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Antonín Dvorák: Sonatina For Piano And Violin In G Op.100

Antonín Dvorák: Sonatina For Piano And Violin In G Op.100

Sonatina In G, Op.100  was written in New York in 1893. Scored for Violin and Piano, it comprises four movements: Allegro Risoluto - Larghetto (Indian Lament) - Scherzo and Trio: Molto Vivace - Finale: Allegro . It was intended for the composer’s children, making the simple melodic lines and unadorned harmonies an accessible favourite of many young violinists. A delightful and rewarding piece, it is perfect for any recital. Antonin Dvorak (1841-1904) was best known for his New World Symphony, composed in the short time he spent in America – the rest of his career was spent in his native Bohemia and the rest of Europe.

SEK 208.00
1

Franz Joseph Haydn: Dances and Marches for Piano

Franz Joseph Haydn: Dances and Marches for Piano

With this Urtext edition of easy original dances, minuets and marches by Joseph Haydn, young piano pupils will surely find their way into the extensive piano oeuvre of this great master of Viennese Classical music. In addition, they can also gain valuable experience of the formal world of the Classical era. The fingerings in these dances for piano are by the pianist and experienced pedagogue Klaus Schilde, who has provided fingerings for nearly 100 Henle Urtext editions.

SEK 218.00
1

Johann Sebastian Bach: Six Partitas BWV 825-830

Johann Sebastian Bach: Six Partitas BWV 825-830

Each one of Bach ’s Six Partitas features seven great single movements, predominantly in the sequence: Präludium - Allemande - Courante - Sarabande - [two free dances] - Gigue. These partitas can justifiably be described as Bach ’s “ultimate” cycle of suites. As regards the artistic and manual demands, it goes far beyond its “English” (HN 100) and “French” (HN 71) siblings that are also frequently played. It is no coincidence that Bach only had these six partitas printed (1731), and what is more as “Opus 1".

SEK 180.00
1

Johann Sebastian Bach: English Suites BWV 806-811

Johann Sebastian Bach: English Suites BWV 806-811

Although people might like to think that the “ English Suites ” were composed after the “French Suites” (HN 71), “the temperamental and in part virtuoso flow of these Suites is more characteristic of the musical language of the young Bach ” (from our preface). The kaleidoscopic variety of the six “ English Suites ” is breathtaking. One lifetime is not enough to exhaustively comprehend and penetrate them. We provide the sustainable musical basis for this, in different formats: the complete paperbound volume (HN 100), clothbound (HN 101), divided into Nos. 1–3 (HN 102) and Nos. 4–6 (HN 103).

SEK 208.00
1

Claude Debussy: Piano Trio In G (Urtext Edition)

Claude Debussy: Piano Trio In G (Urtext Edition)

Debussy composed this work in summer 1880 in Fiesole, Italy, when he was 18 years old. At the time he was the musical travelling companion of Nadescha von Meck, Tschaikowsky’s famous patroness. Most of the autograph material was thought to have been lost and was only discovered over 100 years later, in 1982, in the estate of Debussy ’s pupil Maurice Dumesnil. When Henle published the first edition in 1986, the music world welcomed the Trio with open arms. Ensembles rushed to play it, and numerous recordings followed. Although formal conventions prevail, the work displays a melodic freshness as well as inflections and phrases that are typical of Debussy .

SEK 425.00
1

J.S.Bach: English Suites 4-6 BWV 809-811

J.S.Bach: English Suites 4-6 BWV 809-811

Although people might like to think that the “ English Suites ” were composed after the “French Suites” (HN 71), “the temperamental and in part virtuoso flow of these Suites is more characteristic of the musical language of the young Bach ” (from our preface). The kaleidoscopic variety of the six “English” suites is breathtaking. One lifetime is not enough to exhaustively comprehend and penetrate them. We provide the sustainable musical basis for this, in different formats: the complete paperbound volume (HN 100), clothbound (HN 101), divided into Nos. 1–3 (HN 102) and Nos. 4–6 (HN 103) and last but not least in a very good value study edition with the identical musical text (HN 9100).

SEK 154.00
1

J.S.Bach: English Suites BWV 806-811

J.S.Bach: English Suites BWV 806-811

Although people might like to think that the “ English Suites ” were composed after the “French Suites” (HN 71), “the temperamental and in part virtuoso flow of these Suites is more characteristic of the musical language of the young Bach ” (from our preface). The kaleidoscopic variety of the six “English” suites is breathtaking. One lifetime is not enough to exhaustively comprehend and penetrate them. We provide the sustainable musical basis for this, in different formats: the complete paperbound volume (HN 100), clothbound (HN 101), divided into Nos. 1–3 (HN 102) and Nos. 4–6 (HN 103) and last but not least in a very good value study edition with the identical musical text (HN 9100).

SEK 441.00
1

Johannes Brahms: Sonatas for Piano and Violin

Johannes Brahms: Sonatas for Piano and Violin

Johannes Brahms began to manifest a keen interest in the genre of the violin sonata at an early age. In fall 1853 he offered the Leipzig publisher a violin sonata in a minor. The work was turned down, however, and the self-critical Brahms must have destroyed it himself later. He ultimately wrote his three major sonatas during his years of maturity: op. 78 in the summers of 1878/79, opp. 100 and 108 in the summer of 1886. The Scherzo in c minor was Brahms’ contribution to the violin sonata which he composed jointly with Robert Schumann and Albert Dietrich in 1853 as a surprise gift for the violinist Joseph Joachim, and which is known under the name “F. A. E. Sonata.”With its sharp contrasts between the furious Allegro and emotional Più moderato sections, the Scherzo piece is a beloved bravura showcase.

SEK 696.00
1

Franz Schubert: Piano Trios (Henle Urtext Edition)

Franz Schubert: Piano Trios (Henle Urtext Edition)

One needn’t hesitate a second in assigning Schubert’s two piano trios to his best works. Both were written no later than 1827, hence one year before the composer’s death, and are typical works of his maturity: abounding in blissful melodies paired with formative power and profound depths of expressiveness. Whereas Schubert had sold the E flat major Trio op. 100 D 929 to the Leipzig publisher Probst (it appeared just after Schubert’s death, however), the B flat major Trio op. 99 D 898 did not make it to publication during Schubert’s lifetime.The Adagio in E flat major op. post. 148 D 897, which is reproduced in the Appendix and which has become known as Notturno, was mostlikely originally planned as the slow movement of the B flat major Trio. With its expressiveness ascending to darkest despair, Schubert possibly considered it as unsuited for publication. It was not published until 1846, in the Appendix of this volume one will find Schubert’s first attempt in this genre, which he wrote at the age of 15 in summer 1812.

SEK 696.00
1