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Antonín Dvorák: String Quartet F Op. 96 (American Quartet)

Antonín Dvorák: String Quartet F Op. 96 (American Quartet)

After a twelve-year interval, Dvořák once again turned his attention to the String Quartet in summer 1893. He had been musical director in New York since autumn 1892 and spent the summer in Spillville (Iowa) where a group of Czech immigrants had settled, thus making him feel at home. The beautiful natural surroundings led him to write this unconventional String Quartet in the tradition of Beethoven’s “Pastoral” – even down to the imitation of birdcalls. Since the first performances, certain rhythmic and melodic characteristics have been traced back to the influences of the folk music of Native Americans and African Americans, which led to the soon popular work being called the “ American Quartet ”. For the first time since 1955, the Quartet is once again being published in an Urtext edition.

SEK 234.00
1

Antonín Dvorák: String Quartet F Op. 96 (American Quartet)

Antonín Dvorák: String Quartet F Op. 96 (American Quartet)

After a twelve-year interval, Dvořák once again turned his attention to the String Quartet in summer 1893. He had been musical director in New York since autumn 1892 and spent the summer in Spillville (Iowa) where a group of Czech immigrants had settled, thus making him feel at home. The beautiful natural surroundings led him to write this unconventional String Quartet in the tradition of Beethoven’s “Pastoral” – even down to the imitation of birdcalls. Since the first performances, certain rhythmic and melodic characteristics have been traced back to the influences of the folk music of Native Americans and African Americans, which led to the soon popular work being called the “American Quartet”. For the first time since 1955, the Quartet is once again being published in an Urtext edition.

SEK 155.00
1

Joseph Haydn: String Quartets Volume VIII Op.64 - Second Tost Quartets (Study Score)

Joseph Haydn: String Quartets Volume VIII Op.64 - Second Tost Quartets (Study Score)

The quartets were dedicated to the violinist Johann Tost, who was the second principal violinist at the Esterházy court during the 1780s. His business sense led him to sell twelve quartets - opus 64 was probably amongst them - to a Parisian publisher. Whether Haydn approved of this is open to question - the dedication was, however, no longer present in the second imprint or the following ones. Our edition follows the Haydn Complete Edition and for the first time juxtaposes the quartet in E flat major and the two original trios.

SEK 319.00
1

Franz Joseph Haydn: String Quartets Volume VIII, op. 64 [Second Tost Quartets]

Franz Joseph Haydn: String Quartets Volume VIII, op. 64 [Second Tost Quartets]

The quartets were dedicated to the violinist Johann Tost, who was the second principal violinist at the Esterházy court during the 1780s. His business sense led him to sell twelve quartets - opus 64 was probably amongst them - to a Parisian publisher. Whether Haydn approved of this is open to question - the dedication was, however, no longer present in the second imprint or the following ones. Our edition follows the Haydn Complete Edition and for the first time juxtaposes the quartet in E flat major and the two original trios.

SEK 621.00
1

W.A. Mozart: Andante KV 616 (Urtext)

W.A. Mozart: Andante KV 616 (Urtext)

Automata of all types, including musical automata, had their moment of fame in the 18th century, in “art cabinets” that exhibited, inter alia, musical clocks equipped with a wind-up cylinder and a bellows mechanism. Clockmakers often invited celebrated composers to write pieces for such a clock. This led to the composition of little works by Carl Philipp Emanuel Bach, Haydn, Mozart and many others. Mozart’s three works for the Flötenuhr K. 594, 608 and the Andante K. 616 are nothing less than pearls of this literature, which also includes the arrangement for piano presented here.

SEK 155.00
1

W.A. Mozart: Klavierstucke (Urtext)

W.A. Mozart: Klavierstucke (Urtext)

Throughout his life Mozart composed individual pieces for the Keyboard. This wealth of material offers us an exceptional insight into his musical development. For the first time ever, we are now offering all of these works in a single edition. Our edition has been completely revised, taking into account the latest findings in Mozart scholarship. In many instances, sources which have only recently been made available or which have been newly interpreted have formed the cornerstone of the revision. This has also led to the inclusion of works which were not in the previous Henle edition.

SEK 340.00
1

Wolfgang Amadeus Mozart: Piano Pieces

Wolfgang Amadeus Mozart: Piano Pieces

Throughout his life Mozart composed individual pieces for the Keyboard. This wealth of material offers us an exceptional insight into his musical development. For the first time ever, we are now offering all of these works in a single edition. Our edition has been completely revised, taking into account the latest findings in Mozart scholarship. In many instances, sources which have only recently been made available or which have been newly interpreted have formed the cornerstone of the revision. This has also led to the inclusion of works which were not in the previous Henle edition.

SEK 563.00
1

W.A. Mozart: Klavierstucke (Clothbound Urtext)

W.A. Mozart: Klavierstucke (Clothbound Urtext)

Throughout his life Mozart composed individual pieces for the Keyboard. This wealth of material offers us an exceptional insight into his musical development. For the first time ever, we are now offering all of these works in a single edition. Our edition has been completely revised, taking into account the latest findings in Mozart scholarship. In many instances, sources which have only recently been made available or which have been newly interpreted have formed the cornerstone of the revision. This has also led to the inclusion of works which were not in the previous Henle edition.

SEK 833.00
1

Ludwig Van Beethoven: Seven Bagatelles Op. 33

Ludwig Van Beethoven: Seven Bagatelles Op. 33

The autograph of Beethoven’s Bagatellen op. 33 mentions the year 1782 in its title. The date, and the fact that Beethoven amended it, have led to a number of speculations concerning the time of its genesis. What is certain is that the seven pieces were not completed until about the end of 1802. Beethoven seems to have compiled several earlier pieces, revised them one last time, then gave them to the publishers. The first edition was issued in May 1803 and today’s pianists are still just as enthusiastic about these little gems as they are about many of Beethoven’s other major or minor masterpieces.

SEK 139.00
1

Muzio Clementi: Piano Sonatas Selection Volume 1 (Urtext)

Muzio Clementi: Piano Sonatas Selection Volume 1 (Urtext)

This is a wonderful selection of Piano Sonatas by Muzio Clementi. A dedicated player and pioneer of the Piano, which led to him being dubbed the father of the piano, Italian composer and Pianist Muzio Clementi created a large repertoire of long-lived and revered sonatas for Piano, especially during his time in England. Clementi was the consummate Piano devotee: his performances, didactic exercises and sonatas for mature pianists, all helped to popularize the instrument throughout Europe.This Urtext edition of these Piano Sonatas Volume 1 (Klaviersonaten Auswahl Band 1), edited by Sonja Gerlach and Alan Tyson, and fingered by Hans-Martin Theopold, provides you with an accurate realisation of the composer?s original intentions, with thorough and detailed editorial markings and suggestions.

SEK 393.00
1

Muzio Clementi: Piano Sonatas Selection - Volume 2 (Urtext)

Muzio Clementi: Piano Sonatas Selection - Volume 2 (Urtext)

This is a wonderful selection of Piano Sonatas by Muzio Clementi. A dedicated player and pioneer of the Piano, which led to him being dubbed the father of the piano, Italian composer and Pianist Muzio Clementi created a large repertoire of long-lived and revered sonatas for Piano, especially during his time in England. Clementi was the consummate Piano devotee: his performances, didactic exercises and sonatas for mature pianists, all helped to popularize the instrument throughout Europe.This Urtext edition of these Piano Sonatas Volume 1 (Klaviersonaten Auswahl Band 2), edited by Sonja Gerlach and Alan Tyson, and fingered by Hans-Martin Theopold, provides you with an accurate realisation of the composer?s original intentions, with thorough and detailed editorial markings and suggestions.

SEK 552.00
1

Antonín Dvorák: Slavonic Dances Op. 46 For Piano Four-hands

Antonín Dvorák: Slavonic Dances Op. 46 For Piano Four-hands

In 1878 Dvorák was commissioned to write something along the lines of Brahms’s “Hungarian Dances”, but using the sounds of his native country. The resulting eight “ Slavonic Dances ” led to his international breakthrough. “ Furiant ”, “ polka ”, “ soudeská ”: all are written with consummate mastery and dazzling formal sophistication. Although the “ Slavonic Dances ” also became popular in orchestral arrangement, they were originally written for Piano four-hands. Yet the musical text Dvorák released for publication was anything but ideal. Now, to honour the centennial of his death, we are presenting his original version with a detailed commentary on the work’s sources and editorial problems. The fingering, always a delicate matter in duet playing, has been entrusted to Andreas Groethuysen, with results that will prove a boon to performers everywhere.

SEK 287.00
1

Schulhoff: Hot Sonata (Lunte Frank) Alto Saxophone/Piano

Schulhoff: Hot Sonata (Lunte Frank) Alto Saxophone/Piano

Erwin Schulhoff (1894–1942) was one of the most original personalities on the music scene of the early 20th century. His persecution and ostracism by the National Socialists led to his being forgotten for a time, though in recent decades the extraordinary quality of his music has been rediscovered. It was inspired by jazz, Dada, atonal music and socialist realism. Schulhoff’s Hot-Sonata of 1930 displays the influence of jazz not least through the use of the saxophone as solo instrument, but also in its pithy rhythms, its glitzy harmonies and its use of playing techniques such as glissandi. The Hot-Sonata is published here for the first-ever time in an Urtext edition. It eliminates numerous mistakes found in the first edition that had been reprinted up to the present day. All the relevant sources were consulted for this edition: the autograph, an engraver’s copy, Schulhoff’s own copy of the published work, and further personal documents such as letters and contracts. The saxophonist Frank Lunte from Berlin was engaged to edit this volume. He is an acknowledged expert in this repertoire and in the history of the saxophone, especially its history in 1930s Berlin.

SEK 261.00
1