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Joan Tower: Wings (Solo Alto Saxophone)

Joan Tower: Wings (Solo Alto Saxophone)

Version for solo Alto Saxophone. Wings for solo clarinet (1981) typifies those works of Tower's that bear evocative, symbolic titles drawing on abstract, action-filled imagery. One of her most frequently performed works, Wings uses fluid melodic contours and musical contrasts to evoke the soaring flight of falcons, who can glide effortlessly on thermal currents or dive at breakneck speeds. The work was tailor-made for the smooth, seamless playing of clarinetist Laura Flax, and demands great dynamic control over a wide registral range. Directly influenced by Messiaen's Quartet for the End of Time, Wings also examines the stretching of musical time. Tower arranged Wings for solo alto saxophone in 1991.

SEK 256.00
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Frederic Chopin: Chopin Preludes

Frederic Chopin: Chopin Preludes

Shaped by the tastes of the Parisian aristocratic salon, the Preludes of Chopin have long been a staple part of every Piano student's repertoire. The pieces hare brimming with innovation and invention, and will help to develop a fluid and elegant melodic style, as well as being recognised concert favourites. They present the Pianist with technical challenges that will inform and inspire your playing. The Schirmer Performance Editions not only offer authoritative presentations of great music, they are also packed with interpretative suggestions, permanent fingering as well as an insightful historical and artistic commentary. An innovative tutorial series that provokes discussion as well as music.

SEK 246.00
1

Joan Tower: White Water - String Quartet No. 5

Joan Tower: White Water - String Quartet No. 5

Joan Tower 's White Water - String Quartet No. 5 . Score and parts. White Water is the first of four commissions for Chamber Music Monterey Bay's "Arc of Life" project. The artist Bill Viola shared excerpts from his video installation "Going Forth by Day" — a depiction of life in all its stages — with the four composers, who then created compositions inspired by this. ' When I saw [Bill] Viola's work, I was quite fascinated with how he used water as an encompassing image which influenced everything I saw about the "person" inside the water. My piece is not directly associated by what he specifically did but it does have a strong connection to the image of water as a powerful basic idea and action. The many glissandos hopefully create a "fluid" environment that connects the various ideas and registers together, while "white water" somehow implies more rapid "cascading" types of action which occur throughout the piece ' - Joan Tower

SEK 533.00
1