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Burns Patrick A Perfect Trip Score Only Full Score

Burns Patrick A Perfect Trip Score Only Full Score

Patrick J. Burns ' Perfect Trip for Orchestra. Perfect Trip derives its title from the horse racing term which refers to the flawless performance of the winning steed. It was written for the 20th Anniversary Concert of the Ridgewood Concert Band (New Jersey) at the request of the band's founding director, Chris Wilhjelm. The piece itself lasts not much longer than a typical one-mile race and depicts the events from the observer's perspective: the initial burst of energy at the starting gate and ensuing excitement approaching the first turn, the suspense as the race develops along the far stretch, and the increasing drama as the pack rounds the final turn and heads down the stretch for the big finish.

SEK 127.00
1

Patrick J. Burns: Perfect Trip

Patrick J. Burns: Perfect Trip

Perfect Trip derives its title from the horse racing term which refers to the flawless performance of a winning steed. It was written for the 20th anniversary concert of the Ridgewood Concert Band in New Jersey at the request of the band's founding director, Dr. C. Christian Wilhjelm. The piece itself lasts not much more than a typical one mile horse race and depicts the event from the observer's perspective: the initial burst of energy at the starting gate and the ensuing excitement approaching the first turn, the suspense as the race develops along the far stretch, and the increasing drama as the pack rounds the final turn and heads down the stretch for the big finish. Recorded by the Ridgewood Concert Band, Christian Wilhjelm, conductor. (Grade 4)

SEK 781.00
1

Don MacDonald: Last Night Of Stars

Don MacDonald: Last Night Of Stars

Don MacDonald 's Last Night Of Stars features an original, profound text by the composer that describes a child in her bed at night, staring out of her high-rise window at a view obscured by a thick haze, her bedroom flooded with sounds from the city. Such a child may turn out to be the voice that brings about the changes needed to remedy our relationship with the planet. This beautiful and hopeful text is set in a unique, somewhat jazzy style for SATB choir.

SEK 65.00
1

Solos For The Alto Saxophone Player (Ed. Larry Teal)

Solos For The Alto Saxophone Player (Ed. Larry Teal)

Although many outstanding composers have written for the saxophone, its comparitively late invention leaves a great void in its literature - namely that of pre-20th Century music. If the saxophonist wishes to perform this music, he must turn to transcriptions, and that is what we find in this volume. Selected and edited by Larry Teal, always with the qualities and limitations of the instrument in mind, these pieces for Alto Saxophone with Piano accompaniment, range in era and style from Haydn to Granados. Selected for the ABRSM Alto and Baritone examinations grades 6 and 7.

SEK 286.00
1

Charles T. Griffes: Poem For Flute And Orchestra (Study Score)

Charles T. Griffes: Poem For Flute And Orchestra (Study Score)

Charles Tomlinson Griffes (1884 - 1920) was an American composer, whose life was tragically cut short by influenza at the age of 35. His Poem For Flute And Orchestra (1919) was one of the last works completed before he became ill, and is by far the most popular of his works today. It marks a new direction in his music, with a tendency to use a more abstract and complex style, in a slight break from the French Impressionism that had come to predominantly influence his work. He remains the prominent American composer from the turn of the last century.

SEK 434.00
1

Ernest Bloch: Sonata For Violin And Piano

Ernest Bloch: Sonata For Violin And Piano

Ernest Bloch's Sonata For Violin And Piano is a challenging but extremely rewarding work. The first movement's tempo marking is Agiatato and the music is in turn turbulent and aggressive, passionate and sorrowful, but the prevailing mood is one of grave disquiet. The sense of unrest continues in the second movement, although it is marked Molto quieto)and is mostly contemplative by nature. The last movement, marked Moderato begins with the tolling of bells in the piano part. The violin is assertive although less aggressive than it was in the first movement. A tender epilogue follows this and dies away peacefully, bringing the work to its conclusion.

SEK 533.00
1

Franz Schubert: Sonata Per Arpeggione D.821 (Viola/Piano)

Franz Schubert: Sonata Per Arpeggione D.821 (Viola/Piano)

The 'Arpeggione' was a guitar-like instrument tuned in the same way as the guitar, but held between the knees and played with a bow. The instrument possessed a warm quality and it was this attribute which Schubert exploited in the sonata which he wrote for it in 1824. Schubert's manuscript on which this edition is based contains an alternative violin part which dates from the same period. To avoid an excess of leger lines and clef changes Schubert wrote the arpeggioned part almost exclusively in the treble clef which the performer was expected to read an octave lower than written. The work was edited for the viola when it came into its own as a solo instrument around the turn of the century.

SEK 236.00
1

The Songs Of Charles T. Griffes Volume 3 (Medium Voice)

The Songs Of Charles T. Griffes Volume 3 (Medium Voice)

The Songs Of Charles T. Griffes: Volume 3 is the final volume of the collected vocal works of the American composer Charles Tomlinson Griffes (1884 - 1920). It has been edited by Donna Anderson, a foremost expert on his life and works. The 16 songs in this volume allow the interested musician to track Griffes’ compositional style as it changed throughout his career. His early Romantic style is typified by Auf Geheimem Waldespfade , which was first published in 1909, but dates from 1903-1907 when he was studying in Berlin. His German influences disappeared around 1912, and he drifted towards French impressionism, while exploring influences from the Far East. The 3 Javanese songs, Hampelas, Kinanti, and Djakoan (c. 1917), were probably the last songs he wrote before his life was cut tragically short by influenza at the age of 35. He remains the prominent American composer from the turn of the last century.

SEK 277.00
1

Come Ye Blessed Incidential Solos

Come Ye Blessed Incidential Solos

John Prindle Scott 's Come, Ye Blessed , arranged by Carl Deis for SATB choir with Organ accompaniment. John Prindle Scott was an American singer, Vocal tutor and composer. Born in New York in 1877, he studied at Oberlin College, Ohio, between 1896-1900. He moved back to New York city before 1908 and later became a voice teacher in Saginaw, Michigan. According to an article in the Syracuse American, " He had established a considerable reputation in concert work when he was forced by increasing deafness to turn to composition for musical expression ." Prindle Scott composed about 60 published songs between 1910 and 1930, including several prominent sacred works which have remained in the repertoire. Come, Ye Blessed takes its text from the Gospel of Matthew. It was first published by G. Schirmer in 1917. Alan J. Ord, author of Singer's Repertoire, described the piece as being a good choice for bass voices, calling it " ardent, with a flowing line ".

SEK 63.00
1

Christoph Willibald Gluck: Orfeo Ed Euridice (Libretto)

Christoph Willibald Gluck: Orfeo Ed Euridice (Libretto)

Gluck's 'Orfeo et Euridice' was one of three operas composed by Gluck in an attempt to reform the Italian opera seria. The libretto is noble and grand and this must have inspired Gluck, for his approach to the score is also monumental, as well as orchestral in nature. The opera opens after the death of Euridice to a funereal choral tableau which is pierced by the cries of the anguished Orfeo. Huge dramatic choruses of shades and furies contrast starkly with the solo recitatives and arias of Orfeo as he searches for Euridice. The third act is particularly beautiful, as Gluck and Calzabigi turn the shade of Euridice into a complex lover and wife, unwilling to follow her husband blindly out of Hades, even though she has been called back to life. Her arguments and pleadings, her passion and confusion, create the torment in Orfeo that results in her being sent back to hell. This is the Schirmer edition of the Libretto in the original Italian with an English translation by Walter Ducloux.

SEK 147.00
1

Christoph Willibald Gluck: Orpheus And Euridice (Vocal Score)

Christoph Willibald Gluck: Orpheus And Euridice (Vocal Score)

Gluck's 'Orfeo et Euridice' was one of three operas composed by Gluck in an attempt to reform the Italian opera seria. The libretto is noble and grand and this must have inspired Gluck, for his approach to the score is also monumental, as well as orchestral in nature. The opera opens after the death of Euridice to a funereal choral tableau which is pierced by the cries of the anguished Orfeo. Huge dramatic choruses of shades and furies contrast starkly with the solo recitatives and arias of Orfeo as he searches for Euridice. The third act is particularly beautiful, as Gluck and Calzabigi turn the shade of Euridice into a complex lover and wife, unwilling to follow her husband blindly out of Hades, even though she has been called back to life. Her arguments and pleadings, her passion and confusion, create the torment in Orfeo that results in her being sent back to hell. This is the Schirmer edition of the Vocal Score, with English words by Walter Ducloux taking precedance over the French original.

SEK 410.00
1

Hector Berlioz: Childhood Of Christ (SATB) (English Text)

Hector Berlioz: Childhood Of Christ (SATB) (English Text)

'The Childhood of Christ', with its tender and lovely music - scored with the skill and imagination for which Berlioz is famous - is one of the rare Berlioz compositions which was a rousing success from its first full performance and did not provoke controversy amongst the critics. How, indeed, could they criticise him when the centrepiece of the work - the movement "The Flight Into Egypt" - Berlioz had written and performed previously, under the pretence that it was by a fictitious 16th-century composer and thOSE same critics who normally mocked Berlioz's compositions had admired it immensely! That centre section told of the shepherds arriving to worship and say farewell to the Baby Jesus, Mary, and Joseph, who have already been warned by the angels to flee towards Egypt. The new opening, 'Herod's Dream' tells of the wrath of King Herod. The final part depicts the Holy Family having arrived in Sais, where the Romans and Egyptians turn them away, but they are given safe haven, finally, by the Ishmaelites. This Schirmer edition of the vocal score includes a full libretto and a piano reduction of the orchestral score.

SEK 119.00
1

Stephen Albert: RiverRun (Score)

Stephen Albert: RiverRun (Score)

'RiverRun' was Steven Albert's third work inspired by the writing of James Joyce. The opening movement, ?Rain Music?, is meant to convey the origins of a river. After the sharply accented chords of the movement's introduction, the music becomes quieter, suggesting an atmosphere of expectancy. The lightly ? scored second movement, ?Leafy Speafing? has a languid, cadenza-like opening on alto flute, followed by a more tightly focused thematic idea from the solo viola. The two instruments then engage in a quiet dialogue against the softly changing chords.The third movement, ?Beside the Rivering Waters?, is a fragmented march and scherzo. It opens with a children's song. The march, for the pit band, follows, and we are engulfed in a boozy wake. The scherzo brings a return of the current, then the march returns abruptly, followed by the children's tune - which is in turn transformed into a raucous pub song. Throughout the fourth movement, ?RiversEnd?, musical ideas from the preceding movements are recalled. Night is falling, and the river is moving quietly into darkness. As it approaches the open sea its momentum builds and it soon becomes a torrent spilling into the ocean. The work ends quietly.

SEK 652.00
1

Jacques Offenbach: Les Contes d'Hoffmann (Libretto)

Jacques Offenbach: Les Contes d'Hoffmann (Libretto)

During a visit to America, Offenbach conceived the idea of the large-scale opera that was to be his masterpiece. By 1878, he had completed all three acts of Les Contes d'Hoffmannn in piano score and orchestrated the Prologue, but sadly he never lived to see it performed, and it was completed and produced by his friend Ernest Guiraud. The opera opens in a Nuremburg tavern, to which the scene returns at various points as Hoffmann, with his companion Nicklausse and his poetic muse, tells of a series of amorous adventures with, in turn, a mechanical doll, a Venetian courtesan, and a young opera singer. The scheme works sufficiently well to avoid discontinuity, though it could easily be regarded as a linked set of one-act operas with related themes -- deception, betrayal, and death. A thread of philosophical melancholy runs through Hoffmann's tales, strongly suggesting that Offenbach was a dispirited and disappointed man, who no longer wished to be known only as a purveyor of musical soufflés.This edition of the libretto is in both the original French and in an English translation by Ruth and Thomas Martin.

SEK 127.00
1