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Piano Sonata no. 5 in c minor op. 10,1 : Piano Sonata no. 5 in c minor op. 10 no. 1

Piano Sonata no. 5 in c minor op. 10,1 : Piano Sonata no. 5 in c minor op. 10 no. 1

Decisive and manly,” most profound sentiment and delicacy,” and imaginative humour” – thus does Beethoven’s contemporary Carl Czerny accurately describe the three movements of this expressive sonata. As no autograph manuscript has survived, the first edition of the three sonatas op. 10, published in Vienna in 1798, forms the sole basis for the revised Urtext edition of the Sonata in c minor. Yet another jewel stemming from the collaboration between Beethoven specialist Norbert Gertsch and star pianist Murray Perahia.

SEK 128.00
1

Quintett Es-Dur Hob.XIV:1

Quintett Es-Dur Hob.XIV:1

Haydn’s charming and sole piano quintet is for such an unusual combination of instruments - two horns and piano trio - that hardly any musicians are familiar with it. Horn players will get their money’s worth in this very early work by Haydn (ca. 1765), and pianists and string players are also kept busy. Our edition is based on the flawless musical text in the Haydn Complete Edition. We hope that a great many horn players will discover our edition and that the work will finally be able to emerge from the shadows!

SEK 208.00
1

Concerto for Organ : Concerto for Organ (Harpsichord)

Concerto for Organ : Concerto for Organ (Harpsichord)

Joseph Haydn left five organ concerti to posterity. Their genesis can only be approximately determined, but is probably datable to the 1750s, when Haydn was still active, inter alia, as organist to Count Haugwitz. The C major Concerto Hob. XVIII: 10, transmitted only in one single manuscript, was not rediscovered until the 1960s and first published by the Henle Urtext edition in 1969. In the sole surviving manuscript, the solo instrument is identified as a harpsichord, but various criteria unequivocally suggest that it was intended for the organ. It belongs to the type of brief, easily playable solo concerto with string accompaniment.

SEK 314.00
1

Concerto for Horn and Orchestra D major Hob. VIId

Concerto for Horn and Orchestra D major Hob. VIId

Two of Joseph Haydn’s three concertos for horn and orchestra have been lost, while two further horn concertos have often been mistakenly ascribed to him. Haydn’s sole surviving horn concerto, whose authenticity is not in doubt is this one in D major, Hob. Vlld:3. Our Urtext edition is based on the Haydn Complete Edition, and offers two solo parts: that in D follows Haydn’s autograph, while we also supply a part for the modern horn in F. Solo cadenzas are provided for all three movements. The cadenzas printed in the enclosed horn parts are by horn player Johannes Ritzkowsky, as far as possible they exploit the limited possibilities offered by the natural horn of Haydn’s own time.They should not cause today’s horn players any great problems, and will be a welcome bonus.

SEK 218.00
1

Le Festin d?Ésope op. 39 no. 12 : Le Festin d?Ésope op. 39 no. 12

Le Festin d?Ésope op. 39 no. 12 : Le Festin d?Ésope op. 39 no. 12

Charles Valentin Alkan’s cycle of variations Le Festin d’Ésope derives from his monumental series of etudes op. 39, the 12 Études dans tous les Tons Mineurs, and forms the culmination of that work. Now G. Henle Publishers presents, for the first time in an Urtext edition, what is by far the most well-known piano composition by this French pianist and composer notorious for the extreme virtuosity of his works. Because no autograph manuscripts survive, the first edition from 1857 is the sole source. The premier Alkan scholar Wolfgang Rathert gives details about the life and œuvre of the composer in his preface, while fingerings are provided by the Italian keyboardvirtuoso Vincenzo Maltempo, who has recorded numerous works by Alkan. By popular demand, this composer may also now finally assume his place in the Henle Urtext catalogue!

SEK 208.00
1

Variations On 'Trockne Blumen' D.802

Variations On 'Trockne Blumen' D.802

Just as in his “Trout” Quintet (D 667), “Wanderer” Fantasy (D 760), and string quartet “Death and the Maiden” (D 810), in the flute variations on “Trockne Blumen” (D 802) Franz Schubert employs one of his songs as the thematic basis of an instrumental composition. “Trockne Blumen” (Dried Flowers) is the eighteenth song from the cycle “Die schöne Müllerin” (D 795), composed in autumn 1823. In January 1824, before publication of all of the Müller songs that summer, the Theme and Variations in E minor for flute and piano were written, prefaced by a weighty introductory section. The work remains Schubert’s single and singular virtuoso composition for flautists: tremendouslydifficult for the flute to play, and, incidentally, sometimes very tricky for the piano to “accompany.” Schubert’s much-reworked autograph manuscript is the sole authoritative source for our Urtext, as it demonstrably served as the engraver’s copy for the posthumously published first edition. One of the variations he crossed out entirely the Henle Urtext edition reproduces it, more for informational purposes than for performance, in the appendix.

SEK 250.00
1