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Let the Church Roll On

Want to pep up a worship service, or rouse the audience with a super encore? This is the piece to do it. There's some fun levity in this good ol' spiritual, especially the part about the choir singer. You'll have to see the song to know what that's about. Best of all, this arrangement has all of Stacey's stylin' but it's easy, almost all 4-part SATB (only a little soprano divis at the end). For church and school, high school ages and up, easy to medium.

When I Rise Up

Great Day : A Collection of Solo Spiritual Arrangements for Solo High Voice & Piano

Nine contemporary arrangements for voice and piano. Fix Me, Jesus, I Want Jesus to Walk with Me, My God Is So High, Go Down, Moses, Ride Up in the Chariot, Plenty Good Room, Great Day, Balm in Gilead, Get on Board.

Great Day : A Collection of Solo Spiritual Arrangements for Solo Low Voice & Piano

Nine contemporary arrangements for voice and piano. Fix Me, Jesus, I Want Jesus to Walk with Me, My God Is So High, Go Down, Moses, Ride Up in the Chariot, Plenty Good Room, Great Day, Balm in Gilead, Get on Board.

Is Not His Word like a Fire

Commissioned by the National AGO, Rosephanye created THE CRY OF JEREMIAH for choir, organ and orchestra. The 4 movement work has been a tremendous success, also available with a reduced percussion accompaniment. This is the dynamic opening movement which demands our attention from start to finish. A great anthem for church or concert.

On a March Day

A modern day madrigal, this demonstrates the artistry of Richard Burchard. The Teasdale text paints words of description with much deeper meanings, ultimately releasing the fear of death. The melodic lines outrank expectation with stunning leaps that are surprisingly sensuous. The responsive chorus sections are like joyful dances around the Maypole, playful and buoyant. A wonderful concert or festival piece, medium in difficuilty, selected for the Bruce Rogers series.

Gonna Ride Up in De Chariot

There Is a Garden

Robert H. Young, perhaps the father of the 20th century American madrigal, brings us a romantic setting of Cherry Ripe. An ancient text unfolds into Young's caring touch with sonorous sounds that caress each word.

Christus Natus Est

African-American poet Countee Cullen is the text source Rosephanye has chosen to set to music and one understands why when the words are read. The title is used as a litany response, Christ is born today to other words that lift up the downtrodden in stark words without apology. Christ must and will come to his own is how it ends. Rosephanye's music captures a flavor that respects the difficulties of her ethnic heritage. It is a wonderful and powerful statement in so many ways.African-American poet Countee Cullen is the text source Rosephanye has chosen to set to music and one understands why when the words are read. The title is used as a litany response, Christ is born today to other words that lift up the downtrodden in stark words without apology. Christ must and will come to his own is how it ends. Rosephanye's music captures a flavor that respects the difficulties of her ethnic heritage. It is a wonderful and powerful statement in so many ways.African-American poet Countee Cullen is the text source Rosephanye has chosen to set to music and one understands why when the words are read. The title is used as a litany response, Christ is born todayto other words that lift up the downtrodden in stark words without apology. Christ must and will come to his own is how it ends. Rosephanye's music captures a flavor that respects the difficulties of her ethnic heritage. It is a wonderful and powerful statement in so many ways.

A Merry Christmas Wish : Accompaniment CD

Pepper Choplin has done it again.He has taken one of the classic Christmas Concert Closers, “We Wish You A Merry Christmas,” added two new engaging counter-melodies, and wrapped them in an easy swing that invites the audience to sing along.Reminiscent in format to the Christmas classic “Peace, Peace,” this clever carol setting is sure to follow suit.A rhythm part is available separately as is a performance/rehearsal track.Cue sized-notes enable this voicing to work for middle school choirs on up.Easy. Merry Christmas, Everyone!Pepper Choplin has done it again.He has taken one of the classic Christmas Concert Closers, “We Wish You A Merry Christmas,” added two new engaging counter-melodies, and wrapped them in an easy swing that invites the audience to sing along.Reminiscent in format to the Christmas classic “Peace, Peace,” this clever carol setting is sure to follow suit.A rhythm part is available separately as is a performance/rehearsal track.Cue sized-notes enable this voicing to work for middle school choirs on up.Easy. Merry Christmas, Everyone!

Sometimes I Feel Like a Motherless Child (SATB)

The Rosephanye Powell Choral Series. This is one of the most well-known spirituals, and numerous arrangements already exist. But Rosephanye Powell has established herself as a marvelous composer of new choral works and also arrangements of spirituals. Her treatment of this spiritual standard will not disappoint her followers. Singers will enjoy singing the lines and harmonies she has drafted for this rendition.

Eternal Hope

Premiered at the ACDA National Convention in 2017 and written for the Bruce Rogers Series, this piece is a first in many ways. Stacey Gibbs, the reigning king of Spiritual arrangements and Richard Burchard, the modern day motet master, have teamed up and produced this remarkable piece that delivers both of their styles, and without compromises. Opening in Latin with Burchard's setting of Romans 18:21, one expects a beautiful and serious anthem. But the next statement comes from Gibbs in a setting of How Long? that turns the corner. Soon thereafter the choir divides in two and both styles are sung together. It is a stunning achievement that works to a glorious conclusion. Greatfor festivals and concerts with advanced high school, college and community choirs. Medium in difficulty.

Richard Burchard: A Red, Red Rose (SATB)

Burchard has become one of the most commissioned composers and for good reason. His madrigal style is consistently enthralling, with an easy harmonic flow, gentle suspensions, and a fluid density that is uniquely his own. The Burns text is famously familiar, but the tune is completely original. The piece begins with the introduction of the theme sung by unison sopranos. Parts are added until the full divisi complement of voices are encircling each other in typical Burchard fashion. Medium in difficulty and appropriate for any concert situation.

Swing Down, Chariot

Heres another outstanding Spiritual arrangement from Stacey Gibbs. Stacey always delivers just what you want to hear plus some delightful surprises that exceed expectations. This one rocks through in 4-parts (with an occasional split) withpersonality and drive. The final section ramps up and offers the exuberant finish that only Stacey can provide. A good school piece for high school, college and community choirs, it will also work well in church. Medium difficulty.

Sign Me Up : with Roll, Jordan, Roll The Andre J. Thomas Choral Series

Sign Me Up with Roll, Jordan, Roll : The Andre J. Thomas Choral Series

Shout Glory!

Byron Smith has penned this first selection in the Paul Smith Choral Series which was acclaimed at the 2001 ACDA National Convention. Shout Glory lives up to its name with highly energetic choral writing!

There Is a Place : SSAA divisi a cappella

A Golden Day

Pat-a-Pan

A Sabbath Hymn

A Jubilant Song

A Song of Life