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Franz Joseph Haydn: Concerto for Piano (Harpsichord) and Orchestra F major Hob. XVIII:3

Franz Joseph Haydn: Concerto for Piano (Harpsichord) and Orchestra F major Hob. XVIII:3

This volume completes Henle's urtext series of Joseph Haydn's three piano concertos. Written in or around 1765, the delightful first concerto is ideally suited for playing at home, for the relatively undemanding part for piano (orharpsichord) is accompanied merely by a string quartet. This edition draws on the musical text in our complete edition of Haydn's works, guaranteeing an urtext of the finest quality.

SEK 107.00
1

Franz Joseph Haydn: Concerto for Piano (Harpsichord) and Orchestra F major Hob. XVIII:3

Franz Joseph Haydn: Concerto for Piano (Harpsichord) and Orchestra F major Hob. XVIII:3

This volume completes Henle's urtext series of Joseph Haydn's three piano concertos. Written in or around 1765, the delightful first concerto is ideally suited for playing at home, for the relatively undemanding part for piano (orharpsichord) is accompanied merely by a string quartet. This edition draws on the musical text in our complete edition of Haydn's works, guaranteeing an urtext of the finest quality.

SEK 107.00
1

Franz Joseph Haydn: Concerto for Piano (Harpsichord) and Orchestra F major Hob. XVIII:3

Franz Joseph Haydn: Concerto for Piano (Harpsichord) and Orchestra F major Hob. XVIII:3

This volume completes Henle's urtext series of Joseph Haydn 's three Piano concertos. Written in or around 1765, the delightful first Concerto is ideally suited for playing at home, for the relatively undemanding part for Piano (or Harpsichord) is accompanied merely by a String quartet. This edition draws on the musical text in our complete edition of Haydn 's works, guaranteeing an urtext of the finest quality.

SEK 611.00
1

Franz Joseph Haydn: Concerto for Piano (Harpsichord) and Orchestra F major Hob. XVIII:3

Franz Joseph Haydn: Concerto for Piano (Harpsichord) and Orchestra F major Hob. XVIII:3

This volume completes Henle's urtext series of Joseph Haydn's three piano concertos. Written in or around 1765, the delightful first concerto is ideally suited for playing at home, for the relatively undemanding part for piano (orharpsichord) is accompanied merely by a string quartet. This edition draws on the musical text in our complete edition of Haydn's works, guaranteeing an urtext of the finest quality.

SEK 107.00
1

Franz Joseph Haydn: Concerto for Piano (Harpsichord) and Orchestra F major Hob. XVIII:3

Franz Joseph Haydn: Concerto for Piano (Harpsichord) and Orchestra F major Hob. XVIII:3

This volume completes Henle's urtext series of Joseph Haydn's three piano concertos. Written in or around 1765, the delightful first concerto is ideally suited for playing at home, for the relatively undemanding part for piano (orharpsichord) is accompanied merely by a string quartet. This edition draws on the musical text in our complete edition of Haydn's works, guaranteeing an urtext of the finest quality.

SEK 107.00
1

Isaac Albéniz: España Op.165 (Urtext Edition)

Isaac Albéniz: España Op.165 (Urtext Edition)

When the Catalan composer Albéniz wrote his six album leaves España at the age of 30, he was in London and his Piano recitals were causing a sensation. At these concerts he often performed his own compositions which were infused with the flair of his home country.Albéniz also gave the first performance of the Piano cycle España in London, taking his audience on a journey through the Spanish countryside: exotic dance rhythms ("Zortzico") and melodic folk tunes ("Serenata") are preceded by the famous "Tango", made known through many arrangements.

SEK 245.00
1

Bedrich Smetana: Aus Der Heimat - Zwei Duette Fur Violine Und Klavier

Bedrich Smetana: Aus Der Heimat - Zwei Duette Fur Violine Und Klavier

“They are in a light style, intended more for use in the home than for concert performance”. Thus Smetana described these two duets in which he memorialised his Bohemian homeland. It is a fact, though scarcely believable, that Smetana had by this time already been deaf for two years. The pieces were popular from the outset: Smetana was able to demand a high price for them, and even to play off several aspiring publishers against each other. The duets are not technically over-demanding, and attract by means of their joyful character and powerful melodies.

SEK 271.00
1

Joseph Haydn: Six Divertimenti For Violin (Flute), Violin And Violoncello Hob. IV:6*-11* - Henle Urtext Study Score

Joseph Haydn: Six Divertimenti For Violin (Flute), Violin And Violoncello Hob. IV:6*-11* - Henle Urtext Study Score

Though not nearly as well-known as the "London Trios," these six delightful divertimentos are Haydn's first pieces of chamber music to expressly call for the flute. Straightforward and full of Haydn's esprit, they are a treasure trove for all lovers of music-making in the home. The stylistic variety of these cheerful pièces d'occasion surely reflects the fact that they are partly based on earlier models: Haydn's baryton trios as well as arias and other items from his opera "Il mondo della luna" ("The World on the Moon").

SEK 234.00
1

Franz Joseph Haydn: Six Divertimenti For Violin (Flute), Violin And Violoncello Hob. IV:6*-11* - Henle Urtext Parts

Franz Joseph Haydn: Six Divertimenti For Violin (Flute), Violin And Violoncello Hob. IV:6*-11* - Henle Urtext Parts

Though not nearly as well-known as the "London Trios," these six delightful divertimentos are Haydn's first pieces of chamber music to expressly call for the flute. Straightforward and full of Haydn's esprit, they are a treasure trove for all lovers of music-making in the home. The stylistic variety of these cheerful pièces d'occasion surely reflects the fact that they are partly based on earlier models: Haydn's baryton trios as well as arias and other items from his opera "Il mondo della luna" ("The World on the Moon").

SEK 457.00
1

J. S. Bach: Capriccio Sopra La Lontananza Del Fratro Dilettissimo In B Flat BWV 992

J. S. Bach: Capriccio Sopra La Lontananza Del Fratro Dilettissimo In B Flat BWV 992

J. S. Bach composed his Capriccio Sopra La Lontananza Del Suo Fratello Dilettissimo (Capriccio On The Departure Of A Beloved Brother) in the early years of his career. It is rumored that the piece was written and performed by a nineteen-year-old Bach on the occasion of his brother Johann Jacob leaving home to become an oboist in the army of Charles XII in Sweden. The work is possibly modeled on the Biblical Sonatas of Johann Kuhnau. This Henle Urtext Edition for solo Piano has been edited by Georg von Dadelsen and includes fingering by Hans-Martin Theopold.

SEK 133.00
1

J. S. Bach: Capriccio Sopra La Lontananza Del Fratro Dilettissimo In B Flat BWV 992

J. S. Bach: Capriccio Sopra La Lontananza Del Fratro Dilettissimo In B Flat BWV 992

J. S. Bach composed his Capriccio Sopra La Lontananza Del Suo Fratello Dilettissimo (Capriccio On The Departure Of A Beloved Brother) in the early years of his career. It is rumored that the piece was written and performed by a nineteen-year-old Bach on the occasion of his brother Johann Jacob leaving home to become an oboist in the army of Charles XII in Sweden. The work is possibly modeled on the Biblical Sonatas of Johann Kuhnau. This Henle Urtext Edition for solo Piano has been edited by Georg von Dadelsen and does not include fingering.

SEK 133.00
1

Robert Schumann: 3 Fantasy Pieces op. 111

Robert Schumann: 3 Fantasy Pieces op. 111

Following Schumann’s move to the Rhine, where he had become the musical director of the Düsseldorf Music Society, times became hard for him. Despite several initial successes, he increasingly encountered resistance from notabilities, musicians and the public. He thus worked all the more intensively at home on his new works. “R. has composed three piano pieces of a very serious, passionate character, which greatly please me”, Clara Schumann wrote in her diary in September 1851. Our edition of these “Fantasy Pieces”, which display a certain affinity with the Romances op. 28, has been thoroughly revised and an informative preface has been added.?

SEK 128.00
1

Franz Xaver Mozart: Rondo In E Minor For Flute And Piano

Franz Xaver Mozart: Rondo In E Minor For Flute And Piano

Franz Xaver Wolfgang Mozart did not have an easy time of it ? throughout his life his compositions were always compared to those of his father. It is only recently that he has slowly begun to come into his own. His works have their very own individual sound that already forges a link with Romanticism.The specialist Karsten Nottelmann has edited Urtext editions of all of Franz Xaver?s piano works for Henle publishers, and now he is continuing with the Rondo for Flute and Piano. Flautists greatly value this melodious work that is very suitable for teaching purposes and music at home.

SEK 202.00
1

Robert Schumann: Five Pieces In Folk Style Op.102 - Cello Version

Robert Schumann: Five Pieces In Folk Style Op.102 - Cello Version

Although Schumann had learnt the cello for a while in his youth, he only began to compose for this instrument in later life. Apart from the cello concerto, only his Five Pieces op. 102 have survived as original works for the cello. Clara was delighted with them: "These are pieces in folk style with such a freshness and originality that I was enchanted". The "Neue Zeitschrift für Musik" wrote: "These pieces are less apt for a virtuoso player than a well versed one who can speak on his instrument with tone and meaning." This edition, in the best Urtext quality, is particularly to be recommended for teaching purposes and for making music at home.

SEK 250.00
1

Antonín Dvorák: String Quartet F Op. 96 (American Quartet)

Antonín Dvorák: String Quartet F Op. 96 (American Quartet)

After a twelve-year interval, Dvořák once again turned his attention to the String Quartet in summer 1893. He had been musical director in New York since autumn 1892 and spent the summer in Spillville (Iowa) where a group of Czech immigrants had settled, thus making him feel at home. The beautiful natural surroundings led him to write this unconventional String Quartet in the tradition of Beethoven’s “Pastoral” – even down to the imitation of birdcalls. Since the first performances, certain rhythmic and melodic characteristics have been traced back to the influences of the folk music of Native Americans and African Americans, which led to the soon popular work being called the “American Quartet”. For the first time since 1955, the Quartet is once again being published in an Urtext edition.

SEK 155.00
1

Antonín Dvorák: String Quartet F Op. 96 (American Quartet)

Antonín Dvorák: String Quartet F Op. 96 (American Quartet)

After a twelve-year interval, Dvořák once again turned his attention to the String Quartet in summer 1893. He had been musical director in New York since autumn 1892 and spent the summer in Spillville (Iowa) where a group of Czech immigrants had settled, thus making him feel at home. The beautiful natural surroundings led him to write this unconventional String Quartet in the tradition of Beethoven’s “Pastoral” – even down to the imitation of birdcalls. Since the first performances, certain rhythmic and melodic characteristics have been traced back to the influences of the folk music of Native Americans and African Americans, which led to the soon popular work being called the “ American Quartet ”. For the first time since 1955, the Quartet is once again being published in an Urtext edition.

SEK 234.00
1

Johannes Brahms: Symphonies Nos. 1 and 2 - Piano Four-hands

Johannes Brahms: Symphonies Nos. 1 and 2 - Piano Four-hands

In the 19th century, arrangements for Piano four-hands were usually versions which people played at home if the works could not be heard in concert. In cases such as these Brahms did not, however, just make functional versions but creatively transcribed his works for the piano. As the composer he allowed himself greater freedom than arrangers for publishers did. In this form his arrangements greatly contributed to the success of his works in musical life in the 19th century. It is on account of their creativity that Brahms? arrangements have attracted new interest in musical circles over the last few decades. This Urtext edition of the Symphonies nos. 1 and 2 for piano four hands offers a scholarly musical text following the recently published volume in the Brahms Complete Edition.

SEK 701.00
1

Brahms Trio In A Minor Op114 Piano/Clarinet & Viola/Cello Score/Parts

Brahms Trio In A Minor Op114 Piano/Clarinet & Viola/Cello Score/Parts

Johannes Brahms’s late chamber works are surely among the most splendid music ever written for the clarinet. In the last years of his life, Brahms seems to have become weary of composing – but fortunately for posterity, in 1891 he met the solo clarinettist of the Meiningen court orchestra, Richard Mühlfeld, whose mellifluous art of performance captivated him and inspired him to new works. The Trio op. 114 is melancholy and autumnal in character, and is loved by all clarinettists. It is now available from Henle in a revised edition. Brahms’s manuscript of his op. 114 lies in Munich, the home city of G. Henle Publishers. The musical text follows that of the New Brahms Complete Edition, and thus guarantees the highest degree of precision and reflects the current state of research. The pianist Klaus Schilde has added valuable fingerings to this Urtext edition.

SEK 321.00
1

W.A. Mozart: Piano Sonata In D K.284 (205b) - Urtext

W.A. Mozart: Piano Sonata In D K.284 (205b) - Urtext

The Sonata in D major is the last of the Six Sonatas K. 279?284 that Mozart had in his luggage when he set off for Paris in September 1777. He had already successfully performed this music in Munich, Augsburg and Mannheim, a fact he proudly told his father back at home. He gave the works particularly rich dynamic markings and also found unusual solutions concerning their formal aspect, for instance having a slow Rondeau en Polonaise as the middle movement of the Sonata in D major. The six sonatas, which were previously only published together in the complete volumes (HN 1 and 3), are now all available as single editions with new prefaces. Mozart dedicated this Sonata to a Freiherr Thaddäus von Dürnitz ? which is why it has often been called the Dürnitz-Sonata. It is undoubtedly the best, the most brilliant and the most technically demanding of these six early Sonatas. Understandably, Mozart retained a special affection for it and continued to perform it himself. It was this Sonata of which he said that it sounded incomparable on Stein?s new fortepianos.

SEK 176.00
1