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Franz Schubert: Complete Dances - Volume II (Henle Urtext Edition)

Henle Urtext Edition Volume II of Franz Schubert's Complete Dances for Piano solo, edited by Paul Mies.

J.S. Bach: Das Wohltemperierte Klavier - Teil II

The world-famous pianist András Schiff, a most familiar name to Bach fans on account of his complete recordings of Bach?s piano works, has provided fingerings for both parts of the Well-Tempered Clavier. He discusses aspects of performance practice in a detailed preface. The basis for the musical text was Henle?s revised edition of Part I published in 1997 and Yo Tomita?s brand new revision of Part II (spring 2007). The eminent Bach scholar Tomita discusses the complicated source situation of Part II in an extensive preface. A detailed commentary rounds off the edition.

J.S. Bach: The Well-Tempered Clavier Part II BWV 870-893 (Edition Without Fingering)

The eminent Bach scholar Tomita discusses the complicated source situation of Part II in an extensive preface. A detailed commentary rounds off the edition. Both parts of the Well-Tempered Clavier are available as Henle Urtext editions without fingerings and as study editions.? The basis for the musical text was Henle?s revised edition of Part I published in 1997 and Yo Tomita?s brand new revision of Part II (spring 2007).

Franz Joseph Haydn: Complete Piano Sonatas, Volume II

Franz Joseph Haydn was a prominent and prolific Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the Piano trio and his contributions to musical form have earned him the epithets "Father of the Symphony" and "Father of the String Quartet". At the time of his death, aged 77, he was one of the most celebrated composers in Europe. Franz Joseph Haydn: Complete Piano Sonatas, Volume II includes 18 sonatas for solo Piano. This Urtext Edition is an authoritative edition with accurate editorial content and as close to the composer's intentions as possible.

J.S. Bach: The Well-Tempered Clavier Part II BWV 870-893 (Henle Urtext Edition)

The Henle Verlag urtext edition of The Well-Tempered Clavier Part II BWV 870-893. Edited by Yo Tomita and with fingerings and notes on execution by Andras Schiff. The Well-Tempered Clavier is a major work, of great breadth and depth and musical, aesthetic, and psychological diversity and complexity. This Urtext edition provides you with an accurate realisation of the composer?s original intentions, with thorough and detailed editorial markings and suggestions.

Wolfgang Amadeus Mozart: Piano Sonata In A Minor KV 310

This dark and tragic sonata in A minor, composed in Paris in 1778, tends to be linked with the death of Mozart’s mother on 3 July 1778. While this of course cannot be ruled out, not a single concrete piece of authentic evidence exists that points to such a connection. Use of a minor tonality as the compositional realization of a personal experience of pain is a sort of interpretation that also falls considerably too short, Mozart’s art is far too multifaceted for it to be pinned so one-dimensionally to his biography. The sole authoritative source for the Urtext edition of this much-loved and much-played sonata is Mozart’s autograph manuscript (which in parts is difficultto decipher), as the first edition published in 1781 (together with K. 309 and 311) is riddled with errors.

Claude Debussy: Piano Works - Volume II (Paperback)

To mark the 150th anniversary of Debussy?s birth in 2012, Henle are proud to present a tribute to his piano solo works in three volumes, available as a paperbound or a clothbound edition. As a publishing house whose main focus is on piano music, it was important for Henle to give a special place to the works of Claude Debussy, the innovator of piano style. Thus since the early 1980s they have steadily been publishing single editions of all of Debussy?s important works for the piano. Henle's editor Ernst-Günter Heinemann has worked closely with the French Debussy scholar François Lesure to present Debussy?s elaborate music in high quality Urtext editions. Beginning with the "Danse bohémienne" from 1880, all of the single works from Henle's catalogue have been drawn together in these three volumes, arranged according to their date of composition. And as a little "encore" Henle have included the Prélude to the cantata "La Damoiselle élue" in volume I. Each of the three volumes contains true highlights for the piano. But the short and lesser known works also offer a glimpse at the modern classical composer Debussy from a different angle. In addition each volume contains a helpful glossary with all of Debussy?s often very vivid performance instructions translated into English and German. Bon anniversaire, Claude Debussy!

Claude Debussy: Piano Works - Volume II (Hardback)

To mark the 150th anniversary of Debussy?s birth in 2012, Henle are proud to present a tribute to his piano solo works in three volumes, available as a paperbound or a clothbound edition. As a publishing house whose main focus is on piano music, it was important for Henle to give a special place to the works of Claude Debussy, the innovator of piano style. Thus since the early 1980s they have steadily been publishing single editions of all of Debussy?s important works for the piano. Henle's editor Ernst-Günter Heinemann has worked closely with the French Debussy scholar François Lesure to present Debussy?s elaborate music in high quality Urtext editions. Beginning with the "Danse bohémienne" from 1880, all of the single works from Henle's catalogue have been drawn together in these three volumes, arranged according to their date of composition. And as a little "encore" Henle have included the Prélude to the cantata "La Damoiselle élue" in volume I. Each of the three volumes contains true highlights for the piano. But the short and lesser known works also offer a glimpse at the modern classical composer Debussy from a different angle. In addition each volume contains a helpful glossary with all of Debussy?s often very vivid performance instructions translated into English and German. Bon anniversaire, Claude Debussy!

Bohmische Violinsonaten II (Urtext)

The names of the composers included here read like a “Who is Who” of the heyday of Bohemian musicians and composers from the 18th and beginning of the 19th century. They include F. Benda, J. Stamitz, J. L. Dussek and J. B. Vanhal, in their time names that were known throughout Europe, and who predominantly worked at noteworthy courts in different countries. Today their music is largely overshadowed by that of Haydn, Mozart and Beethoven. Yet the Bohemians particularly excelled as far as the Violin sonata was concerned. Our two volume edition will provide the curious (and indeed already quite advanced) violinist with a colourful bouquet of worthwhile discoveries.

Beethoven: Piano Trios - Volume II

In the classical era, and far into the 19th century, piano trios were what we might call “fashion accessories”. It is thus no coincidence that Beethoven, following in the footsteps of Haydn and Mozart, took up this genre and created altogether 13 piano trios of his own. This second volume contains the two Piano Trios op. 70 and the Trio op. 97, as well as the Variations on the song “Ich bin der Schneider Kakadu” op. 121a. The nickname “Geistertrio” (Ghost Trio) of the Trio op. 70 no. 1 stems, as usual, not from Beethoven but was given to the piece no doubt because of the spooky, mysterious sound of the slow movement. The Archduke Trio op. 97 was named after its dedicateeArchduke Rudolph and is undisputedly Beethoven’s most important composition of this kind. With a duration of over 45 minutes, it is also his longest piano trio. Though written in 1810/11, it was not published until 1816.

Beethoven Pf Sonatas, Vol Ii

Beethoven: Piano Sonatas - Volume II

The clothbound Urtext edition.

Flute Music II Baroque Period

The second volume of our collection describes the road from the Baroque to Classicism. Along with sonatas with independent piano parts, composers continued to cultivate the sonata with thoroughbass accompaniment. However, this is the period in which melodies were gradually transformed from Baroque rhetoric to classical symmetry. The two sonatas by Johann Baptist Vanhal printed here represent both the earlier and later varieties. While the first appears in a Baroque guise, the second offers dynamic markings and differentiations in tempo and expression signs of the new path that can be followed using the treasure trove contained in this Urtext edition.

W.A. Mozart: Piano Sonatas Volume II

When Günter Henle founded his Urtext publishing house in 1948, he opened his catalogue with our two-volume edition of Mozart’s complete piano sonatas, these still bear the publisher’s numbers HN 1 and HN 2. The four-digit order numbers HN 9001 and 9002 merely designate the reduced-sized pocket scores of these larger reference editions, and are textually exactly the same. Naturally, both Mozart volumes (large and small) have been revised many times over the years, enabling G. Henle Verlag, unlike other music publishers, to guarantee that they offer a musical text that reflects the most current state of research. Mozart’s autograph manuscript survives for many of the sonatas, andfor some works the composer lightly revised and enriched his text before printing, which is why the Henle Urtext edition reproduces both versions in such cases. The editor’s preface and Critical Commentary provide detailed information about all sources and textual issues.

Sonatinas For Piano Volume II Classical

Through the amiable genre of the sonatina, generations of piano pupils have slowly and cautiously approached its “big sister”, the sonata. With the aid of our three-volume selection of sonatinas from two centuries, intermediate piano pupils large and small can undertake an excursion through the development of piano music from the early 18th to the end of the 19th century. This second volume contains 21 sonatinas from the classical period by composers such as Clementi, Diabelli, Haydn, Kuhlau and Pleyel. Rhythmic elegance and melodic charm on the one hand, and Alberti basses and sometimes simple melodic structures on the other, are typical of the sonatinas of this era. Ourcollection offers a representative selection. Simple pieces at the beginning provide a way in, then the sonatinas follow in chronological order. A large body of literature for piano lessons!

Franz Schubert: Klaviersonaten Band II (Urtext)

Franz Joseph Haydn: Streichtrios Heft II

Joseph Haydn composed twenty-one string trios for two violins and violoncello, of which three have been lost. These chamber music gems, which do not turn up very often on concert programs, are full of surprises and provide much playing enjoyment. Based on the Haydn Complete Edition, also published by G. Henle, Haydn’s eighteen surviving string trios are presented in two practical volumes. The second contains Trios Hob. V:15 21. The Critical Report provides valuable information about the trios’ genesis and sources.

Ludwig Van Beethoven: Klaviersonaten Band II (Urtext)

Beethoven ’s 32 Piano Sonatas are often referred to as the “New Testament of Music” (Hans von Bülow). Since the publication of our complete edition in two volumes, experts have praised it as being the most reliable Urtext edition. Its contents: an almost inexhaustible wealth of pianistic, musical flights of inspiration, predominantly high profile works – the Sonatas “ Pathétique ”, “ Moonlight ”, “ Storm ”, “ Appassionata ”, “ Waldstein ”, “ Hammerklavier ”. Even if one will never (be able) to play them all, the acquisition of the “New Testament” is always worthwhile, whether clothbound, paperbound or as a study edition in Henle Urtext.

Wolfgang Amadeus Mozart: Streichquintette Band II (Urtext)

Mozart has written a total of 6 quintets for 2 violins, 2 violas and a cello, and here are 3 of them. Parts available on HN778.

Ludwig Van Beethoven: Piano Sonatas, Volume II

Ludwig Van Beethoven 's 32 Piano Sonatas were described by the German conductor and virtuoso pianist Hans von Bülow as “Music’s New Testament”. Since its first release, Henle’s complete two-volume edition (HN32 and HN34) has been valued by specialists as the most dependable Urtext and belongs in every pianist’s library. It contains an inexhaustible treasure of pianistic and musical mastery, setting technically challenging works with a high level of name-recognition, such as the “Pathétique”, “Moonlight”, “Tempest”, “Waldstein”, “Appassionata” and “Hammerklavier” sonatas, alongside other, less difficult works. Henle's two original editions, HN32 and HN34, include Conrad Hansen’s much-admired fingerings. For those who want an Urtext edition without the fingerings they are now releasing HN1032 and HN1034.

Wolfgang Amadeus Mozart: Streichquintette Band II (Urtext)

Mozart has written a total of six quintets for 2 Violins, 2 Violas and Cello, and here are 3 of them in authoritative Urtext format: String Quintet in C K.515, String Quintet in G minor K.516 and String Quintet in C minor K.406 (516b). Score available on HN9778.

Wolfgang Amadeus Mozart: Piano Sonatas, Volume II

Published in a two-volume edition (HN1 and HN2), Wolfgang Amadeus Mozart 's 18 Piano Sonatas were the very first pieces in the Henle catalogue. These popular sonatas remain part of the core repertory of every pianist. In the intervening decades since the release of the original Urtext edition, both volumes have been revised several times in order to keep pace with the current state of research. The latest update, concerning K. 331, the “Alla turca” sonata from volume 2, dates from 2015. The editor’s preface and critical report provide detailed information on all the sources and textual issues. HN1 and HN2 include fingerings; here Henle presents both volumes without fingerings, for pianists who want to find their own way into Mozart ’s Piano universe.

Domenico Scarlatti: Selected Piano Sonatas - Volume II

Domenico Scarlatti is today considered as one of music history’s great piano composers, and the first-ever piano virtuoso. The present collection contains 24 sonatas from various creative periods, offering a survey of the rich and varied output of this Italian who worked at the Spanish court. Scarlatti triumphed over the heavy Baroque style with his characterful themes, natural cantabile melodies, and dance-like movements. The performance-technical moment is a formally constitutive element within his one-movement sonatas. For the first time in the history of piano music, the interpreter must cross the hands and master wide leaps. Renowned pianist Bengt Johnsson provides informationon Scarlatti’s life and career, as well as on the various sources on which this edition is based, in his preface. A few sonatas appear in print here for the first time. An additional “bon-bon” is the reprint of a preface to the edition of 30 of Scarlatti’s piano sonatas published in 1738. Absorbing reading for all who wish to acquire a deeper understanding of Scarlatti’s piano music.

Ludwig van Beethoven: Piano Trios, Volume II

Beethoven Pf Concertos Ii No 4 & 5