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Let the Church Roll On

Want to pep up a worship service, or rouse the audience with a super encore? This is the piece to do it. There's some fun levity in this good ol' spiritual, especially the part about the choir singer. You'll have to see the song to know what that's about. Best of all, this arrangement has all of Stacey's stylin' but it's easy, almost all 4-part SATB (only a little soprano divis at the end). For church and school, high school ages and up, easy to medium.

Sign Me Up

When I Rise Up

Gonna Ride Up in De Chariot

Laudamus Te

This is a winner! The Latin words of praise enable this motet to be sung in concert and worship. The counterpoint is playful and canonic, making it easy to learn and a pleasure to sing. Small choirs and young voices will enjoy the classical-style lines and the joyful spirit of the piece. This is a winner! The Latin words of praise enable this motet to be sung in concert and worship. The counterpoint is playful and canonic, making it easy to learn and a pleasure to sing. Small choirs and young voices will enjoy the classical-style lines and the joyful spirit of the piece. This is a winner! The Latin words of praise enable this motet to be sung in concert and worship. The counterpoint is playful and canonic, making it easy to learn and a pleasure to sing. Small choirs and young voices will enjoy the classical-style lines and the joyful spirit of the piece.

Sign Me Up : with Roll, Jordan, Roll The Andre J. Thomas Choral Series

Sign Me Up with Roll, Jordan, Roll : The Andre J. Thomas Choral Series

Haec Dies

This dynamic choral is a winning festival piece. With a repeating rhythmic motif the drive forward is compelling and easily learned. The familiar Latin text celebrates the day with great rejoicing. High school, college and community groups will want to program this energetic number accompanied by Brass quartet or piano. Easy to Medium.

Shout Glory!

Byron Smith has penned this first selection in the Paul Smith Choral Series which was acclaimed at the 2001 ACDA National Convention. Shout Glory lives up to its name with highly energetic choral writing!

Rosephanye Powell: Have You Seen The Baby Jesus (SSAA)

This is a new song, both words and music, but it carries the sound of a favorite spiritual. Rosephanye's roots often influence her unique output, and this one is sure to be a popular Christmas selection. The form contains repeated phrases which make the piece easy to learn, and gives style to the driving spirit of the song.

Then, Here and Now

Four art songs from the pen of Rosephanye Powell bring honor and tribute to African American music and educators. The title, Then, Here and Now, refers to the spiritual's use during slavery (thn) and its relevance today (here andnow). Titles include: Opressed (Go Down, Moses), Healing (Balm in Gilead), Dying (I Wanna Die Easy), and Protest (Joshua Fought the Battle of Jericho).

Then, Here and Now

Four art songs from the pen of Rosephanye Powell bring honor and tribute to African American music and educators. The title, Then, Here and Now, refers to the spiritual's use during slavery (thn) and its relevance today (here andnow). Titles include: Opressed (Go Down, Moses), Healing (Balm in Gilead), Dying (I Wanna Die Easy), and Protest (Joshua Fought the Battle of Jericho).

Sing On, Dance On

Fred Bock released his a cappella setting of this American folk song for mixed divisi voices years ago and it remains a popular setting. This new edition has been simplified to four parts (SATB) with piano accompaniment. The unique spirit of Fred's arrangement endures marvelously. Great for church or school, high school or community choirs. Easy to medium in difficulty.

Great Day : A Collection of Solo Spiritual Arrangements for Solo High Voice & Piano

Nine contemporary arrangements for voice and piano. Fix Me, Jesus, I Want Jesus to Walk with Me, My God Is So High, Go Down, Moses, Ride Up in the Chariot, Plenty Good Room, Great Day, Balm in Gilead, Get on Board.

Great Day : A Collection of Solo Spiritual Arrangements for Solo Low Voice & Piano

Nine contemporary arrangements for voice and piano. Fix Me, Jesus, I Want Jesus to Walk with Me, My God Is So High, Go Down, Moses, Ride Up in the Chariot, Plenty Good Room, Great Day, Balm in Gilead, Get on Board.

I Wanna Be Ready

This title was one of Rosephanye Powells first publications. Available for SATB and SSA, there had been a call for an SAB edition, so here it is. The chorus part is easily mastered and the solo lines are a delight. Excellent as a church anthem, thisSpiritual includes a piano part and works well as a concert piece for middle school, high school, and older. Easy.

Walk With Me, Lord (Arr. Powell) (SATB)

You have to hear it to believe it. The National AGO commissioned this beloved spiritual to be arranged with organ accompaniment. Who else but Rosephanye Powell understands both mediums well enough to make them merge into such a pleasing and powerful expression? Church choirs will find it most appealing, but schools with access to organ will also enjoy it. Easy to medium in difficulty.

Organ Flourish on Joy to the World : Organ

Written in the French organ/ toccata style (in the style of Mulet's Thou Art the Rock), this is a joyful setting of a popular Christmas classic. While not easy, this piece is not outside the reach of the average organist who mayhave experience with this style or with standard French literature. This challenging and rewarding selection is a showstopper for a Christmas organ concert, or a wonderful postlude for Christmas Eve services.

A Merry Christmas Wish : Accompaniment CD

Pepper Choplin has done it again.He has taken one of the classic Christmas Concert Closers, “We Wish You A Merry Christmas,” added two new engaging counter-melodies, and wrapped them in an easy swing that invites the audience to sing along.Reminiscent in format to the Christmas classic “Peace, Peace,” this clever carol setting is sure to follow suit.A rhythm part is available separately as is a performance/rehearsal track.Cue sized-notes enable this voicing to work for middle school choirs on up.Easy. Merry Christmas, Everyone!Pepper Choplin has done it again.He has taken one of the classic Christmas Concert Closers, “We Wish You A Merry Christmas,” added two new engaging counter-melodies, and wrapped them in an easy swing that invites the audience to sing along.Reminiscent in format to the Christmas classic “Peace, Peace,” this clever carol setting is sure to follow suit.A rhythm part is available separately as is a performance/rehearsal track.Cue sized-notes enable this voicing to work for middle school choirs on up.Easy. Merry Christmas, Everyone!

Lord, When We Praise You with Glorious Music

Bryan Jeffery Leech, pastor and song writer, blessed us with scores of hymn-songs. This anthem presents a bold and dignified praise for the gift of music. Veteran arranger Benji Harlan gave us an SATB setting that has sounded in the choir loft for many years. This new SAB setting, which still works with the original organ and/or brass accompaniment, is a gift for the choir with fewer voices. An anthem of praise for the church choir, easy to medium difficulty.

Richard Burchard: A Red, Red Rose (SATB)

Burchard has become one of the most commissioned composers and for good reason. His madrigal style is consistently enthralling, with an easy harmonic flow, gentle suspensions, and a fluid density that is uniquely his own. The Burns text is famously familiar, but the tune is completely original. The piece begins with the introduction of the theme sung by unison sopranos. Parts are added until the full divisi complement of voices are encircling each other in typical Burchard fashion. Medium in difficulty and appropriate for any concert situation.

Hold On!

Stacey Gibbs wants to “bring life” to the spiritual for use in the concert hall. This arrangement confirms why his arrangements are so popular: the rhythms and harmonies are fun to sing and he builds things up to arousing finish. This arrangement for women's voices reminds us to “keep your hand on the plow as you climb higher and higher...just hold on.”

Swing Down, Chariot

Heres another outstanding Spiritual arrangement from Stacey Gibbs. Stacey always delivers just what you want to hear plus some delightful surprises that exceed expectations. This one rocks through in 4-parts (with an occasional split) withpersonality and drive. The final section ramps up and offers the exuberant finish that only Stacey can provide. A good school piece for high school, college and community choirs, it will also work well in church. Medium difficulty.

Christus Natus Est

African-American poet Countee Cullen is the text source Rosephanye has chosen to set to music and one understands why when the words are read. The title is used as a litany response, Christ is born today to other words that lift up the downtrodden in stark words without apology. Christ must and will come to his own is how it ends. Rosephanye's music captures a flavor that respects the difficulties of her ethnic heritage. It is a wonderful and powerful statement in so many ways.African-American poet Countee Cullen is the text source Rosephanye has chosen to set to music and one understands why when the words are read. The title is used as a litany response, Christ is born today to other words that lift up the downtrodden in stark words without apology. Christ must and will come to his own is how it ends. Rosephanye's music captures a flavor that respects the difficulties of her ethnic heritage. It is a wonderful and powerful statement in so many ways.African-American poet Countee Cullen is the text source Rosephanye has chosen to set to music and one understands why when the words are read. The title is used as a litany response, Christ is born todayto other words that lift up the downtrodden in stark words without apology. Christ must and will come to his own is how it ends. Rosephanye's music captures a flavor that respects the difficulties of her ethnic heritage. It is a wonderful and powerful statement in so many ways.

Eternal Hope

Premiered at the ACDA National Convention in 2017 and written for the Bruce Rogers Series, this piece is a first in many ways. Stacey Gibbs, the reigning king of Spiritual arrangements and Richard Burchard, the modern day motet master, have teamed up and produced this remarkable piece that delivers both of their styles, and without compromises. Opening in Latin with Burchard's setting of Romans 18:21, one expects a beautiful and serious anthem. But the next statement comes from Gibbs in a setting of How Long? that turns the corner. Soon thereafter the choir divides in two and both styles are sung together. It is a stunning achievement that works to a glorious conclusion. Greatfor festivals and concerts with advanced high school, college and community choirs. Medium in difficulty.