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Marko Tajcevic: Songs from the Mur-Island, Little Pieces for Piano

Marko Tajcevic: Songs from the Mur-Island, Little Pieces for Piano

Marko Tajcevic (1900-1984) was a Croatian composer, teacher, and music critic. He was a slow and meticulous composer, completing only 54 works in his lifetime. He confined himself to small-scale chamber works, and was considered to be the “Master of the Miniature”. Like many of his works, Songs from the Mur-Island (1938) was inspired by folk-songs from his homeland. The Mur-Island is a county in the far north of Croatia, bordered by the River Mur. These Little Pieces for Piano are suitable for any pianist of Grade 3 standard, and are sure to provide a unusual and welcome diversion from the usual exam-style pieces.

SEK 167.00
1

Frederic Chopin: Funeral March [Marche Funèbre] From Piano Sonata Op. 35

Frederic Chopin: Funeral March [Marche Funèbre] From Piano Sonata Op. 35

This most famous funeral march in music history is part of a piano sonata, the third movement of Chopin’s op. 35 Sonata in b-flat minor, in which according to Robert Schumann -- Chopin “brought together four of his most deranged children”. It was not long until the Funeral March which was written two years before the sonata’s other movements of the sonata was removed from this context and performed as an independent piece. This is also how it was heard, in an orchestral version, at Chopin’s own funeral in Paris on 30 October 1849. In addition to our edition of the complete op. 35 Piano Sonata (HN 289), we are offering this practical separate issue of the Funeral March inthe proven Henle Urtext format.

SEK 107.00
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Enrique Granados: Quejas O La Maja Y El Ruiseñor, No. 4 From Goyescas

Enrique Granados: Quejas O La Maja Y El Ruiseñor, No. 4 From Goyescas

This “Lament, or the maiden and the nightingale” is the fourth movement of Granados’ six-part piano cycle Goyescas (1909–11). The cycle’s title is derived from the name of the Spanish painter Francisco de Goya, whose paintings inspired Granados. The Goyescas conjure up Goya’s Spain of the late 18th century – chivalrous and sensual, but also melancholic and sombre. The overall theme is the life of two young lovers. The “Quejas” are a turning point in the cycle, because here jealousy leads to a lament that is joined by the song of the nightingale. The expressive intensity makes the movement the highpoint of the cycle for many, and G. Henle Verlag is now offering it as an individual Urtext edition.

SEK 128.00
1

Johannes Brahms: Four Songs with Lyrics by Klaus Groth ("Regenlied-Zyklus"), early versions from "Lieder und Gesänge" op. 59 (First Edition)

Johannes Brahms: Four Songs with Lyrics by Klaus Groth ("Regenlied-Zyklus"), early versions from "Lieder und Gesänge" op. 59 (First Edition)

This first edition of the “ Regenlied Cycle ” is only available from G. Henle Publishers. In the preface, Michael Struck, an eminent Brahms scholar, writes about the distinctiveness of the work, until now a completely unknown little song cycle by the composer. In it Brahms sets four texts to music by the poet Klaus Groth, whom he greatly admired. In the well-known song cycle Opus 59, published by Brahms himself, the Groth songs are also to be found together with other songs. The reason why Johannes Brahms ’ Violin Sonata no. 1 in G major op. 78 is also known as the “Regenlied” Sonata becomes clear on acquiring, studying and playing this “ Regenlied Cycle ”.

SEK 218.00
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Easy Piano Music - 18th And 19th Centuries - Volume II

Easy Piano Music - 18th And 19th Centuries - Volume II

I. Albeniz Zortziko from Espana op. 165; C. Ph. E. Bach Abschied vom Silbermannschen Clavier in einem Rondeau Wq 66; W. F. Bach Polonaise c from 12 Polonaises; L. van Beethoven Bagatelle C WoO 56; J. Brahms Intermezzo a op. 76,7; F. Chopin Mazurka g op. 24,1, Nocturne g op. 37,1, Waltz b op. 69,2; M. Cipra Old Dance; A. Dvovak Humoresque Ab op. 101,3; F. Liszt Il Pensieroso from Annees de Pelerinage; F. Mendelssohn Bartholdy Allegro non troppo G op. 72,1; W. A. Mozart Minuet D K. 355 (576b); M. Mussorgskij Im Dorf op. post. 70,15; F. Schubert Minuet Eb from Sonata op. post. 122 D 568; R. Schumann Walzer, Larghetto and Elfe from Album Leaves op. 124; B. Smetana Polka poetique g op. 8,2.

SEK 205.00
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Georg Friedrich Händel: Air with Variations From Suite in E major (The Harmonious Blacksmith)

Georg Friedrich Händel: Air with Variations From Suite in E major (The Harmonious Blacksmith)

G. F. Handel (1685-1759) was a German-born British composer and organist who spent his life working in London. In addition to his well-known, large-scale works like the Water Music and Music for the Royal Fireworks , he wrote nearly 200 smaller works for keyboard instruments. The Harmonious Blacksmith is a popular name given to the final movement of Handel's Suite No. 5 in E major for Harpsichord, more properly known as Air and Variations (HWV 430). The work was published in 17620, but the name was added at some point in the 19th century, some 75 years after the composer’s death.

SEK 115.00
1

Easy Piano Pieces - Classical and Romantic Eras - Volume II

Easy Piano Pieces - Classical and Romantic Eras - Volume II

This volume includes: Johann Wilhelm Hässler: 6 Pieces from Etudes en Vingt-quatre Valses op. 49 Wolfgang Amadeus Mozart: Sonata movement g minor K. 312 (590d) Wolfgang Amadeus Mozart: March C major K. 408/1 (383e) Ludwig van Beethoven: Minuet E flat major WoO 82 Ludwig van Beethoven: For Elise Piano Piece a minor WoO 59 Franz Schubert: Allegretto c minor D 915 Franz Schubert: Moment musical f minor op. 94,3 D 780 Franz Schubert: Moment musical A flat major op. 94,6 D 780 Felix Mendelssohn Bartholdy: Song without Words E major op. 30,3 Theodor Kirchner: 6 Preludes from op. 65 Peter Iljitsch Tschaikowsky: 3 Pieces from Children's Album op. 39 Robert Schumann: Träumerei from Scenes from childhood op. 15,7 Robert Schumann: Phantasietanz from Albumblätter op. 124,5 Robert Schumann: Romance F sharp major op. 28,2 Johannes Brahms: Waltz E major op. 39,2 (easy version by the composer) E major op. 39,2 Franz Liszt: Consolation No. 1 E major Frédéric Chopin: Prelude e minor op. 28,4 Frédéric Chopin: Prelude D flat major op. 28,15 [Raindrop] Frédéric Chopin: Mazurka g sharp minor op. 33,1 Frédéric Chopin: Mazurka g minor op. post. 67,2 Frédéric Chopin: Waltz a minor op. 34,2 Frédéric Chopin: Waltz F minor, A flat major (two versions) op. post. 70,2

SEK 192.00
1

Pyotr Ilyich Tschaikovsky: Chanson Triste Op.40 No.2 (Urtext)

Pyotr Ilyich Tschaikovsky: Chanson Triste Op.40 No.2 (Urtext)

In Western Europe and soon thereafter in America, Peter Tchaikovsky became perhaps the best-known, most fêted of all Russian composers. In his extensive piano oeuvre, he provided a significant contribution to the sophisticated salon music of the Romantic period. The sweetly wistful “Chanson triste” from the “Twelve Pieces of Moderate Difficulty” op. 40 from 1878 is of such cantabile character that it could be described as a song without words. As the most popular and most important piece from op. 40, it is presented here in a separate edition. With its very moderate level of difficulty, the piece is suitable for use in lessons already at an early stage.

SEK 107.00
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Ludwig van Beethoven: Variations for Piano, Volume I

Ludwig van Beethoven: Variations for Piano, Volume I

Variation form occupied Beethoven throughout his composing career. This first volume of G. Henle Publishers’ two-volume edition of all his piano variations includes works from Beethoven’s time in Bonn as well as his early years in Vienna, composed between 1783 and 1799. Beethoven mostly took his themes from arias or songs from stage works that were popular at the time. Besides offering simple figurations around the melodic lines, he also made more radical variations of his chosen material, pointing the way forward to his future “character variations”. The musical text of this Urtext edition has been completely revised on the basis of the critical report of the Beethoven CompleteEdition. There is also a detailed preface and commentary.

SEK 377.00
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Ludwig Van Beethoven: Variationen, Rondo, Tanze

Ludwig Van Beethoven: Variationen, Rondo, Tanze

Beethoven personally designated these three works as “minor pieces,” thus referring to their technical demands and their light artistic weight. While the variations on “Se vuol ballare” from Mozart’s Le nozze di Figaro had most likely been written in Bonn, the Rondo dates from the first Viennese years at the latest. The six Deutsche Tänze (German Dances) are an occasional work from 1796 for the two Prague Baronesses Thun so that they could as we can read on an old copy “dance to their tunes on other people’s heads.” In view of the rather unsophisticated writing, the musical abilities of the young countesses must have been fairly limited. Altogether, the three pieces offeryoung violinists and pianists a welcome preparation for Beethoven’s later pieces in this scoring.

SEK 229.00
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Gabriel Fauré: Sicilienne Op.78

Gabriel Fauré: Sicilienne Op.78

This composition for violoncello and piano in the style of a Sicilian dance is from Gabriel Fauré?s middle creative period and was first published simultaneously in France and England in 1898, reflecting Fauré?s increasing international popularity. The character piece with its memorable, expressive melody became increasingly popular after Fauré had included it in the Suite from his incidental music of Pelléas et Mélisande (in a version for orchestra) that was also premiered in 1898.

SEK 139.00
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Franz Xaver Mozart: Complete Piano Works Volume II

Franz Xaver Mozart: Complete Piano Works Volume II

Already our first volume of original piano works by Mozart?s youngest son made the music world take notice. The second volume now completes the collection of works by this composer who is often underestimated. At the time, Franz Xaver Mozart was described as follows: "His playing is clear, precise, expressive and full of intellect and emotion". Unlike masters of the keyboard such as Moscheles or Hummel he was not primarily a virtuoso, which is why his works are also attractive for amateurs. Alongside numerous individual works this volume also contains several cadenzas for piano concertos by his famous father, which we are able to publish for the first time thanks to the autographs.Contents Polonaises mélancoliques op. 17 Polonaises mélancoliques op. 22 Polonaises op. 26 Marche G major FXWM VII:9 Ländler F major FXWM VII:19 Deutscher Tanz d minor FXWM VII:23 Deutscher Tanz G major FXWM VII:24 Rondo F major FXWM VII:1 Rondeau F major op. 4 Rondo of Piano Concerto E flat major op. 25 (complete version) Rondo of Piano Concerto E flat major op. 25 (shorter version) Allegretto F major FXWM VII:39 Allegretto G major FXWM VII:40 Andantino A major FXWM VII:41 Cadence for the first movement to Piano Concerto K. 467 from W. A. Mozart FXWM IXb:1 Cadence for the last movement to Piano Concerto K. 467 from W. A. Mozart FXWM IXb:2 Cadence for the first movement to Piano Concerto K. 450 from W. A. Mozart FXWM IXb:6 Cadence for the last movement to Piano Concerto K. 466 from W. A. Mozart FXWM IXb:7 Fragment of a Cadence for the last movement to Piano Concerto K. 450 from W. A. Mozart FXWM IXb:8 Cadence for the first movement to Piano Concerto K. 503 from W. A. Mozart FXWM IXb:B Fragment of an ornamented version for the last movement to Piano Concerto K. 503 from W. A. Mozart FXWM IXb:C

SEK 399.00
1

Ludwig Van Beethoven: Piano Sonata In F Minorl Op. 2 No. 1

Ludwig Van Beethoven: Piano Sonata In F Minorl Op. 2 No. 1

The first piano sonata that Beethoven published with an opus number is a piece that stamps the composer as an utterly unique creator who, despite all historical references, clearly distinguishes himself from his predecessors Haydn and Mozart. The slow movement is borrowed directly from the second movement of the Piano Quartet WoO 36 no. 3, which, in turn, is a reminiscence of Mozart’s style. Above all, though, it is the two outer movements, surging dramatically forward, that show Beethoven’s new path.

SEK 160.00
1

Béla Bartók: Allegro Barbaro

Béla Bartók: Allegro Barbaro

One of Béla Bartók 's best-known and most popular works for Piano, the Allegro Barbaro was composed in 1910-11. Bartók himself enjoyed performing the piece in concerts and recorded it several times. A recording from 1929, referred to by Bartók as the “authentic recording”, contains very interesting departures from the printed version as far as tempo, articulation and even the number of ostinato measures are concerned. These elements have been included in the musical text for the first time in this Henle Urtext edition and are clearly annotated. With this first Bartók Urtext edition, editor László Somfai offers an insight into the many and varied musical impulses that will be demonstrated in the Béla Bartók Complete Critical Edition, which will be jointly published by Editio Musica Budapest and G. Henle from 2016.

SEK 160.00
1