Phillips: Fiddle Tunes For Beginning Cello (Book/Online Audio)

Fiddle Tunes for Beginning Cello

Advanced Lead Guitar Concepts

Advanced Lead Guitar Concepts

From his prolific solo work as a Producer, Writer, Video Game Music Composer and Author, to his prominent memberships in many influential hard rock and metal groups, Joshua Craig Podolsky of THE ALIEN BLAKK has displayed one of the most fiery creative personas and influential approaches to lead guitar playing ever. Joshua has continually affirmed his stance in the upper echelon of contemporary super guitarists with accolades that include his work with Rob Halford of Judas Priest, Xzibit, Motograter, Christina Aguilera, Coolio, Dr. Dre, Mark Hamill as well as members of Metallica, Megadeth, Fear Factory, Testament, KISS, White Zombie, Whitesnake, CKY, Flotsam & Jetsam, Soulfly, Fight, Methods Of Mayhem, Black Dahlia Murder, Death and Cypress Hill to name a few. Equally attention-grabbing are Joshua?s incendiary chops, technique, personality on guitar and his proven teaching style (focused on in Advanced Lead Guitar Concepts). Joshua walks the walk and talks the talk and proves himself and his theologies and mindset with every live performance, clinic, guitar lesson or lecture he gives. Advanced Lead Guitar Concepts: Mindset & Theologies in Improvisation will affirm any player with an advanced background in music that there is farther for you to go. You can get to that next breakthrough level in your guitar playing. This new method and approach of personal self discovery on the guitar will let you achieve that personal and very important goal. This is a brand new way and in a way, a reinvention of the wheel in discovery of lead guitar that you have never before thought of. Advanced lead Guitar Concepts is a book/CD/DVD set that is a must own tool for the modern day contemporary rock, metal and shred guitar enthusiast alike.

SEK 356.00
1

Quiero Tocar La Bateria

Quiero Tocar La Bateria

Quiero Tocar La Bateria by Victor M. Barba is a fantastic book for the drums. From a simple hi-hat to a full rock beat, this book explains how to play the drums in a very simple and easy to understand way. The rhythms, beats and patterns comes with nice drum graphics, showing where to play, and as you listen to the included CD you'll find this book is a simple yet powerful tool for learning how to play the drums. It features many beats and rhythms for rock, ballads, garage, hip-hop, funk, reggae, motown, heavy metal, country, jazz and latin jazz. At the end of the book it has a summary of all the rhythms for easy review. "Quier Tocar La Bateria" is a must have book from the series of Easy Music School and Mel Bay Publications! Companion CD of examples included. Quiero Tocar La Bateria, del reconocido autor Victor M. Barba es un libro para bateria fantastico y único. Desde un ritmo sencillito en el contra, hasta un redoble de rock. En éste libro te explicamos como puedes tocar la bateria de una forma sencilla y simple, sin tantas complicaciones y cosas dificiles de leer y entender. Viene con una grafica bin clara de donde debes de tocar, y como trae el CD para que escuches los ejemplos, podras tocar los ritmos rapidamente. "Quiero Tocar La Bateria" trae ritmos como; rock, cumbia, salsa, cha cha cha, merengue, grupero, tex-mex, jazz latino, bosa-nova, heavy metal, country, raggae, norteño, rancheritas, disco, rock and roll y hasta vallenato. Por eso "Quiero Tocar La Bateria" sera tu mejor aliado para aprender a tocar este maravilloso instrumento. De la serie de libros de Easy Music School, y Mel Bay Publications! Viene con el CD de todos los ritmos.

SEK 217.00
1

Scale Studies for Bass

Banjo Method

Frank Bradbury: Mel Bay's Banjo Method - C Tuning Concert Style

Aquiles Priester: Aquiles Priester's Top 100 Drum Fills Score Book (Book/Online Audio)

Aquiles Priester: Aquiles Priester's Top 100 Drum Fills Score Book (Book/Online Audio)

Usually, books become movies. The history of the seventh art is so filled with examples that it is not worth citing one specific movie. That is the natural order of things. But what when this natural order is inverted and the movie becomes a book? That is what happened with drummer Aquiles Priester . After releasing two videos where he shows his unbeatable technique, in 2013 he released "Aquiles Priester's Top 100 Drum Fills" , a selection of fills that he recorded with the various bands he played in. So, during the recording other fills were created and, as they were interesting ideas, they ended up being included in the package. This resulted in 150 fills, 100 of which were selected for the video - 25 ended up being included as bonus tracks, including themes with Hangar, Tony MacAlpine and Midas Fate . Like everything else he does, success was immediate. The video was voted "Best Educational DVD of The Year" by the renowned North-American magazine Modern Drummer, another feat for a musician used to accumulating similar feats. Now "Aquiles Priester's Top 100 Drum Fills" has just become a book. "Many people asked me for the scores of the fills shown in the video," says Aquiles , "and as I had almost everything written down, I decided to make their lives easier." It is another release by a musician used to breaking barriers as in 2011, when he became the only Drummer in Brazilian history to enter the ranking of Modern Drummer magazine as 5th best prog metal Drummer of the world, next to names like Neil Peart, Mike Portnoy, Gavin Harrison and Marco Minnemann. In 2015 Aquiles was once more nominated to take part of another poll and was elected best drummer in the "hard rock" category by the North-American magazine Drum!. More than that, he was also the first Brazilian drummer to have signature instruments released by manufacturers such as Paiste, Pro-Mark and Mapex, besides having built a solid international career accompanying renowned musicians such as Tony MacAlpine and Vinnie Moore and being part of one of the biggest revelations of Brazilian metal in the last ten years, the band Noturnall. Includes access to online audio.

SEK 274.00
1

Electric Bass for the Young Beginner

First Lessons Tin Whistle

First Lessons Tin Whistle

Here are 30 easy-to-play Christmas favorites arranged for tin whistle (also known as pennywhistle) and Irish ute. Chords are included for guitar, keyboard, or other accompaniment instrument. Also included with this book: • Access to audio downloads for all 30 songs, with tin whistle, Irish ute and guitar • Three duet arrangements If you don’t read music, you can still use this book! In addition to music notation, there is a specially-designed tablature for tin whistle and Irish ute. What makes these tune arrangements easy? • They are played in the lower two octaves of the whistle and ute’s range, ascending no higher than B in the second octave. • They are in easy tin whistle and Irish ute keys: D major, G major, E minor and B minor. No metal keys are needed on the Irish ute. • They use only eight notes: D, E, F , G, A, B, C and C . • They are also easy to play on soprano and tenor recorder, modern ute and piccolo. The author recommends using a tin whistle in D or a standard Irish ute (with or without keys) with this book. You can also use soprano and tenor recorders, modern ute and piccolo. However, the tablature in this book uses only tin whistle and Irish ute ngerings.Here are 30 easy-to-play Christmas favorites arranged for tin whistle (also known as pennywhistle) and Irish ute. Chords are included for guitar, keyboard, or other accompaniment instrument. Also included with this book: • Access to audio downloads for all 30 songs, with tin whistle, Irish ute and guitar • Three duet arrangements If you don’t read music, you can still use this book! In addition to music notation, there is a specially-designed tablature for tin whistle and Irish ute. What makes these tune arrangements easy? • They are played in the lower two octaves of the whistle and ute’s range, ascending no higher than B in the second octave. • They are in easy tin whistle and Irish ute keys: D major, G major, E minor and B minor. No metal keys are needed on the Irish ute. • They use only eight notes: D, E, F , G, A, B, C and C . • They are also easy to play on soprano and tenor recorder, modern ute and piccolo. The author recommends using a tin whistle in D or a standard Irish ute (with or without keys) with this book. You can also use soprano and tenor recorders, modern ute and piccolo. However, the tablature in this book uses only tin whistle and Irish ute ngerings.

SEK 273.00
1

Legends Of Bottleneck Slide Blues Guitar

Legends Of Bottleneck Slide Blues Guitar

For more than a century, blues guitarists have been pressing bottlenecks, bones, and metal to strings to create exhilarating melodies, propulsive chords and, in their best moments, feelings too deep for words. This collection gathers transcriptions of 27 groundbreaking bottleneck guitar gems from the 1920s through the 1960s. From the beginning, bottleneck guitar and the blues have traveled side by side. In the earliest known description of a blues performer, W.C. Handy recounted seeing someone play this way in 1903. The event occurred late one night in the Tutwiler, Mississippi, train station. “A lean, loose-jointed Negro had commenced plunking a guitar beside me while I slept,” Handy wrote in his autobiographical Father of the Blues. “His clothes were rags; his feet peeped out of his shoes. His face had on it some of the sadness of the ages. As he played, he pressed a knife on the strings of the guitar in a manner popularized by the Hawaiian guitarists who used steel bars. The effect was unforgettable. His song, too, struck me instantly: ‘Goin’ where the Southern cross the Dog.’ The singer repeated the line three times, ac-companying himself on the guitar with the weirdest music I had ever heard.” This “weird” music Handy described would soon become known as the blues. The artist featured in this collection: Bo Weavil Jackson, Sam Collins, Furry Lewis, Peg Leg Howell, Blind Willie Johnson, Charley Patton. Barbecue Bob, Blind Willie McTell, Kokomo Arnold, Son House, Tampa Red, Lead Belly, Robert Johnson, Black Ace, Bukka White, Muddy Waters and Fred McDowell. Includes access to online audio.

SEK 424.00
1

Jack Hatfield: First Lessons Banjo

Jack Hatfield: First Lessons Banjo

First Lessons on Banjo is an ultra-easy instruction manual for beginning five-string banjo played in the three finger style in G tuning. It can be used by those with no previous experience with the banjo or music of any sort. It is so basic it can be used even by small children. The book features very detailed descriptions of even the most basic aspects such as wearing the picks properly, the correct picking motion, and noting the strings properly. These are aspects that are so basic most manuals skip over them. There are many detailed photos, several from the player's point of view, not from in front of the banjo. First Lessons on Banjo covers the most basic rolls, the Alternating Thumb Roll and two Forward Rolls, plus the three basic chords plus the relative minor chord. All musical examples are presented in tablature, with the melody notes in boldface type so the student knows which notes to emphasize. All arrangements include lyrics, which is very important to the novice who is trying to train the ear to hear the melody among the fill notes. Several tips and suggestions about the proper mental approach are included that will lead to playing by ear and arranging at an earlier stage in the student's development. There are also suggestions about developing the proper mental approach and about speed reading of tablature. These suggestions are not found in any other banjo instruction book. The 'finale' arrangement is Cripple Creek, a popular banjo standard that when mastered, should give the novice a great sense of accomplishment. The accompanying recording includes all tabbed examples, with the rhythm instruments and lead banjo in separate channels. The songs are played at three tempos, the first tempo VERY slow, then a medium tempo version, and finally at performing speed with guitar, mandolin and bass accompaniment. The up- tempo accompanied versions are all together at the end of the recording so it the final tracks be used as a listening recording. This also allows the student to play along with all the more interesting arrangements in sequence without skipping around the recording.

SEK 125.00
1