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Carl Maria Von Weber: Clarinet Concertino In E Flat Op.26 (Clarinet/Piano)

Carl Maria Von Weber: Clarinet Concertino In E Flat Op.26 (Clarinet/Piano)

Weber wrote his Concertino for clarinet and orchestra in E flat major (1811) for Heinrich Bärmann, one of the most accomplished clarinettists of the day. As the instrument was relatively new, Weber's works for the clarinet broke new ground by affording it a new measure of prominence and displaying its wide-ranging capabilities for both expressivity and virtuosic display. The Concertino consists of three short movements that conform to the traditional.

SEK 206.00
1

James Walker: Sonatina For Clarinet And Piano

James Walker: Sonatina For Clarinet And Piano

In addition to a busy performing career and a full-time teaching post at the University of Leicester, the English composer James Walker produced at least 80 published works. His style is often witty, and movements display clear thinking and unfussy construction. The first movement is somewhat reminiscent of early 20th-century neoclassical styles. The central, slow movement must be legato throughout the almost constant metrical changes, whereas the last movement has wit and drama.

SEK 186.00
1

Andre Previn: Two Little Serenades For Violin And Piano

Andre Previn: Two Little Serenades For Violin And Piano

These "Two Little Serenades" display the great conductor Andre Previn's compositional skill. This talent is often overlooked in comparison to his more high-profile career, but it was through composition that he was introduced to conducting at the age of 18 after writing and conducting the film score to The Sun Comes Up (1949). The first piece, Noah, is gentle and reflective with wide intervals forming most of the material, while the second, Naava, is flowing and rhythmically taxing.

SEK 226.00
1

Fiesta Concert Band Sc

Fiesta Concert Band Sc

Morton Gould 's Fiesta from Centennial Symphony. Score/parts for Concert Band. ' Commissioned by the University of Texas at Austin in honour of its centennial in 1983, Centennial Symphony was written for the University of Texas 'Longhorns Bands,' Glen Richter, Director, for performance in the spring of 1983. I composed and scored it during the latter part of 1982 and completed the work in January 1983. The intent is a festive display piece, a 'Band Gala.' Throughout the work there are references to the regional background' Mexican, French, cowboy etc..There are also variants on 'The Eyes of Texas' and 'The Yellow Rose of Texas.' Although scored for a standard concert band, Fiesta uses offstage Trumpets as antiphonal choirs. ' - Morton Gould

SEK 157.00
1

Lili Boulanger: Trois Morceaux Pour Piano

Lili Boulanger: Trois Morceaux Pour Piano

Lili Boulanger was the sister of the famous teacher Nadia Boulanger who taught Aaron Copland, Elliott Carter and Philip Glass amongst others. She was a composer for the last 10 years of her tragically short life - she died at 25 - and her music stands in the main line of French music exemplified by Faure, somewhat tinged with the influence of Debussy's Impressionism. It is generally beautiful, delicately coloured, and touching. These 'Three Pieces For Piano' display her very personal musical signature. The first piece, D'un Vieux Jardin (Of an Old Garden) conjures up mystery and nostalgia. 'D'un Jardin Clair (Of a Clear/Bright Garden) has more movement and is bathed in light. The Cortege is more lively without being fast. Shifting rhythmic accents, tricky runs and contrasting dynamics make this an exciting piece.

SEK 157.00
1

Gunther Schuller: Concerto For Trumpet And Chamber Orchestra (Trumpet/Piano)

Gunther Schuller: Concerto For Trumpet And Chamber Orchestra (Trumpet/Piano)

This Trumpet Concerto was commissioned by the Ford Foundation for Gerard Schwarz. It is a unique work; a delightful palette of succulent and colourful scoring for both soloist and orchestra. The piece has attractive melodies and harmonies, uses several types of mutes for colour and is written in Schuller?s personal pan-stylistic musical language. The first movement opens with a mysterious, exotic-sounding Introduction marked calmo, leading to a masculine yet jaunty Allegro comodo, the trumpet being assigned characteristic semiquaver passage work. The movement also includes some beautiful lyrical and rhythmically simple passages. The second movement is a Scherzo-Trio-Scherzo at a vivace tempo. A short, drawn out, slow third movement concludes with a challenging full-page cadenza. Here, the trumpet is required to play very rapid double-tonguing patterns on semiquaver passages over a repeated quaver ostinato, reminiscent of the first movement. The final movement is virtually a pyrotechnical fireworks display of musically interesting, idiomatic, thrilling passage work. This movement demonstrates once again Schuller's extraordinary understanding and exploitation of the capabilities of the instruments. This edition contains a Piano reduction (by Robert Waddell) of the Concerto for rehearsal purposes only.

SEK 583.00
1

Karel Husa: Concerto For Wind Ensemble Score & Parts (Rev. 2008)

Karel Husa: Concerto For Wind Ensemble Score & Parts (Rev. 2008)

Commissioned by the Michigan State University Alumni Band, this three movement work by Karel Husa was the winner of the first Louis Sudler International Wind Band Composition Competition in 1983. A note from the composer: "Divided into three movements, this work is a display of virtuoso passages given to solo instruments as well as to the groups of the ensemble. In the Fanfare of the first movement, the Brass section concertises in groups of four Brass quintets (2 Trumpets, Horn, Trombone and Tuba or Baritone), spread from left to right in back. The Saxophones (SATB) are placed in front of the Brass quintets, and the Woodwinds occupy the front of the stage, with Percussion on the left and right side. These groups, like the Brass quintets, play in the concertante style, particularly in the first and last movements. "At the same time, each movement contains individual solo passages (for example, Timpani and Flute in Movement I - Drum Ceremony and English Horn and other low Woodwinds in Movement II - Elegy). The composition of this piece was prompted by the excellence of Wind and Percussion players today, and by the incredible growth of Wind ensembles, orchestras, and bands in the last 25 years. It is intended for their enjoyment."

SEK 1872.00
1