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Robert Schumann: Twelve Poems Op. 35, Set Of Songs On Texts By Kerner (High/Medium Voice)

Robert Schumann: Twelve Poems Op. 35, Set Of Songs On Texts By Kerner (High/Medium Voice)

As with the Dichterliebe (HN 549), Frauenliebe und Leben (HN 547) or the song cycles with texts by Heine and Eichendorff (HN 548 and 550), the Kerner Cycle op. 35 was written in 1840, Schumann ’s “Liederjahr”. Yet it has a special place: it was composed in the time immediately following Schumann ’s marriage to Clara Wieck. Schumann set a series of poems to music in November, during a “quiet week, which went by with composing and much loving and kissing”, and the cycle was complete by the turn of the year. It contains a great deal of intimate musical innuendos. The first edition of 1841 was soon followed by a second issue, many of the songs were published individually and the “Wanderlied” soon became a core piece in the repertoire. With this edition the songs in Schumann ’s cycle are once again being published together in a single volume.

SEK 287.00
1

At The Piano -Beethoven: 9 Well-Known Original Pieces

At The Piano -Beethoven: 9 Well-Known Original Pieces

Beethoven’s 32 piano sonatas are the “New Testament” of music, according to Hans von Bülow. Our selection here does not take things quite so solemnly, because we have also taken the opportunity to show the more “worldly” side of the composer, with dances, bagatelles, the unusual character piece “Lustig und traurig” (“Happy and sad”), and of course the indestructible “Für Elise”. As usual in our series “At the piano”, all the pieces are arranged progressively from easy to medium level of difficulty. And you do not have to be in awe of Beethoven’s piano sonatas either: the highly Classical sonata in G major (essentially a sonatina) offers an ideal introduction to the many-facetted world of Beethoven’s sonatas. In contrast to this, we also show Beethoven the “poet at the piano”, with the first movement of his “Moonlight” Sonata in c-sharp minor, along with the funeral march from the Sonata in A-flat major – visionary creations that already point far ahead into the world of Romanticism.

SEK 234.00
1

Claude Debussy: Minstrels From Préludes I For Violin And Piano

Claude Debussy: Minstrels From Préludes I For Violin And Piano

The first volume of Debussy ’s Préludes for Piano (HN 383) was published in 1910 and was soon followed by arrangements for various scorings commissioned by the original publisher. Debussy personally transcribed only one Prélude, Minstrels , which was released in 1914 in a version for Violin and Piano. Back at that time, “ Minstrels ” was the name given to comedians who performed in blackface and caricatured the alleged behaviour of Blacks in America. The arrangement is of interest not only to pianists, since Debussy intervened in the original musical text by adding variants, but also to violinists, who will discover charming and rewarding music of medium difficulty (5 of 9).

SEK 139.00
1

Ludwig Van Beethoven: Symphony No. 5 In C Minor Op.67

Ludwig Van Beethoven: Symphony No. 5 In C Minor Op.67

Beethoven is presumed to have completed his 5th Symphony in early 1808; today, it is one of the most famous works of classical music of all. Its nickname “Fate Symphony” was given to it posthumously by Beethoven ’s biographer Anton Schindler; a title which no longer plays a role in modern-day Beethoven scholarship. Based on the recently published musical text of the Beethoven Complete Edition and supplied with a new preface by editor Jens Dufner, one of the most vibrant and stimulating orchestral works of the standard repertoire is now available in a practical format for travel, study or the concert hall.

SEK 197.00
1

Maurice Ravel: Pavane Pour Une Infante Défunte

Maurice Ravel: Pavane Pour Une Infante Défunte

According to Ravel himself, the strange title of the little Piano piece composed in 1899, “Pavane for a dead princess”, should not be ascribed too much importance. He chose it mainly because he liked the alliteration it contained. At the same time he did, however, agree that the music evokes “a pavane that a little princess once might have danced at the Spanish court”. Following its premiere in 1902 the simple but effective piece gained unparalleled popularity, not least reflected in the numerous arrangements made of it, one of which, for small orchestra, was by Ravel himself. We are publishing the work in its original version as a fitting addition to our works by Ravel .

SEK 128.00
1

At The Piano -Schubert: 12 Well-Known Original Pieces

At The Piano -Schubert: 12 Well-Known Original Pieces

Of the twelve composers in our series “At the piano”, Franz Schubert was undoubtedly the least at home at the piano – but nevertheless what masterpieces he left us for this instrument! There is hardly any pianist who is not immediately captivated by the cheerful yet melancholy atmosphere of Schubert’s impromptus and Moments musicaux. Even the simple pieces by Schubert at the beginning of this volume have surprising twists in store that afford them a profundity of their own. Nor are his dances mere “entertainment”. No matter how charming they may seem on the surface, there is always a wistful tone in his waltzes and ländler. This seems to reflect the gravely ill composer’s presentiment of his own death.

SEK 234.00
1

Ravel: Prélude À L'Après-Midi D'un Faune (Claude Debussy)

Ravel: Prélude À L'Après-Midi D'un Faune (Claude Debussy)

Ravel had limitless admiration for Debussy’s famous orchestral work, going so far as to say in an interview that it was his innermost wish to die to the sounds of this “unique marvel in the whole of music”. Since Debussy had himself already published a version for two pianos, Ravel in 1910 undertook an arrangement for piano 4-hands. It was published that same year by Fromont in Paris, and made an impact all of its own. Henle have been able to recruit Debussy specialist Denis Herlin as editor of this Henle Urtext edition, the first to evaluate all the available sources. The fingerings are by Andreas Groethuysen of the famous Tal & Groethuysen Duo.  

SEK 208.00
1

Edward Elgar: Salut d'Amour Op. 12 For Violoncello And Piano

Edward Elgar: Salut d'Amour Op. 12 For Violoncello And Piano

Edward Elgar ’s Salut D’Amour is one of those pieces by the British composer that has a particularly haunting melody. Composed in 1888 for his future wife Caroline Alice Roberts, the work became an enormous success early on. There are numerous arrangements – but the only versions for which the autograph manuscripts survive are those for Violin and Piano (HN 1188), Piano solo (HN 1190) and Violoncello and Piano. Up to now there has only been an arrangement of the Cello part made by the original publisher, presumably with Elgar ’s approval. We are now for the very first time publishing the version following Elgar ’s autograph manuscript, which for unknown reasons had never been released. In addition we are publishing the trusted musical text from the first edition.

SEK 149.00
1

W. A. Mozart: Violin Sonatas - Fragments

W. A. Mozart: Violin Sonatas - Fragments

**Not available outside of the UK and Commonwealth** This Urtext edition contains rewarding discoveries for all lovers of Mozart . Mozart left behind a total of eight unfinished works for Piano and Violin, predominantly discontinued sonata movements. The music is so wonderful that Henle have published a separate volume with this group of works – all of which (aside from a fragment in the appendix of this edition) have been completed so that they can be performed. They not only include the familiar completed versions by Maximilian Stadler but also new ones by Robert D. Levin. He has contributed five, each of which is full of Mozartian spirit. A preface with a critical report presents the facts in detail and incorporates the most recent scholarly findings. Benjamin Schmid and Ariane Haering have provided fingerings for this edition that is in every sense unique.

SEK 441.00
1

Telemann 12 Fantasias Flt Solo Bk

Telemann 12 Fantasias Flt Solo Bk

**Not for sale outside of the UK and Commonwealth** Georg Philipp Telemann 's 12 Fantasias for solo Flute. Aside from the Partita in A minor by Johann Sebastian Bach (HN457) and the Sonata in A minor by his son Carl Philipp Emanuel (HN555), it was also mainly Telemann ’s 12 Fantasias that enriched the solo Flute repertoire in the first half of the 18th century. Telemann ’s cycle evidently had a great influence on the flautist’s world. The composer had his Fantasias published in 1727 (he might even have engraved the edition himself). The work was soon considered to be exemplary and caught on. This Henle Urtext edition is based on Telemann ’s print, which has been reproduced as a facsimile in the edition. The Flute expert Rachel Brown has provided a commentary with details regarding performance practice.

SEK 261.00
1