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Johann Pachelbel: Canon And Gigue In D (Henle Urtext)

Johann Pachelbel: Canon And Gigue In D (Henle Urtext)

Johann Pachelbel, born in Nuremberg in 1653, a generation before Bach, is one of Southern Germany?s most important post-Reformation organ composers. His compositions were already widely known at the time. The most popular work today is probably the canon with ensuing gigue in D major. The canon - according to the source ?a 3 Violinis con Basso c.? - is built up over an ostinato bass whose two bar fi gure is repeated a total of 28 times. The following short gigue is also in a strict contrapuntal style. It is not known when the work was composed. As with most of his other chamber music works, Pachelbel might have composed it during his time in Thuringia between 1677 and 1695. This pleasing work is also popular with amateur ensembles.

SEK 271.00
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Gabriel Faure: Sonata No.1 for Violin and Piano in A Major

Gabriel Faure: Sonata No.1 for Violin and Piano in A Major

Fauré composed his Violin sonata in 1875/76 and in so doing opened up a new tradition for this genre in French music. In a review, Saint-Saëns expressed his enthusiasm for this work by his friend and pupil: "In this sonata you can find everything to tempt a gourmet: new forms, excellent modulations, unusual tone colours, and the use of unexpected rhythms. And a magic floats above everything, encompassing the whole work, causing the crowd of usual listeners to accept the unimagined audacity as something quite normal. With this work Monsieur Fauré takes his place amongst the masters."

SEK 340.00
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Max Reger: Variations and Fugue On A Theme By J.S. Bach Op.81 (Henle Urtext Edition)

Max Reger: Variations and Fugue On A Theme By J.S. Bach Op.81 (Henle Urtext Edition)

The variation cycle and the fugue are genres in which Max Reger developed a special mastery. Thus one can speak of Reger’s unique Bach Variations op. 81 as the culmination of his piano oeuvre, offering everything that is typical and characteristic of Reger’s style. No other piano work by this great Bach admirer can measure up to this monumental composition in terms of sheer size and inner weight. Written in Munich in 1904, the Variations are considered challenging to play and difficult to comprehend, but aspiring pianists should not let themselves be deterred by this legend. Behind the complex notation are a clear structure and a wealth of expression. Technical complexity andaesthetics here correlate in an almost classical manner.

SEK 292.00
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W. A. Mozart: Sonata A K331 (Revised Urtext Edition)

W. A. Mozart: Sonata A K331 (Revised Urtext Edition)

A sensational finding provided the impetus for this new edition. In autumn 2014 a hitherto unknown Mozart autograph of the famous Piano Sonata In A Major (with the enduring “Turkish March”) surfaced in Budapest. After a painstaking study of the manuscript and a meticulous comparison with all of the other sources, G. Henle Publishers is now issuing the first definitive Urtext edition of significant parts of this masterpiece (the new autograph does not contain the complete sonata). It must be said that there are serious deviations from the musical text as we know it. So we are proud to be able to say that it is not possible to seriously study this sonata without consulting our Urtext edition.

SEK 115.00
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Beethoven Pf Sonata No28 In A Op101

Beethoven Pf Sonata No28 In A Op101

The Piano Sonata op. 101 marks the transition to Beethoven’s late works. The composer’s increasing deafness was already manifesting itself in such a marked way that he no longer dared to appear publicly as a pianist. In this sonata he experimented with unusual harmonies, broke with form, gave detailed German headings for the movements, and for the first time also used a note so “unheard of” that it was not even on most of the contemporary pianos: the low counter E. The editors have undertaken a thorough revision of our edition and our catalogue now offers a single edition of this sonata.

SEK 133.00
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Franz Schubert: String Quartet A Minor Op. 29 D 804 (Rosamunde)

Franz Schubert: String Quartet A Minor Op. 29 D 804 (Rosamunde)

The quartet in a minor is one of the chamber music works with which Schubert wanted to “pave the way to the great symphony” in spring 1824. At the same time he was paving his way to a wider audience, as the “Rosamunde” Quartet was the first and only string quartet that was not only publicly performed in Schubert’s lifetime but also published in parts. It is fortunate for us that this was the case because the autograph of this much-loved quartet is missing today and the only source for the work is the first edition. And this is precisely where the challenge lies, as the parts exhibit some inaccuracies regarding the articulation and dynamics. They have had to be carefully resolved, something which our new Urtext edition has done in an exemplary fashion. Its name can be traced back to Schubert’s incidental music to the play Rosamunde, which can be heard at the beginning of the Andante. Quite a few people might, however, be reminded of the Impromptu in B flat major op. post. 142 no. 3, in which Schubert later once again took up the beautiful melody.

SEK 234.00
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Franz Schubert: Klaviersonate A-Moll Op. 143 (Urtext)

Franz Schubert: Klaviersonate A-Moll Op. 143 (Urtext)

Franz Schubert’s Piano Sonata op. 143 in a minor was composed in 1823 after his large “Wanderer Fantasy”. With its formal cohesion and mature originality, this a-minor Sonata initiated a new phase in Schubert’s sonata oeuvre. The composer dispensed here with all pianistic brilliance. At the same time, a wealth of colour and of sonorities triumphs in such a manner that the work numbers among Schubert’s most frequently played sonatas. For this Urtext edition, we had at our disposal the composer’s autograph as the authoritative source, the posthumous first edition was consulted only by way of comparison.

SEK 149.00
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Joseph Haydn: The Oratorios - 4 Volumes In A Slipcase

Joseph Haydn: The Oratorios - 4 Volumes In A Slipcase

Hardback Urtext study editions of all Haydn's oratorios, following the musical text in the Haydn Complete Edition, collected together in a slipcase. Aside from the musical text, each volume contains a preface in three languages reflecting the latest in scholarly research and a critical report with key information concerning the sources and textual criticism. These study editions are a feast for the eyes and have been produced with long-term use in mind. All in all a total of almost 2,000 pages of Henle Urtext filled with oratorio artistry.

SEK 1369.00
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W. A. Mozart: Works For Two Pianos

W. A. Mozart: Works For Two Pianos

The great D major sonata for two pianos, K. 448, is of course the absolute showpiece of this Urtext edition. The first movement opens like an operatic overture with timpani and trumpets, the Andante is a single grand melody shared between the two pianos, and the sublime rondo finale comes across like a piano concerto without orchestra. But another important work can be found in this Henle edition too: the earnest C minor fugue for two pianos K. 426, reminiscent of Handel’s or Bach’s great art, here in its original form from 1783. Mozart published it soon after in a four-part version for string quartet, adding a beautiful, freshly composed Adagio introduction. This, in turn,has been rescored in our edition for two pianos by the brilliant musician Franz Beyer, who also has completed a performable version of Mozart’s two-piano “Larghetto and Allegro” in E-flat major (a work not included in Köchel’s catalogue) from the surviving fragments. Two copies are required for performance of all the works in this volume.

SEK 420.00
1

Frederic Chopin: Walzer A-Moll Op. 34 No. 2

Frederic Chopin: Walzer A-Moll Op. 34 No. 2

Chopin applied himself the waltz genre throughout his life, and created a broad spectrum of musical possibilities from profoundly melancholic and atmospheric mood-pieces to showpieces of extraordinary virtuosity. Its title of Grande Valse brillante notwithstanding, this second waltz from opus 34 has a dreamy character within a calm Lento tempo, causing it to function to some extent as a slow movement between the two triumphant vivace movements that surround it in opus 34. While a complete autograph of this work no longer survives, several copies of the first edition issued by Schlesinger in 1838 have Chopin’s proof corrections, we have of course taken these into account inour Urtext edition.

SEK 128.00
1

J.S. Bach: Partita A-Moll Flote Solo BWV 1013

J.S. Bach: Partita A-Moll Flote Solo BWV 1013

Bach had a predilection for creating solo works for instruments that were more usually supplied with a keyboard accompaniment. It is thus only logical that, as well as the violin and cello, he also thought of making use of the typical melodic character of the flute in this way. Through the skillful use of broken chords he even succeeds in creating the illusion of polyphony. It soon becomes clear that Bach’s lyrical cantilenas are convincing even without the support of accompanying chords on a keyboard instrument. A high point in flute literature!

SEK 128.00
1

Franz Schubert: Klaviersonate A-Moll Opus Post. 164 D537

Franz Schubert: Klaviersonate A-Moll Opus Post. 164 D537

Franz Schubert’s Piano Sonata in a minor op. post. 164, presented here in an Urtext edition, numbers among his early sonatas written between 1815 and 1819. In many of these pieces, Schubert still struggles with form, the Sonata in a minor from March 1817, however, is already wonderfully accomplished. In contrast to Schubert’s two later a-minor piano sonatas, the key here does not yet result in a tragic, fatalistic sound. This is also due to the fact that he took every opportunity to brighten the key to the major, or to swerve into neighbouring, friendlier harmonic regions.

SEK 165.00
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Wolfgang Amadeus Mozart: Piano Sonata In A Minor KV 310

Wolfgang Amadeus Mozart: Piano Sonata In A Minor KV 310

This dark and tragic sonata in A minor, composed in Paris in 1778, tends to be linked with the death of Mozart’s mother on 3 July 1778. While this of course cannot be ruled out, not a single concrete piece of authentic evidence exists that points to such a connection. Use of a minor tonality as the compositional realization of a personal experience of pain is a sort of interpretation that also falls considerably too short, Mozart’s art is far too multifaceted for it to be pinned so one-dimensionally to his biography. The sole authoritative source for the Urtext edition of this much-loved and much-played sonata is Mozart’s autograph manuscript (which in parts is difficultto decipher), as the first edition published in 1781 (together with K. 309 and 311) is riddled with errors.

SEK 128.00
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Wolfgang Amadeus Mozart: Clarinet Concerto A major K. 622

Wolfgang Amadeus Mozart: Clarinet Concerto A major K. 622

The most beautiful and significant Clarinet Concerto in the history of music is now appearing in a Henle urtext edition. The Piano reduction is accompanied by two separate parts: an urtext edition of the original Clarinet part as found in the early prints, and a reconstruction for Basset Clarinet, the instrument for which the work was originally written. The editor, Henrik Wiese, provides a preface and commentary with an in-depth discussion of the work’s unusual source materials. Mozart ’s concerto has become the indispensable audition piece. As a special bonus, this edition also includes the text of the autograph fragment for Basset Horn in G.

SEK 340.00
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Wolfgang Amadeus Mozart: A Musical Joke K. 522 (Parts)

Wolfgang Amadeus Mozart: A Musical Joke K. 522 (Parts)

Wolfgang Amadeus Mozart 's A Musical Joke is filled with intentional mistakes by the composer, who inserted odd notes into this amusing and mischievous piece in order to take an angry side-swipe at dilettante composer-colleagues of his time, whose lack of imagination and artless compositional technique are here mercilessly demonstrated - the piece was not intended to parody musicians who play wrong notes as its later title “Village Musicians” suggests. A musical and intellectual delight for today’s performers and audiences alike, this piece is now performable for the first time using a genuine Urtext quality edition based on the autograph in Berlin. A Musical Joke is scored for 2 Violins, Viola, Basso and 2 Horns in F.

SEK 314.00
1

Johannes Brahms: Doppelkonzert A-Moll Op. 102

Johannes Brahms: Doppelkonzert A-Moll Op. 102

Between 1859 and 1885 Johannes Brahms, with his four symphonies, two piano concertos, violin concerto, dances, variations and overtures, became the representative of large-scale orchestral music. In 1887 he chose the violin andvioloncello as solo instruments for his Double Concerto in a minor op. 102, since he had outstanding soloists at his disposal. After the premiere of Brahm's second cello sonata, cellist Robert Hausmann had requested a concertpiece - while the renowned violinist Joseph Joachim was Brahms's friend and had premiered his Violin Concerto, among other things. After the dark-hued Fourth Symphony this concerto comes across as strikingly optimistic andconciliatory. We now offer the score, also published as part of our New Complete Edition, in a convenient study edition.

SEK 245.00
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Johann Baptist Georg Neruda: Sonata In a Minor - Violin/Basso Continuo

Johann Baptist Georg Neruda: Sonata In a Minor - Violin/Basso Continuo

There has been increased general interest in the Bohemian composer Johann Baptist Georg Neruda (c. 1711?1776) over the past few years, especially due to his frequently played trumpet concerto. A respected violinist and longstanding member of the Dresden Court Orchestra, he did, however, mainly compose for the Violin. The substantial and technically quite demanding Violin Sonata in a minor was published for the first time ever in 1982 as part of Henle's edition ?Bohemian Violin Sonatas? (HN 334). Henle are now proud to present it in a practical single edition with a new preface as well as an additional unmarked part.

SEK 165.00
1

Wolfgang Amadeus Mozart: A Musical Joke K. 522 (Study Score)

Wolfgang Amadeus Mozart: A Musical Joke K. 522 (Study Score)

Wolfgang Amadeus Mozart 's A Musical Joke is filled with intentional mistakes by the composer, who inserted odd notes into this amusing and mischievous piece in order to take an angry side-swipe at dilettante composer-colleagues of his time, whose lack of imagination and artless compositional technique are here mercilessly demonstrated - the piece was not intended to parody musicians who play wrong notes as its later title “Village Musicians” suggests. A musical and intellectual delight for today’s performers and audiences alike, this piece is now performable for the first time using a genuine Urtext quality edition based on the autograph in Berlin. A Musical Joke is scored for 2 Violins, Viola, Basso and 2 Horns in F.

SEK 160.00
1

Robert Schumann: Piano Concerto In A Minor Op.54 - Henle Urtext Edition

Robert Schumann: Piano Concerto In A Minor Op.54 - Henle Urtext Edition

Piano reduction; 2 pianos, 4 handsAs did many piano virtuosi at the time, Robert Schumann also dreamt of presenting himself to the public simultaneously as a pianist and composer with his own piano concerto. He had made several first attempts at an early age. In the years that followed he felt himself increasingly drawn towards the idea of a freer formal conception. The sketch of a single-movement "Phantasie" finally became the opening movement of the famous work, that is now being published for the first time in a practical Urtext edition. The fingerings were provided by the world-famous pianist Mitsuko Uchida.

SEK 351.00
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