Digital synlighed. Målbart afkast.

Company

16 vocal selections from the Broadway musical, including: Another Hundred People * Company * Getting Married Today * Have I Got a Girl for You * The Ladies Who Lunch * The Little Things You Do Together * Side by Side by Side * Sorry - Grateful * Tick Tock * and more.

Rendezvous with the Other Side

The composer's most ambitious symphonic work to date, this adventurous and powerful composition takes the listener through a collage of moods and interwoven sound textures. The opening and closing sections are propelled withrhythmic vitality and energy, while the middle slow section includes an important piano part along with unique woodwind and horn colors. The percussion writing is stunning and features expanded mallet parts and driving ostinatos.This exciting work is contemporary sounding and makes a bold statement for mature bands. (6:30)

Serpent Sea : 4th Movement of The Seas of the Moon

The fourth movement of Robert Buckley's grandly cinematic suite describing impressions of the seas of the moon, Serpent Sea is animated, exuberant and somewhat over-the-top. It was inspired by the idea of two huge winged serpents rising out of the waves and frolicking together in a wild, barbaric dance. The pair do, however, show a more graceful side every once in a while - represented by an exotic theme that starts in the clarinet and flute. The movement ends with a wild flurry as the serpents vanish back into the sea. Dur: 3:50

Opening Night on Broadway

A new generation of musicals is hitting the Great White Way, resulting in a renewed vitality in the music written for the stage. Here is a dynamic collection of future classics in a sparkling and entertaining medley from MichaelBrown. Includes: “Springtime for Hitler” (The Producers), “The Avenue Q Theme,” “Always Look on the Bright Side of Life” (Spamalot), “For Good” (Wicked) and“Circle of Life” (The Lion King).

Titanic Full Orchestra (Arranged By John Moss)

Music by James Horner from the motion picture Titanic arranged by John Moss for full orchestra.

Celebration Fanfare : On a Theme by Haydn

Franz Joseph Haydn's famous melody from the second movement of the Emperor Quartet (String Quartet, Op. 76) was the basis for the national anthem of Austria for more than a century, and is frequently heard in hymns, anthems, and alma maters worldwide. In this celebratory extended fanfare, composer James Curnow skillfully weaves this majestic melody into a work which is both exuberant and energetic. Recorded by the Cobb Wind Symphony (Marietta, GA) - Alfred Watkins and Robert Cowles conductors, premiered during their performance at the 2018 Midwest International Band and Orchestra Clinic. Dur: 4:25

Malaguena : Arranged by Sammy Nestico

That unmistakable Nestico touch gives this Latin standard a fresh new sound. Sammy's brilliant brass, sparkling woodwinds, and driving Latin rhythms create a concert piece that's truly exciting.

Aladdin

Aladdin (Medley) arranged by Paul Jennings for Concert Band. Score and parts.

Selections from Aladdin

Selections from Aladdin, arranged by John Moss for Concert Band. Score and Parts.

Music from the Chronicles of Narnia: : The Lion, the Witch and the Wardrobe

This movie brings the classic tale by C.S. Lewis to the big screen in spectacular fashion, and is destined to become a fantasy epic. Harry Gregson-Williams' sweeping soundtrack is captured beautifully in this powerful orchestral medley by Stephen Bulla.

Gloriana

Commissioned by Furman University for the inauguration of its 12th president, Jay Bocook's Gloriana is based on The Faerie Queene, an incomplete English epic poem written by Edmund Spenser and dedicated to Queen Elizabeth I. In the poem, Queen Elizabeth is represented as the faerie queene herself, Gloriana. This stately work for winds and percussion has a regal quality enhanced by soaring melodies and punctuated with fanfare-like brass figures. The optional organ part provides an added dimension to the overall uplifting effect. Dur: 3:20 (Recorded by the Furman University Wind Ensemble - Leslie Hicken, conductor)

Chant Funeraire

MusicWorks – Grade 5 This hauntingly beautiful piece by Fauré was commissioned by the French government in 1921 as a memorial for the centenary of Napoleon's death. It has been magnificently orchestrated forwind band by Myron Moss, and is already garnering national attention with several important performances including The Midwest Clinic in Chicago, December 2003. Expansive and rich-sounding, this piece demands a mature group butdelivers an impressive and rewarding musical experience. (7:30)

Lux Aurumque : for Orchestra

After Eric Whitacre decided upon the poem by Edward Esch (He was immediately struck by its genuine, elegant simplicity), he had it translated into the Latin by the celebrated American poet Charles Anthony Silvestri. A simpleapproach was essential to the success of the work, and he waited patiently for the tight harmonies to shimmer and glow. Lux Aurumque transcribed for full orchestra in 2015 and was premiered with the Minnesota Orchestra in May ofthat year.

Return to Neverland

Return to Neverland is a selection of melodies from the film of the same name, which was inspired by the timeless book by J J Barrie. This skilful arrangement interweaves fragments of the main melodies to make a fun and exciting work for concert band.

Every Time I Think Of You : As performed by The Babys

Every Time I Think Of You : As performed by The Babys

Bridge of the Gods

Commissioned by the Oregon Symphonic Band in Portland, Bridge of the Gods is a dramatic three-movement symphonic poem presenting the colorful legend told by the Native American Klickitatst about the origins of the volcanicmountains of the Cascade range and legendary bridge. The first movement (“Saghalie”) pays tribute to the powerful chief of all gods and is based on a majestic fanfare theme. The second movement captures the beauty ofthe maiden “Loowit,” with haunting flute and English horn solos accompanied by soft chanting voices. The final movement, “Tanmahawis,” utilizes stark clusters, jagged melodic fragments, and rhythmicpercussive energy as it depicts the destruction of the mighty bridge. Dur: 8:50Recorded by the Oregon Symphonic Band – Michael Burch-Pesses, conductor

Selections from The Polar Express : Holiday Medley for Choir, Band and Strings

Featuring a tuneful score by Alan Silvestri and stunning visual effects, this enchanting holiday movie has become an annual favorite. This fast-paced and carefully scored medley can be performed by band alone, or with optionalchorus for a truly spectacular holiday concert event. Includes: Believe, Hot Chocolate, The Polar Express, and Spirit of the Season.

Symphonic Songs for Band (Deluxe Edition)

This enduring perennial – one of a pair of Bennett works popularized by Frederick Fennell's influential Eastman Wind Ensemble – is at last available in a Deluxe Edition including full score. Celebrating the goldenanniversary of the work's 1957 premiere, this new publication allows conductors to rehearse with maximum effectiveness and appreciate fully the mastery of Bennett's scoring technique. Prepared by Bennett biographer George Ferencz,the score includes introductory notes and a complete errata list for the original set of parts. (14:30)Recorded by the Keystone Wind Ensemble – Jack Stamp, conductor

Purple Whispers

This remarkable and descriptive work opens and closes with members of the ensemble whispering to one another, creating a soft yet chaotic effect. The simple poem is by the composer: “Whispers move in colored flight, seekingsigns of nexttwilight, purple as the violets grow, warm but rich for all to know.” As the piece progresses, introduced by a solo piano, the listener is taken through a dynamic range of emotional tension and release beforethe quiet mood returns to close outthis uniquely effective composition. Dur: 5:15Recorded by the Marshall University Wind Symphony – Steve Barnett, conductor

Abbey Road - A Symphonic Portrait

The Beatles' landmark album Abbey Road was the last one recorded by the band and is considered by many to be their best. This dynamic and creative setting for band includes: Come Together, Something, Maxwell's SilverHammer, She Came in Through the Bathroom Window, You Never Give Me Your Money and The End. Sure to become a classic!

Everything Beautiful

Premiered by Maestro Eugene Migliaro Corporon conducting the National Honor Band of America, this spectacular memorial for renowned band director Charles Campbell will surround your students and audiences in layers of emotion. Expressive moments upon moments allow the ensemble to follow their musical instincts, gaining an aesthetic reward each time. Typical of performances, the work fades into introspective silence, then is followed by lengthy applause. Available in the original three-movement set, and also just Mvt. 1, The Stillness of Remembering. Dur: 9:00(Live concert recording by the University of Kentucky Wind Symphony - Dr. John Cody Birdwell, conductor - Samuel R.Hazo, guest conductor)

Something

Unlike most Beatles songs Something was written by George Harrison rather than the duo Lennon & McCartney. Something was a dreamy, but at the same time powerful ballad and was described as ‘the most beautiful love song ever’ by Frank Sinatra. Naohiro Iwai has now produced a compelling concert band arrangement of this song, which will be a surefire hit in any concert programme.

Victory at Sea

This powerful, dramatic score by Richard Rodgers has established itelf as one of the most impressive works of its type for mature concert band.

Danse Bacchanale : From Samon and Delilah

MusicWorks – Grade 4 Exotic and exciting certainly describe this familiar work from Samson and Delilah by Saint-Saëns. This masterful transcription for band by Jay Bocook presents challenging (yetcertainly attainable) parts for the woodwinds, as well as dynamic writing for the brass and percussion sections. The vivace section to the end is simply hard to beat for full-throttle power and excitement. (4:20)